Deux nigauds dans la neige

Having just watched Laurel & Hardy in the Swiss Alps in Swiss Miss, I decided to then rewatch Abbott & Costello in Sun Valley in Hit the Ice. They play photographers who unwittingly get involved in taking pics of villain Sheldon Leonard and his henchmen after they rob a bank. I'll stop there and just say Bud & Lou once again are funny with their routines, like "Pack/Unpack" and "All Right!", and especially Lou's reactions and pratfalls. This was one of their early ones in which there are several musical interludes of which many are performed by Ginny Simms. I didn't mind them the first time I watched this 40 years ago and I still don't mind now. While looking at the cast list on this site, I noticed a couple of them-Edward Gargan and Mantan Moreland-had the year before appeared in Laural & Hardy's A-Haunting We Will Go. While regular A & C court jester Bobby Barber was also listed as being in this movie, I didn't recognize him anywhere here. Oh, and since I always like to cite when a player from my favorite movie It's a Wonderful Life is in another film, here it's Mr. Leonard who was, of course, Nick the Bartender in IAWL. So on that note, I truly re-enjoyed Hit the Ice. My next review will be Laurel & Hardy's short Towed in a Hole.

Photographers Flash and Tubby believe they have land a paying job when they agree to cover a group of men coming out of a bank. Little do they know that the men are bank robbers who have mistaken the two for hired guns, booked to cover the entrance during the job. They discovery this too late and suddenly find themselves suspected of the robbery themselves. With only the photographs they took as leverage, the two follow the crooks to a mountain ski resort where they plan to expose them and clear their own names.

Abbott & Costello are always a duo I come back to but yet they are also a duo that tend to deliver solid amusement rather than great films. Hit the Ice is another one of those because it is roundly "ok" even if it does have some bits that capture why people love these two. The plot is a simple affair with the usual misunderstandings and scrapes along the way but it does work, providing the love interest for Costello to flirt with and also the tough guys for him to face off against. There are a few routines that are good fun like the "teller" one or the bit where Costello packs and unpacks repeatedly, while the pratfalls and chases are amusing and are done with energy. It doesn't have enough to be considered a great film or anything but it is amusing enough to please fans and also children.

The film is padded far too much with musical numbers. You expect one or maybe two but there are loads of them here and they never feel like anything other than filler. Abbott and Costello are both on pretty good form here, they feel like they are working well off one another – with Costello in particular putting effort into his falls and double-takes. Simms' songs perhaps don't appeal but she certainly does – stunningly beautiful and she has an easy screen presence that helps as well – I feel for Knox who has to compete but doesn't really. Leonard is fun as the main villain while Knowles is about as vanilla and dull as he could have been.

Overall this is an OK piece of comedy that fans will like as well as kids. There are a couple of funny routines and, although it has too much of it, the pratfall-style comedy is OK too. The musical numbers are overused and slow the film down but at least you get to look at Simms while they are on (well, mostly). Solid but unremarkable.

HIT THE ICE (Universal, 1943), directed by Charles Lamont, certainly has the distinction of being another one of many ice skating musicals starring Olympic skating champion, Sonja Henie. Though Henie doesn't appear, much of the icing goes to Universal's top comedy team of Bud Abbott and Lou Costello. While there are good songs and some ice skating involved, HIT THE ICE also has the distinction of other fine things presented that truly indicate why Abbott and Costello movies were so successful during the World War II years. Though they don't really hit the ice, they surely were hitting their stride.

The story opens at Fulton Hospital where Harry "Silky" Fellowsby (Sheldon Leonard) occupies a room feigning feverish illness in order to establish an alibi as he and his fellow mobster pals, Phil (Marc Lawrence) and Buster (Joseph Sawyer) sneak out of the hospital to rob the bank across the street. While Bill Burns (Patric Knowles) is doctor in the case, his nurse, Peggy Osborne (Elyse Knox) suspects foul play. As the gangsters await for the arrival of a couple of gunmen from Detroit, Doctor Burns meets up with a couple of friends from his childhood days, Flash Fulton (Bud Abbott) and Tubby McCoy (Lou Costello), now photographers hoping to get some pictures for the newspaper where they hope to obtain employment. Inviting the boys to come along on an emergency call via ambulance, naturally when Flash and Tubby unintentionally encounter Silky and his gang at the hospital, they are mistaken for the boys from Detroit. Unwittingly assisting the gangsters in the bank robbery, it's Flash and Tubby who are accused with their photo sketches placed on the newspaper's front page. As the dual attempt to prove their innocence and return the bank money by following the gangsters via train to Sun Valley, Silky and his gang keep watch on Flash and Tubby believing they hold actual photos of them at the robbery. In the meantime, as Silky hides the loot in his mountain cabin, Burns, now a resident physician at Sun Valley accompanied by his ever suspicious nurse, Flash and Tubby, working as waiters, soon meet up with another friend from their boyhood days, orchestra leader Johnny Long (Johnny Long), whose vocalist, Marcia Manning (Ginny Simms), might have some connection with Silky and his gang. Then the fun really begins.

Aside from great comedy routines in the true Abbott and Costello fashion, including some clever verbal exchanges (one resembling their classic "baseball" routine), pack and unpack, Costello's "all right" piano playing to a recording (a scene usually edited from broadcast TV channels to allot for extended commercial breaks, and a routine later recreated in an episode to their 1950s TV series, "The Abbott and Costello Show"), and the handkerchief and punch-me gag, there's the usual time-out song interludes to showcase some musical talent, in this case, the vocalization of the gorgeous Ginny Simms. Songs scored by Harry Revel and Paul Francis Webster include: "I'm Like a Fish Out of Water" (no connection to the same title tune from the 1937 Warner Brothers musical, "Hollywood Hotel"); "I Like to Set You to Music" (sung by Ginny Simms, The Four Teens, and Johnny Long); "Slap Happy Polka" (sung by Simms and skaters) and "Happiness Bound" (sung by band members). Of the four tunes, "Slap Happy Polka" and "Happiness Bound" are at its listening best, with the Polka number staged in hilarious fashion as Costello gets himself entangled in an ice skating ensemble, to hilarious results. If that's not hilarious enough, be sure not to miss Abbott and Costello's climatic chase coming down the mountain on skis.

With frequent broadcast television revivals, especially on New York City's WPIX Channel 11 Abbott and Costello Sunday morning movies(1971-1990), and prior to that on WNBC, Channel 4's late show through much of the late sixties, HIT THE ICE, which was then one of the most widely known among Abbott and Costello film titles, has become sadly overlooked through the passage of time, which is a shame because it's still 84 minutes of old-style non-stop fun.

Formerly available on video cassette around the 1990s, HIT THE ICE can still be seen in its full glory on DVD, along with other Abbott and Costello titles on the same disc as IN SOCIETY (1944) and THE NAUGHTY NINETIES (1945). Take note that while Costello is called "Tubby" throughout the story, he's listed in the closing cast credits under the name of "Weejie." Now that's really hitting the ice. (***)

Underrated A&C slapstick. The boys are photographers who get mixed up with bank robbers, ending up in a whirlwind ski run at Sun Valley. It's a darn near perfect mix of Costello prat-falls, big band tunes, and mock theatrics. Note how Lou often plays to the camera, acknowledging our presence in humorous fashion.

Plus, it's a great supporting cast of baddies, including a menacing Sheldon Leonard, a sinister Marc Lawrence, and a thuggish Joe Sawyer. And get a load of songstress Ginny Simms-. I'd stamp her name on my fuselage any day. Then there's the sweetly pretty Elyse Knox who, unfortunately, passed away just a short time ago.

Happily, the gags fly thick and fast in a script loaded with clever gimmicks, such as the handkerchief trick that's no sure thing as Lou finds out. Plus, there's the ice rink that made me appreciate what an expert athlete Costello is despite his ungainly appearance.

Anyway, the material is fresh, the boys are energetic, and the pacing is snappy, making this a top-notch entry in the A&C sweepstakes.

A strong entry from Abbott & Costello which sees them unwittingly aiding a trio of gangsters to rob a bank and having to then track them down before they are arrested for the crime themselves. Costello's encounter with a little girl on an ice rink is a scream.