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Le Poids d'un mensonge

Titre original : Love Letters
  • 1945
  • Tous publics
  • 1h 41min
NOTE IMDb
7,0/10
1,9 k
MA NOTE
Joseph Cotten and Jennifer Jones in Le Poids d'un mensonge (1945)
DrameMystèreRomance

Ajouter une intrigue dans votre langueAllen Quinton writes a fellow soldier's love letters; tragedy results. Later, Allen meets a beautiful amnesiac who fears postmen...Allen Quinton writes a fellow soldier's love letters; tragedy results. Later, Allen meets a beautiful amnesiac who fears postmen...Allen Quinton writes a fellow soldier's love letters; tragedy results. Later, Allen meets a beautiful amnesiac who fears postmen...

  • Réalisation
    • William Dieterle
  • Scénario
    • Ayn Rand
    • Christopher Massie
  • Casting principal
    • Jennifer Jones
    • Joseph Cotten
    • Ann Richards
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    1,9 k
    MA NOTE
    • Réalisation
      • William Dieterle
    • Scénario
      • Ayn Rand
      • Christopher Massie
    • Casting principal
      • Jennifer Jones
      • Joseph Cotten
      • Ann Richards
    • 36avis d'utilisateurs
    • 10avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 4 Oscars
      • 2 victoires et 6 nominations au total

    Photos97

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    + 91
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    Rôles principaux35

    Modifier
    Jennifer Jones
    Jennifer Jones
    • Victoria Morland
    Joseph Cotten
    Joseph Cotten
    • Alan Quinton
    Ann Richards
    Ann Richards
    • Dilly Carson
    Cecil Kellaway
    Cecil Kellaway
    • Mac
    Gladys Cooper
    Gladys Cooper
    • Beatrice Remington
    Anita Louise
    Anita Louise
    • Helen Wentworth
    Robert Sully
    Robert Sully
    • Roger Morland
    Reginald Denny
    Reginald Denny
    • Defense Counsel Phillips
    Ernest Cossart
    Ernest Cossart
    • Bishop
    Byron Barr
    Byron Barr
    • Derek Quinton
    Harry Allen
    • Farmer
    • (non crédité)
    Conrad Binyon
    • Boy in Library
    • (non crédité)
    Nina Borget
    • Italian Waitress
    • (non crédité)
    Matthew Boulton
    Matthew Boulton
    • Judge
    • (non crédité)
    Clifford Brooke
    Clifford Brooke
    • Cart Driver
    • (non crédité)
    David Clyde
    David Clyde
    • Postman
    • (non crédité)
    Alec Craig
    Alec Craig
    • Dodd
    • (non crédité)
    Catherine Craig
    Catherine Craig
    • Jeanette Campbell
    • (non crédité)
    • Réalisation
      • William Dieterle
    • Scénario
      • Ayn Rand
      • Christopher Massie
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs36

    7,01.9K
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    Avis à la une

    10renfield54

    ROMANCE, MYSTERY AND MURDER.....WELL DONE!

    This is one of the 4 (successful) pairings of Joseph Cotten and Jennifer Jones. The latter receiving 3 Oscar nominations for her (their?) efforts (including this one). The debonair Cotten and the delightful Jones are perfectly cast. The title of the film provides the "connecting thread" for our seemingly doomed lovers. This mystery/love story is a "grabber" beginning to end. The film is a cornucopia of actions and emotions. The English countryside is very effective for this tale. The inevitability of their fates is obvious, but it's a very long and twisted road to get there....... and a very enjoyable road too...

    Joseph Cotten at his best, Jennifer Jones at her best, and a fine supporting cast... A MUST SEE...
    10rsternesq

    Fate and Love

    I am very fond of the stars and many members of the supporting cast. I adore Portrait of Jennie. I think Ayn Rand was a prophet and wise beyond the ability of most people to even comprehend. Putting all of that aside. Even putting aside all of the music, the clothes, the atmosphere and the dialog. This is still wonderful. This is a story of fate, of love and how the two sometimes come together in an undeniable vision that, once seen is never forgotten. This is a wonderful movie and I enjoy it more with each viewing. Now that Ms. Jones is gone. she can always be as she was here and that is, she was loved by not just one man but by almost everyone who saw her back then when she and the world were so very much younger. Fate, not always so kind but somehow this movie makes one feel that there are worse things than to be fated to an inescapable love.
    7m0rphy

    Modern Cyrano de Bergerac

    I have seen this video many times mainly because I absolutely adore Jennifer Jones.She is an awesome beauty and I must be honest, a sexual fantasy of mine.The fact she is playing a Canadian orphan in the film at least explains her accent.The story of an amnesiac who gradually becomes her true self is OK but why oh why does Hollywood insist on producing "twee" versions of "little 'ole England" in California complete with "gargoyles"? Surely English actors playing English characters in England would have been more authentic.Just to throw in a few English actors (Gladys Cooper and a boy in the London Journal reading room plus stock film company footage of London England, is not convincing enough to the film connoisseur).Also how could a private home have a view overlooking Trafalgar Square!This is unsubtle image - fixing on innocent susceptible eyes.I am sure Americans cringe just as much when they hear unconvincing American accents from non-U.S. nationals.Jo Cotten had the great good fortune to appear to my knowledge with Ms Jones also in Duel in the Sun (1946)/Portrait of Jennie (1948) and Since you went away (1944).Therefore they had already done a film together and their scenes worked well and I almost found myself forgetting his "English" accent! JJ never looked more lovely than in this 1945 picture and there is a very memorable scene when Alan (Jo Cotton) comes back to his house in Essex and receives a call from Dilly Carson (Ann Richards) that "Singleton" appears to have gone missing.Suddenly there is a giggle and the lovely "Singleton" a.k.a.Victoria Moreland, (JJ), pops up from the sofa to surprise Alan- JJ looks absolutely stunning!
    squid-13

    romantic and soppy, yet strangely endearing...

    This film is more than just the best of the "other fellow writes love notes" genre. The Ayn Rand screenplay, though a potboiler, conveys the absolutist nature of true romantic love, which certainly dovetailed nicely with her objectivist philosophy. Jennifer Jones is lovely as ever, and extremely convincing in her amnesiac role. A fine film.
    10hjmsia49

    A Touching Love Story

    Love Letters has always been one of my favorite films. Fine performances by a superb cast, a good script by Ayn Rand and a perfect score by Victor Young. Jennifer Jones and Joseph Cotten were always compatible in their four films together. The chemistry between them is obvious. I confess a bias for this film because the title song has always been special for my wife and I for over 50 years. It was nominated for an Oscar but did not win. Such was the fate of composer Victor Young who not only failed to win an Oscar for "Love Letters" but also such memorable film songs as "My Foolish Heart," "Stellar By Starlight" and his most popular song "When I Fall In Love" (which surprisingly was never nominated even though it was in two films?) He finally received an Oscar after his death for "Around The World In 80 Days." Speaking of Oscar, Joseph Cotten was one of Hollywood's best actors for many years but he was never nominated for the big prize. Evidently, he made it look so easy he was never noticed. Jennifer Jones was radiant in this film and well deserving of her Oscar nomination. If you are a true romantic, I think you will love this film.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The role of Victoria Morland/Singleton was initially planned for Ann Richards, but after Jennifer Jones became available, Richards ended up playing Dilly, Singleton's friend.
    • Gaffes
      When Alan sees the archived newspaper article, the first brief paragraph is on topic. The second paragraph is unrelated and everything else on the page is gibberish.
    • Citations

      Allen Quinton: You are so calm, it is so contagious, you... you are so happy.

      Victoria Morland: I will tell you the secret, just two words, "Be yourself". You are afraid of that, everybody is. But I have no choice, I can't be anything but myself.

    • Connexions
      Referenced in Maman très chère (1981)

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    FAQ16

    • How long is Love Letters?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 30 mai 1947 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Italien
    • Aussi connu sous le nom de
      • Love Letters
    • Lieux de tournage
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • Hal Wallis Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 41min(101 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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