NOTE IMDb
7,2/10
4,1 k
MA NOTE
Ajouter une intrigue dans votre langueAt the close of WWII, Pulitzer Prize-winning war correspondent Ernie Pyle travels with, and reports on, the U.S. Army's 77th Infantry Division during their liberation of Italy.At the close of WWII, Pulitzer Prize-winning war correspondent Ernie Pyle travels with, and reports on, the U.S. Army's 77th Infantry Division during their liberation of Italy.At the close of WWII, Pulitzer Prize-winning war correspondent Ernie Pyle travels with, and reports on, the U.S. Army's 77th Infantry Division during their liberation of Italy.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 4 Oscars
- 5 victoires et 8 nominations au total
John R. Reilly
- Private Murphy
- (as Jack Reilly)
William Murphy
- Private Mew
- (as Bill Murphy)
William 'Billy' Benedict
- Pvt. Whitey
- (non crédité)
Michael Browne
- Sergeant
- (non crédité)
Bob Hope
- Bob Hope (Voice on Radio Program)
- (voix)
- (non crédité)
Kenneth Kendall
- Extra
- (non crédité)
Yolanda Lacca
- Amelia, Italian Girl
- (non crédité)
Barney Noto
- Staff Sergeant Barney Noto
- (non crédité)
Tito Renaldo
- Lopez
- (non crédité)
Dick Rich
- Sergeant at Showers
- (non crédité)
William Self
- Pvt. Cookie Henderson
- (non crédité)
Avis à la une
I rank this film with "The Paths of Glory", "All Quiet on the Western Front", and "A Walk in the Sun"; which I consider to be the most poignant and best acted war or anti-war films. The direction, dialogue, and acting in this film differ in the respect that the bloodshed and action are not graphic but obviously evident. It is certainly better than "Saving Pvt. Ryan", which is too long, pretentious, and relies on gory special effects to entice the younger audience.
The acting in "The Story of G.I. Joe" is realistic (not to be confused with the "method style") and understated.
Burgess Meredith and Robert Mitchum give two of their best performances and I really felt as though this was a portrayal of the every day conditions of the infantryman and not an exercise in false heroics.
I would rate this film a 9 out of 10. And I thank Turner Classic Movies for showing it. It is truly a CLASSIC.
The acting in "The Story of G.I. Joe" is realistic (not to be confused with the "method style") and understated.
Burgess Meredith and Robert Mitchum give two of their best performances and I really felt as though this was a portrayal of the every day conditions of the infantryman and not an exercise in false heroics.
I would rate this film a 9 out of 10. And I thank Turner Classic Movies for showing it. It is truly a CLASSIC.
The Story of G.I. Joe chronicles the experiences of an infantry unit in Italy as told by war correspondent Ernie Pyle, who is played by Burgess Meredith. War weary Robert Mitchum plays the platoon leader. While we can see that the movie was largely made in the studio, the great photography and direction move it along. Cold feet, mud, frustration, and homesickness are effectively demonstrated at the expense of battle scenes.
The term "G.I. Joe" has become so closely associated with the image of a certain toy that it is now largely forgotten that it was originally coined to describe the ordinary American foot soldier. Likewise, it is now largely forgotten just exactly who Ernie Pyle was and what he meant to the American people and, more especially, to the ordinary soldiers about whom he wrote.
My father took a photograph of Ernie Pyle in the Pacific in 1945, shortly before Pyle was killed. At the time Pyle was surrounded by a mob of admiring G.Is. You'd have thought they were in the presence of Bettie Grable or Rita Hayworth rather than a short, balding, middle aged newspaper-man. When Pyle was killed in action a few days later while accompanying the infantry, the solders erected a monument at the place where he died. On it were engraved the words, "On this spot the 77th Division lost a buddy", and they really meant it. It's inconceivable that troops today would do anything like that for one of the current crop of CNN-generation reporters.
The reason isn't hard to fathom. Most war correspondents hung around the rear echelon, hobnobbing with the general staff and forwarding dispatches from headquarters, and they still do. Pyle, on the other hand, lived with and wrote about the common infantrymen who were actually fighting the war. He ate their food, drank their coffee and shared their hardships through three grueling years of war from North Africa through Sicily to the European mainland, and then later on in the Pacific, where he was killed. Pyle became the spokesman for the common soldiers, and all their families back home read his syndicated column. There simply wasn't anybody else like him then, and there hasn't been since.
Small wonder that William Wellman, himself a combat veteran, thought that this movie needed to be made. The filmmaker had tremendous respect for his subject, and it shows. For example, that poignant last scene is, almost word for word and image for image, straight out of one of Pyle's most famous dispatches. It would have been interesting to learn what Pyle thought of this film. Unfortunately, however, by the time it was released the Pulitzer Prize-winning reporter was already dead.
My father took a photograph of Ernie Pyle in the Pacific in 1945, shortly before Pyle was killed. At the time Pyle was surrounded by a mob of admiring G.Is. You'd have thought they were in the presence of Bettie Grable or Rita Hayworth rather than a short, balding, middle aged newspaper-man. When Pyle was killed in action a few days later while accompanying the infantry, the solders erected a monument at the place where he died. On it were engraved the words, "On this spot the 77th Division lost a buddy", and they really meant it. It's inconceivable that troops today would do anything like that for one of the current crop of CNN-generation reporters.
The reason isn't hard to fathom. Most war correspondents hung around the rear echelon, hobnobbing with the general staff and forwarding dispatches from headquarters, and they still do. Pyle, on the other hand, lived with and wrote about the common infantrymen who were actually fighting the war. He ate their food, drank their coffee and shared their hardships through three grueling years of war from North Africa through Sicily to the European mainland, and then later on in the Pacific, where he was killed. Pyle became the spokesman for the common soldiers, and all their families back home read his syndicated column. There simply wasn't anybody else like him then, and there hasn't been since.
Small wonder that William Wellman, himself a combat veteran, thought that this movie needed to be made. The filmmaker had tremendous respect for his subject, and it shows. For example, that poignant last scene is, almost word for word and image for image, straight out of one of Pyle's most famous dispatches. It would have been interesting to learn what Pyle thought of this film. Unfortunately, however, by the time it was released the Pulitzer Prize-winning reporter was already dead.
I found this to be a particularly poignant film about WWII - no heroics, just the simple getting through the day & night of a company of US infantry. Much like Ernie Pyle humanized the 'G. I.' in his written pieces, Wellman does the same on film. The heat, dirt, cold, mud, rain...fear, uncertainty, waste - it's all here without the bombast and manipulation of "Saving Private Ryan'. The performances are wonderful - most of the performances were given not by professionals but by the soldiers themselves. There is one scene between Mitchum and Meredith that was apparently an audition film - it was so right, it was simply inserted into the film. There are human touches throughout, as well as the insanity of war. I would strongly recommend this film to anyone who has an appreciation for the director, actors, theme. It's not a grisly film, and it is slow, but overall well worth watching.
And war was fought in the rain and the mud and the cold....In today's wars fought on film there is very rarely a look at the true living conditions that existed. This movie does not clean up the actors (as most films do). You see here all of the gritty, day-to-day, living during the war. These guys did not clean up every day. This is a good story about WW2. Be sure to see it. 8/10
Le saviez-vous
- AnecdotesThe extras in the film were real American GIs, in the process of being transferred from the war in Europe to the Pacific. Many of them were killed in the fighting on Okinawa--the same battle in which Ernie Pyle was killed by a Japanese machine gunner--never having seen the movie in which they appeared.
- GaffesThe unit Pyle is with--the 18th Infantry Regiment, 1st Infantry Division--never fought in the Italian campaign. After the Sicilian campaign ended, it was brought back to England and began training for the D-Day invasion in Normandy. The 1st Division would eventually spearhead the assault on Omaha Beach.
- Citations
Pvt. Dondaro: If this War don't kill me first, my feet will.
- Crédits fousThere are absolutely no credits at the end of the film, not even the words "The End".
- ConnexionsEdited from La bataille de San Pietro (1945)
- Bandes originalesSilent Night
(uncredited)
Music by Franz Xaver Gruber
Lyrics by Joseph Mohr
Sung by Elfie Mayerhofer on Decca Record
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- How long is Story of G.I. Joe?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- También somos seres humanos
- Lieux de tournage
- Iverson Ranch - 1 Iverson Lane, Chatsworth, Los Angeles, Californie, États-Unis(marching through countryside just before the "baptism of fire.")
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 000 000 $US (estimé)
- Durée1 heure 48 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Les Forçats de la gloire (1945) officially released in India in English?
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