Ajouter une intrigue dans votre langueA young man falls in with a society whose principle is a complete disregard for work, and chaos ensues when the society decides to help run the hotel of his father.A young man falls in with a society whose principle is a complete disregard for work, and chaos ensues when the society decides to help run the hotel of his father.A young man falls in with a society whose principle is a complete disregard for work, and chaos ensues when the society decides to help run the hotel of his father.
- Réalisation
- Scénario
- Casting principal
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It's another movie based on one of the silly novels written by S. J. Simon and Caryl Brahms, a series of collaborations they had begun when Miss Brahms wanted to write a novel about killing a ballet critic she hated. It's a pleasure to see Miss Lockwood out of her English Rose persona, and she is quite funny. Director Val Guest has assembled a talented collection of farceurs, including Vic Oliver, Irene Handl, and others usually better remembered for their dramatic thesping, including Roland Culver and Gibb McLaughlin. If the pace seems more frantically forced on occasion, the individual bits are certainly funny enough to keep it going.
All through it reminded me of a British version of a Marx Brothers comedy although there was not a Margaret Dupont character for Vic to play off but there was the usual gullible hotel staff.I feel sure the producers were heavily influenced by The Brothers' antics when commissioning the screenplay.Yes there was some slapstick but for me apart from ogling Margaret Lockwood, I only found it mildly humorous.Comedy can so age over a period of 60 years.
This film has a great idea about a group who call themselves "White Elephants" and who refuse to do anything useful for society, especially work. It has the potential to be a commendable blueprint for life, but unfortunately, it is played out by a weak cast who are all ultimately irritating characters. From Margaret Lockwood's "Nina" with her irritating fake Russian accent to Jean Simmons' unconvincing streetwise "Heidi", through to Peter Graves' arrogantly slimy "Peter Pyke", they are all unfunny. The dialogue is delivered at a quick pace as if to impress the viewer with it's cleverness. It is indeed funny in parts but it is not consistent.
A memorably bad part of the film involves a duel sequence which is not at all funny. Why did British films think that audiences wanted to watch this sort of claptrap? However, the film does contain some funny moments, eg, the theory behind going to school to become stupid; and the attempts by a couple of the "Elephants" to serve food at a restaurant. Sadly, the film never quite gets going and just ends up as a boring noise. Shame.
Le saviez-vous
- AnecdotesThis was Jean Simmons's film debut. She was selected from about two hundred applicants.
- Citations
Sascha: [Reads the White Elephants Oath to Peter Pyke] I solemnly promise not to notice anything anyone leaves undone. I promise to never use such phrases as, "Pull yourself together, man;" "Why don't you get a job;" "If I was in your place;" or any reference to the word, "work." Penalty for infringement, four pence. Should I find myself a useful member of society, I swear to inform the committee. All elephants are my brothers.
[He concludes]
Sascha: I now pronounce you a White Elephant.
- Crédits fousOpening credits: IF ANY CHARACTER IN THIS FILM RESEMBLES ANY CHARACTER, LIVING OR DEAD, THEN THAT CHARACTER HAS NO CHARACTER
Groucho Marx or Someone.
- ConnexionsReferences Casablanca (1942)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Daj nam księżyc
- Lieux de tournage
- Gainsborough Studios, Islington, Londres, Angleterre, Royaume-Uni(studio: made at the Gainsborough Studios, London)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 35 minutes
- Couleur
- Rapport de forme
- 1.37 : 1