Phantom Killer

Billy "B-Movie" Beaudine Directed this Monogram Movie with about as Much Creativity as His other 300 Films. Competent and Quick the Man who went on to Helm..."Jesse James Meets Frankenstein's Daughter" (1966) and "Billy the Kid vs Dracula" (1966) along with many Others that "Bad Movie" Archaeologists have Dug Up and Poked Fun.

This is a Transparent Plot Paraded Out for Non-Discerning Wartime Audiences. There are some Amusing Cultural References about Sinking the Japs and a Reference to "Superman" that made His Comic Book Debut only Three Years Earlier.

Pop-Eyed and always Poking Fun at Himself and His Race, Mantan Moreland is On Hand for a while, "Feets don't fail me now!", but is Surprisingly Absent after a Brief Gin Guzzling Opening.

John Hamilton (TV's Perry White) is the "Villain" along with Three Leading Actors that no one can or Should Remember, because They basically Show Up, Read Lines and Annoy the Audience.

The Title is Better than the Movie and the Movie is Better than Being on the Bottom End of a Bomb Run.

Note...A Title Card shown at the end of the Movie asks for 80,000,000 Theater Patrons to "Buy Bonds Now", and many did. Movie goers were generous Patriots throughout WWII and helped the War effort substantially.

Note 2…Someone on IMDb should remove the poster on this title page. It is almost as embarrassing as this Movie.

As expected from Monogram, the sets are cheap, the comedy broad, and the acting erratic. Still, the premise is engaging. That is, how can deaf-mute Harrison (Hamilton) manage to be in two places at once. If we're to believe our eyes, he's emceeing big public events in one part of town, while in another part, he's wringing people's necks. Pretty good trick. So the movie's more a howsitdun than a whodunit.

Hamilton's excellent in the pivotal role. Looks like he's been doing sign language for years. Plus there's that unblinking stare, while we wonder what's behind it. Happily, Woodbury (Barbara) injects needed spark as a girl Friday, while Moreland enlivens with his bug-eyed comedic bit. Too bad he soon disappears (as another reviewer points out). Now, if casting had kept Moreland and dumped the unfunny cop Hymer, things would have improved—but then Moreland probably had to get over to the Charlie Chan set. And who is Dick Purcell, the supposed leading man. I kept looking for him, but he's so recessive, he's hard to spot. I guess all the good B-leading men were away at war, but then neither the script nor director Beaudine throws much Purcell's way.

Anyway, despite the drawbacks, there's enough suspense-- especially around the piano-- to keep up interest and maybe even reaffirm the laws of physics.

"Phantom" opens with the night janitor (Mantan Moreland) finding Mr. Cromwell dead on the floor of his office. The sound and picture quality are just terrible, so hopefully "someone" will give this a good restoration someday. This one stars Dick Purcell, who seems to have had a rough life all around - he was only married from March of 1942 to August of 1942. Odd. Then he ups and dies of a heart attack at age 35. Purcell works for the District Attorney, and thinks he has found the right suspect, but won't prosecute yet. John Hamilton is the suspect "John Harrison", who seems to have a great alibi, with tons of witnesses. Joan Woodbury is the reporter Barbara Mason, and part of Harrison's alibi. This is just a 61 minute shortie, so we don't get too deep into anyone's story, but it's not bad, as they go. Also interesting to see an early version of sign language, as Harrison is a deaf mute, and we see him spelling words out in court. The night janitor (Moreland) has the best lines and the best facial expressions here, giving the film a light tone. From the title, I was expecting a darker, horror film, but when they put him on the witness stand, he makes a monkey out of the lawyer. Better than I expect it to be. Directed by William Beaudine, who also had an interesting life. Note that he died in 1970, but was listed as director on films from 1974 and 1976. Started acting and writing in 1909. Wow. Low key, fun (but very predictable) film - catch it on Turner Classics.

Quite average even by Monogram standards, this mystery (a remake of The Sphinx) has an oddball plot which is not unraveled to much effect -- you'll see through it after about ten minutes. The two leads have some nice breezy dialog at the outset, but John Hamilton is hopelessly dull as the villain (perfectly cast Lionel Atwill originated the role) and Warren Hymer's nitwit shtick is pretty annoying. However, it's worth sitting through for a five-minute appearance by the incomparable Mantan Moreland as Nicodemus the janitor, who gets the better of the defense attorney during a hilarious courtroom appearance. You've got to hand it to Bill "One-Take" Beaudine; he wasn't much of a director, but he would always punch up a routine programmer with some goofy vaudeville.

Remake of the Linoel Atwill thriller the Sphinx has been rethought so its now a jokey romance between an Assistant District Attorney and a reporter. Its not bad, but where the original was a creepy thriller, this is too light to be truly gripping, especially if you've seen the original.

The plot has ADA Dick Purcell investigating the murder of a wealthy individual. The one suspect, a known deaf mute played by John Hamilton was seen to talk by a janitor (Montan Moreland) at the crime scene, while he was seen by dozens of witnesses, including the reporter, at a dedication ceremony. The solution here is so clumsy as to be obvious well before its revealed making the film unexciting. The result is we're left with the not a great deal to hold our interest, and the feeling that once again a very good original should not have been remade.