Train de nuit pour Munich

"Night Train to Munich" is a rather conscious attempt by director Carol Reed to imitate the style of Alfred Hitchcock, and it succeeds much better than do most such movies. It is an entertaining blend of suspense and humor, with a good cast and some enjoyable scenes.

Margaret Lockwood stars as the daughter of a Czech scientist pursued by the Nazis. She escapes their clutches once, but is again captured, and a British spy (Rex Harrison) has to go undercover to try to save her and her father. Lockwood and Harrison are joined by Paul Henreid, and also by Basil Radford and Naunton Wayne, who had appeared with Lockwood in Hitchcock's "The Lady Vanishes" and appear here playing the same humorous pair of English travelers.

There are a lot of action sequences and a couple of good twists, with the crucial action taking place on a train. It's all done nicely, with an exciting finale as well. Some parts of it may be rather implausible, but the same could have been said of a few of Hitchcock's films, and this is only slightly less polished than his are. "Night Train to Munich" is quite entertaining in its own right, and is definitely worth seeing.

I disagree with the user who commented that these two fine characters are a couple of "English Dolts". English they most certainly are and that is the point. Dolts they are most certainly not. The writer uses them as comic relief and to parody the British Middle and Upper Class mentality that ignored Facisim in Europe for so long. Their preoccupation with cricket, tennis and golf is but a tool. Mistaking "Mein Kampf" for a marital aid is both a joke and a jab at English ignorance of matters concerning the Continent. One can almost here them make that classic comment attributed to another Englishman; "the Wogs begin at Calais." Their bumbling actions are an example of English self deprecating humor. I have enjoyed these two characters in a number of films and only wish they had appeared in more.

Rex Harrison plays against type to great effect in Sir Carol Reed's NIGHT TRAIN. the atmospere of the film is suitable foggy and dismal and the screenplay keeps you on edge. Harrison demonstrates a keen sense of underplay that until this point he never had a chance to play on screen. A film to be savored.

Carol Reed directs this thriller in the Hitchcock tradition. A Czech scientist(James Harcourt)and his daughter(Margaret Lockwood)are pursued by Nazis. The pair escape to England, but Lockwood is captured and placed in a concentration camp in hopes of influencing her father to cooperate with the Germans. The lovely Lockwood escapes to rejoin her father only to have the pair kidnapped and taken back to Germany. A British agent(Rex Harrison)in disguise as a German officer infiltrates the German high command and tries to get the couple out of Germany by way of a night train to Munich. Nazi faithful Paul Henreid does his best to spoil the escape. My favorite scene involves the cable-car in the Swiss Alps. Harrison is outstanding. Supporting cast includes: Basil Radford, Naunton Wayne, Roland Culver and Austin Trevor. The intelligent script is witty with room for a little deadpan humor.

A wonderful spy thriller, has Margaret Lockwood as Anna

Bomasch, the daughter of a Czech scientist, who is whisked off to England for safety, when the

Germans invade. Lockwood is imprisoned in a concentration

camp. Later she meets up with Karl Marsen (Paul Henreid ) and

they engineer an escape together and meet up with her father in

England. When the Germans recapture them, Gus Bennett (Rex

Harrison a M.I.5. agent) is assigned to bring them back. Lockwood and Harrison spark off each other wonderfully well, and

in a small role is Irene Handl, but the film is almost stolen by Basil

Radford, and Naunton Wayne, as the two cricket loving Englishmen, who were such a big hit in Hitchcock's ‘Lady

Vanishes'. After seeing this film for the umpteenth time, it is every bit as good

as ‘Lady Vanishes' and well worth recommending.