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IMDbPro

Give Us the Moon

  • 1944
  • 1h 35min
NOTE IMDb
5,7/10
249
MA NOTE
Margaret Lockwood in Week-end (1938)
ComedyRomanceSci-Fi

Ajouter une intrigue dans votre langueA young man falls in with a society whose principle is a complete disregard for work, and chaos ensues when the society decides to help run the hotel of his father.A young man falls in with a society whose principle is a complete disregard for work, and chaos ensues when the society decides to help run the hotel of his father.A young man falls in with a society whose principle is a complete disregard for work, and chaos ensues when the society decides to help run the hotel of his father.

  • Réalisation
    • Val Guest
  • Scénario
    • Caryl Brahms
    • S.J. Simon
    • Howard Irving Young
  • Casting principal
    • Margaret Lockwood
    • Vic Oliver
    • Peter Graves
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,7/10
    249
    MA NOTE
    • Réalisation
      • Val Guest
    • Scénario
      • Caryl Brahms
      • S.J. Simon
      • Howard Irving Young
    • Casting principal
      • Margaret Lockwood
      • Vic Oliver
      • Peter Graves
    • 11avis d'utilisateurs
    • 5avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos5

    Voir l'affiche
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    Rôles principaux33

    Modifier
    Margaret Lockwood
    Margaret Lockwood
    • Nina
    Vic Oliver
    Vic Oliver
    • Sascha
    Peter Graves
    Peter Graves
    • Peter Pyke
    Roland Culver
    Roland Culver
    • Ferdinand
    Max Bacon
    • Jacobus
    Frank Cellier
    Frank Cellier
    • Pyke
    Jean Simmons
    Jean Simmons
    • Heidi
    Eliot Makeham
    Eliot Makeham
    • Dumka
    Iris Lang
    • Tania
    George Relph
    George Relph
    • Otto
    Gibb McLaughlin
    Gibb McLaughlin
    • Marcel
    Irene Handl
    Irene Handl
    • Miss Haddock
    Henry Hewitt
    • Announcer
    Alan Keith
    • Raphael
    John Salew
    John Salew
    • Landlord
    George Merritt
    George Merritt
    • Bailiff
    Jonathan Field
    Arty Ash
      • Réalisation
        • Val Guest
      • Scénario
        • Caryl Brahms
        • S.J. Simon
        • Howard Irving Young
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs11

      5,7249
      1
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      10

      Avis à la une

      7boblipton

      Much Ado About Doing Nothing

      It is three years after the end of the Second World War, and the government has made good on its promises of a future and a job for everyone. All except for Peter Graves. He may have been a hot-shot fighter pilot during the war, but now he is quite content to live in his father's latest luxury hotel and eat out in quest of adventure and beautiful women. He finds both at a restaurant which is the front for a club called the White Elephants, all sworn to observing the world's problems and doing nothing about them. He is smitten with Russian Margaret Lockwood and her eleven-year-old sister, played by fifteen-year-old Jean Simmons in her movie debut. He swears to obey the club's rules and never work. But disaster strikes! His father, Frank Cellier, leaves the hotel, making him manager..... and work is forbidden by the laws of this new society he has sworn to uphold.

      It's another movie based on one of the silly novels written by S. J. Simon and Caryl Brahms, a series of collaborations they had begun when Miss Brahms wanted to write a novel about killing a ballet critic she hated. It's a pleasure to see Miss Lockwood out of her English Rose persona, and she is quite funny. Director Val Guest has assembled a talented collection of farceurs, including Vic Oliver, Irene Handl, and others usually better remembered for their dramatic thesping, including Roland Culver and Gibb McLaughlin. If the pace seems more frantically forced on occasion, the individual bits are certainly funny enough to keep it going.
      6howardmorley

      Vic Oliver and Margaret Lockwood Playing Farce

      This was the latest addition to my Margaret Lockwood collection.What a change to see her playing farce as Nina a beautiful Russian girl whose imagination races into overdrive.She is teamed with Vic Oliver who I can only describe seems to be a cross between an Austrian and Groucho Marx.Fortunately Vic spares us his violin playing in this film!!Nina always jumps to ridiculous assumptions before anyone has had a chance to speak and Vic Oliver is the glib mastermind of a group of layabouts who style themselves "The White Elephants" by their refusal to work.I did not recognise the actor playing Peter Pyke the no good wastrel son of a hotel magnate.

      All through it reminded me of a British version of a Marx Brothers comedy although there was not a Margaret Dupont character for Vic to play off but there was the usual gullible hotel staff.I feel sure the producers were heavily influenced by The Brothers' antics when commissioning the screenplay.Yes there was some slapstick but for me apart from ogling Margaret Lockwood, I only found it mildly humorous.Comedy can so age over a period of 60 years.
      4AAdaSC

      Not quite

      A group of layabouts who refuse to do any work get an opportunity to lord it up when Peter Pyke (Peter Graves), the son of a hotel magnate, joins their group.

      This film has a great idea about a group who call themselves "White Elephants" and who refuse to do anything useful for society, especially work. It has the potential to be a commendable blueprint for life, but unfortunately, it is played out by a weak cast who are all ultimately irritating characters. From Margaret Lockwood's "Nina" with her irritating fake Russian accent to Jean Simmons' unconvincing streetwise "Heidi", through to Peter Graves' arrogantly slimy "Peter Pyke", they are all unfunny. The dialogue is delivered at a quick pace as if to impress the viewer with it's cleverness. It is indeed funny in parts but it is not consistent.

      A memorably bad part of the film involves a duel sequence which is not at all funny. Why did British films think that audiences wanted to watch this sort of claptrap? However, the film does contain some funny moments, eg, the theory behind going to school to become stupid; and the attempts by a couple of the "Elephants" to serve food at a restaurant. Sadly, the film never quite gets going and just ends up as a boring noise. Shame.
      8earth-native

      Take the time to see it in full!

      I didn't get to see all this movie - I channel-hopped in shortly after it began, and was called away by the phone before it finished. Nevertheless, I intend to track down a copy and enjoy this movie in full. A fun plot, superb cast, and clever writing combine to bring this movie above anything you're likely to get from the plastic formula movies that Hollywood makes today. I'm sure that anyone who has ever felt the urge to procrastinate will identify with someone in this movie!
      1h-hollingworth595

      What a waste of a good cast!

      What waste of a good cast! Was it ever considered funny?

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      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        This was Jean Simmons's film debut. She was selected from about two hundred applicants.
      • Citations

        Sascha: [Reads the White Elephants Oath to Peter Pyke] I solemnly promise not to notice anything anyone leaves undone. I promise to never use such phrases as, "Pull yourself together, man;" "Why don't you get a job;" "If I was in your place;" or any reference to the word, "work." Penalty for infringement, four pence. Should I find myself a useful member of society, I swear to inform the committee. All elephants are my brothers.

        [He concludes]

        Sascha: I now pronounce you a White Elephant.

      • Crédits fous
        Opening credits: IF ANY CHARACTER IN THIS FILM RESEMBLES ANY CHARACTER, LIVING OR DEAD, THEN THAT CHARACTER HAS NO CHARACTER

        Groucho Marx or Someone.
      • Connexions
        References Casablanca (1942)
      • Bandes originales
        Estrellita
        (uncredited)

        Music by Manuel M. Ponce

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      Détails

      Modifier
      • Date de sortie
        • 31 juillet 1944 (Royaume-Uni)
      • Pays d’origine
        • Royaume-Uni
      • Langue
        • Anglais
      • Aussi connu sous le nom de
        • Daj nam księżyc
      • Lieux de tournage
        • Gainsborough Studios, Islington, Londres, Angleterre, Royaume-Uni(studio: made at the Gainsborough Studios, London)
      • Société de production
        • Gainsborough Pictures
      • Voir plus de crédits d'entreprise sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        1 heure 35 minutes
      • Couleur
        • Black and White
      • Rapport de forme
        • 1.37 : 1

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      Margaret Lockwood in Week-end (1938)
      Lacune principale
      By what name was Give Us the Moon (1944) officially released in Canada in English?
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