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Jeanne de Paris

Titre original : Joan of Paris
  • 1942
  • Tous publics
  • 1h 31min
NOTE IMDb
6,8/10
959
MA NOTE
Paul Henreid and Michèle Morgan in Jeanne de Paris (1942)
An RAF squadron is brought down over occupied France. The flyers get to Paris in spite of the fact that the youngest, Baby, is injured. He must be hidden and his wounds cared for. The Gestapo has already issued orders for their arrest.
Lire trailer2:01
1 Video
12 photos
DrameGuerreRomance

Ajouter une intrigue dans votre langueAn RAF squadron is brought down over occupied France. The flyers reach Paris in spite of the fact that the youngest is injured; his wounds need treating and he must stay hidden. The Gestapo ... Tout lireAn RAF squadron is brought down over occupied France. The flyers reach Paris in spite of the fact that the youngest is injured; his wounds need treating and he must stay hidden. The Gestapo has already issued orders for their arrest.An RAF squadron is brought down over occupied France. The flyers reach Paris in spite of the fact that the youngest is injured; his wounds need treating and he must stay hidden. The Gestapo has already issued orders for their arrest.

  • Réalisation
    • Robert Stevenson
  • Scénario
    • Charles Bennett
    • Ellis St. Joseph
    • Jacques Théry
  • Casting principal
    • Michèle Morgan
    • Paul Henreid
    • Thomas Mitchell
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    959
    MA NOTE
    • Réalisation
      • Robert Stevenson
    • Scénario
      • Charles Bennett
      • Ellis St. Joseph
      • Jacques Théry
    • Casting principal
      • Michèle Morgan
      • Paul Henreid
      • Thomas Mitchell
    • 22avis d'utilisateurs
    • 3avis des critiques
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 3 victoires et 1 nomination au total

    Vidéos1

    Official Trailer
    Trailer 2:01
    Official Trailer

    Photos12

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 5
    Voir l'affiche

    Rôles principaux32

    Modifier
    Michèle Morgan
    Michèle Morgan
    • Joan
    • (as Michele Morgan)
    Paul Henreid
    Paul Henreid
    • Paul
    Thomas Mitchell
    Thomas Mitchell
    • Father Antoine
    Laird Cregar
    Laird Cregar
    • Herr Funk
    May Robson
    May Robson
    • Mlle. Rosay
    Alexander Granach
    Alexander Granach
    • Gestapo Agent
    Alan Ladd
    Alan Ladd
    • Baby
    Jack Briggs
    Jack Briggs
    • Robin
    James Monks
    James Monks
    • Splinter
    Richard Fraser
    Richard Fraser
    • Geoffrey
    Paul Weigel
    Paul Weigel
    • Janitor
    John Abbott
    John Abbott
    • English Spy
    The Robert Mitchell Boy Choir
    • Choir
    • (as The Robert Mitchell Boychoir)
    Hans Conried
    Hans Conried
    • Second Gestapo Agent
    • (non crédité)
    Adrienne D'Ambricourt
    Adrienne D'Ambricourt
    • Dress Shop Proprietess
    • (non crédité)
    Fred Farrell
    • Cafe Waiter
    • (non crédité)
    Bernard Gorcey
    Bernard Gorcey
    • Parisian Waiting at Confessional
    • (non crédité)
    Payne B. Johnson
    • French Boy in School Room
    • (non crédité)
    • Réalisation
      • Robert Stevenson
    • Scénario
      • Charles Bennett
      • Ellis St. Joseph
      • Jacques Théry
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs22

    6,8959
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    10

    Avis à la une

    6SnoopyStyle

    nailing the zeitgeist

    Celebrated French pilot Paul Lavallier (Paul Henreid) is one of the survivors after their bomber gets shot down. He is hunted by the Nazis and has been convicted in absentia by the Vichy government. He arrives in Paris and finds help from his former teacher Father Antoine (Thomas Mitchell). Cafe waitress Joan (Michèle Morgan) helps him to escape back to Britain.

    This was released a couple of months after Pearl Harbor. One could see how this propaganda of heroism and self-sacrifice nails the zeitgeist of the times. By the title, the ending could be easily assumed. There are moments of thrills although I want more of them. Of course, there is a scene with La Marseillaise although Casablanca is a more emotional rendering. This is fine but there are better classics of its kind.
    9edwagreen

    Another Martyred Joan in Stirring War Film ***1/2

    An under-rated but excellent film is 1942's "Joan of Paris."

    While it is still another World War 11 story of allied soldiers, trying to get back to their homeland from an occupied France, it is certainly worth seeing.

    The acting by Michele Morgan, Paul Henried and Thomas Mitchell is first rate.

    Cornered by the Gestapo, Morgan acts like the true Joan of Arc.

    May Robson, who was so good in "Lady for A Day," shines this time in a supporting role, as an elderly teacher who is also a member of the French resistance. Look for a young Alan Ladd is a brief but pivotal role as one of the group of soldiers.

    Just as we saw in Casablanca, the year after this film, there is a memorable scene; this time children are singing the Marseilles at a time of adversity.

    Obviously, the film is timely as it was made during the war when the free French fought alongside the British to combat the Nazi menace.
    7AAdaSC

    One steamy sauna

    Paul Henreid (Paul) leads a troop of 5 British fighter pilots shot down over France by the Nazis. They must reach Paris and then find a way back to England. Father Thomas Mitchell is there to help in his capacity as a man of the Church, as is waitress Michele Morgan (Joan) who gets heavily drawn into the plot. Gestapo agent Alexander Granach is a constant menace throughout the film as is the more measured Laird Cregar (Herr Funk). Can the Brits stay one step ahead…..?

    The cast are all good in this effort including May Robson (Mlle Rosay) as a contact in the Resistance. All are good with the exception of Alan Ladd (Baby)as one of the shot down pilots. What an idiot he is. He gets a scene in a sewer in which we are meant to sympathize. No chance. Thank God for that. There is also a cheesy scene with some children that is way over the top. The whole singing of the Marseillaise was done with far more impact in "Casablanca" from the same year. Those two scenes aside, it is a story that keeps you watching with a couple of sinister bad guys. They don't give up and are not so naïve as they come across as. Not everyone gets out of this one alive.
    8Kirasjeri

    An Enjoyable Movie With a Luminous Morgan

    I have no problem with the casting of Mitchell or Henreid as Frenchmen, or Hans Conreid as a Gestapo agent. This was a generally engaging story of Allied flyers hiding out in German-occupied Paris in World War Two and their attempts to escape aided by Joan, played by the lovely and charming Michele Morgan. Watch for a young Alan Ladd in a small role. Stealing the show is the great Laird Cregar as the chief Gestapo agent. Cregar was a superb actor, but he must have tired of all the evil people he was forced to play owing to his weight; Henreid would get the girl and he'd get slapped. Cregar, a young man, went on a crash diet that apparently lacked needed nutrients - he died suddenly. And it was a shock and great loss to Hollywood, and to us all.
    8craig_smith9

    Superb Early WW2 Escape Thriller

    Five pilots are shot down over France and escape to Paris. Their mission is to contact British Intelligence and escape back to Britain. This movie makes you feel that you are indeed in Paris. Most of the action takes place at night and then makes brilliant use of shadows to heighten the suspense. The movie centers around a barmaid, Joan, and her growing relationship with Paul. Surrounding this is the Gestapo's growing presence as they work at catching the fliers. With all that is happening, the movie takes time for Paul and Joan to look to the future and grow ever more in love. The last 1/3 of the movie deals with Paul's attempts to get away from a Gestapo agent intent on following him and capturing the other fliers. Very suspenseful. Finally, one of the great roles in the movie, that of the Nazi chief in Paris, is Herr Funk (played by Laird Cregar. He dominates every scene that he is in. He truly adds a great touch to the movie. The movie would not have been as dramatic as it was without him. 8/10

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This film marked the U.S. screen debuts of Austrian actor Paul Henreid and French performer Michèle Morgan. Henreid would become a star in his next film Une femme cherche son destin (1942) with Bette Davis and then become immortalized in his following picture Casablanca (1942). Morgan's best-known Hollywood film would be Cap sur Marseille (1944) with Humphrey Bogart - also at Warner Bros. After WWII, she would return to France and star in feature films and television into the 1990s.
    • Citations

      Herr Funk: Thank you, Sergeant, you gave what little information you had quite intelligently.

    • Crédits fous
      The film's title, and most of the credits for cast and crew, are shown as labels on a champagne bottle.
    • Connexions
      Edited from La Joyeuse Divorcée (1934)
    • Bandes originales
      Don't Let it Bother You
      (uncredited)

      Music by Harry Revel

      Lyrics by Mack Gordon

      Sung by a chorus in a nightclub

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    FAQ17

    • How long is Joan of Paris?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 18 septembre 1946 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Allemand
    • Aussi connu sous le nom de
      • Joan of Paris
    • Lieux de tournage
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • RKO Radio Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 666 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 31min(91 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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