L'amour travesti

The scene in which our heroine is forced to choose the most beloved toy in a room absolutely crammed with goodies, surely rates as one of the greatest moments in the cinema. As you know, I'm not a keen fan of Lana Turner, but here is a vehicle in which the blonde siren excels. Not only does she enjoy a highly sympathetic character to work on the audience with, but in Wesley Ruggles she has obviously found a sensitive director with the ability to help her exploit every dramatic and comedic opportunity the clever screenplay provides. True, poor old Robert Young does get jostled out of the picture for a while, but he does return with a couple of hilarious solo routines, including his famous toppling-over-the-balcony bit at the opera.

"Slightly Dangerous" not only revels in first-rate entertainment, but it's produced with Leo's customary flair and impeccable polish—including a wonderful roster of Hollywood bit players and cameo artists. Just look at that cast! In fact Wesley Ruggles was a director who paid particular attention to the minor character players and was always concerned that a scene be milked for its maximum effect. He'd quickly replace an actor who could not give him precisely the impact he wanted. For instance, Mickey Rooney's dad, Joe Yule, was originally cast as the painter, but the director thought he was too old and lacked the flair that this little bit needed. Yule was replaced by Joe Devlin.

This little picture, a fine Wesley Ruggles comedy, struts along with great pace, and has a great cast with Lana Turner, Robert Young, Dame May Witty, and Walter Brennan. The acting is excellent, the antics unusual,and the comedy delightful. But the thing that is way beyond compare in this picture is the bubbling beauty of Lana Turner at her absolute peak. She carries the day with a sublime sort of sparkling charm as she changes personalities several times just to break her tedium with life. No, she never HAD amnesia, and no, she never wanted to commit suicide! But people will talk. Her beautiful sparkle and comedic charm actually made me weak in the knees. Robert Young does a decent job chasing her down the entire film, but it is Turner's film all the way.

I didn't find this film to be a let down in any way - I found it very funny. I didn't take my eyes from it; the gorgeous sets and beautiful Lana Turner were mesmerizing. There is a hilarious scene in which Peggy Evans (Turner) is trying to decide what her new name will be: Walking down a city street, she sees ads and signs of retailers and tries out the names to see if they suit her (Abercrombie & Fitch, Suzanne Hats, etc...). She's debating with herself, trying out new names - and it's just hilarious. There are a few scenes where we hear her talking to herself, and I find these scenes some of the most fun. She's clever and serious, but her logic is unfounded. This is a fun movie, and I don't believe the cast took it too seriously. The cast seemed to make it a light comedy-drama, with a few madcap laughs.

SLIGHTLY DANGEROUS gave 21 year-old LANA TURNER her first big starring break in a film not dominated by a male star. MGM couldn't have chosen a better vehicle to show off her talent as a light comedienne with a gorgeous face and figure. And ROBERT YOUNG does nicely as her leading man in a farce that has elements of screwball comedy.

It takes the mistaken identity theme (based on a false case of amnesia) and puts Lana in the clutches of rich relatives--WALTER BRENNAN (in an unusual role for him) and DAME MAY WITTY--who believe she is their long lost daughter. Young knows the real story and spends most of the movie chasing after her to prove to the folks in her hometown that he shouldn't have lost his job over her disappearance.

It's all lightweight comedy and Turner never misses a chance to give the role of the scheming girl a sense of fun and innocence with a sexy twist. She goes from brunette salesgirl to blonde heiress in a series of outfits that only MGM's wardrobe department could devise. This is the kind of light escapist entertainment that weary wartime GIs were crazy about--and Lana looks sensational while giving an expert performance.

ROBERT YOUNG is no slouch as her leading man. He has some scenes that reveal just what a flair he had for light comedy--and some of it very physical.

The big delight is seeing so many well-known names in character roles: Ward Bond, Florence Bates, Alan Mobray, Bobby Blake (as Lana's kid brother), Ray Collins, Frank Faylen, Norma Varden and Howard Freeman, to name a few.

Well worth a look--a pure delight from start to finish.

Lana Turner is young and gorgeous in this light comedy about a waitress with a lucky penny and the dream of getting out of her humdrum life. The penny works wonders. After escaping her small town, a ladder falls on her in New York City - when she comes to, it's assumed she has amnesia (she was deciding on her new name when the ladder came crashing down). After a trip to the library, she decides to become a long-lost heiress who disappeared as a child in 1925.

Robert Young plays her ex-boss who looks to expose her lie; Walter Brennan is her welcoming, wealthy father; Ward Bond is his security guy; Dame May Witty the heiress' former nanny. Ray Collins of "Perry Mason" fame also makes an appearance, as does Eugene Palette as the newspaper editor who prints the amnesiac's story. It's a terrific cast, with Young's role being a departure for him. He does it well. Lana is simply adorable.

The movie leaves an open question, which is kind of fun, too. All in all, very enjoyable.