Ajouter une intrigue dans votre langueJimmy goes to work with his uncle, the owner of a food factory. Before he gets there, he befriends an Irish family who happens to be his uncle's worst enemy because of their love for music a... Tout lireJimmy goes to work with his uncle, the owner of a food factory. Before he gets there, he befriends an Irish family who happens to be his uncle's worst enemy because of their love for music and in-house band who constantly practices.Jimmy goes to work with his uncle, the owner of a food factory. Before he gets there, he befriends an Irish family who happens to be his uncle's worst enemy because of their love for music and in-house band who constantly practices.
- Réalisation
- Scénario
- Casting principal
- Parks
- (as Charlie Arnt)
- Alice
- (non crédité)
- Doorman
- (non crédité)
- Onlooker
- (non crédité)
- Prisoner
- (non crédité)
- Onlooker
- (non crédité)
- Streetsweeper
- (non crédité)
Avis à la une
In terms of the rest of the movie, the plot is thin, and doesn't quite deliver on the comedic mayhem for which this story certainly has the potential. The dialogue isn't quite as quick and witty as one would like, because this is where Jimmy Stewart shines the brightest in films like 'Harvey', 'Philadelphia Story', and 'Destry Rides Again' with his slow drawl and deadpan delivery.
The musical numbers are generally well integrated with good music, until the Caballero song towards the end which drags on too long and seems to suffer from Busby Berkeley envy. But then again, who doesn't?
Overall, this is a quality film, especially for devoted fans of Mr. Stewart.
Because of our impressions and biases, we expect something very different in a Jimmy Stewart film. This one is way beyond 'Philadelphia Story', on a scale that runs from that to, say, 'Rear Window'.
This, however, is a very lightweight musical, to be considered closer to the 'Follies' films and shorts like the one about Catalina Island than such heavyweights as 'Carousel', 'L'il Abner' or 'Showboat'.
It actually reads more like a cartoon script than any coherent, literary film such as 'Golden Caddillac', 'Animal Crackers' or 'Bringing Up Baby'. Speaking of the last, it is a pity that JS and KH did not work together more.
The pace is frenetic ala Marx Brothers, the dance and musical numbers done very well and the emphasis is on having the minimum story necessary to string together the music.
There is a subtle but very special scene, near the end, when Paulette Goddard goes to Jimmy's place to rouse him out and get him to the studio for the climactic radio show. It is not a musical number though there is a great deal of physical comedy in the scene. What makes it special special part is, without rhythm or music, that it is very clear that Paulette Goddard is dancing. The blocking, direction and her own talent shine. This one scene is worth the price of admission.
With a story in the best tradition of American Musical Tradition, more talent per actor than many better known and better thought-of films, this is a very enjoyable diversion. I was constantly impressed with the tight writing and talent. Did I mention that the folks are good?
It ain't 'Grapes of Wrath' but 'Pot 'O Gold' is well worth the watching.
This film won't provide too many surprises but that doesn't matter. It is charming, witty and features plenty of musical turns, but not too many. James Stewart is a delight as Jimmy and the rest of the cast are solid. The comedy is gentle; mostly based on the facts that Jimmy's uncle doesn't know he threw the tomato, the McCorkle's not knowing he is a Haskell and his attempts to keep it that way. Highlights amongst the musical numbers are a performance in a jail cell and the pre-dinner performance featuring 'musical glasses. Comedy highlights included making Uncle C.J. think he was hearing and seeing things that nobody else could and the finale where Molly comes up with a plan which could unfortunately land Jimmy in jail if he can't think of a way to implement it legally. Inevitably there is also some romance between Jimmy and Molly. Overall a fun little film with no offensive material and plenty of gentle laughs; well worth a watch.
I was stunned by the musicality of the performers. These guys and gals could really sing and play...what a joy to hear fantastic intonation and real "in tune" singing.
The boarding house number is easily one of the most beautifully done and also the most complicated. The guys really played the water glasses and I can tell you that trying to get crystal to play as a "glass harmonica" (invented by Ben Franklin) is no easy job.
From start to finish a truly heartwarming film. From a more innocent era and one without guile. I laughed my self silly during the "drive uncle Charlie crazy" sequence.
How anyone could not like this as pure clean fun is beyond me. Perhaps you are hearing "Bugles on the phone"...hahaha,
Le saviez-vous
- AnecdotesJerry Adler, younger brother of Larry Adler, taught James Stewart how to hold the harmonica and mime its playing for the movie, and was the person who performed the music supposedly done by Stewart, who continued playing the instrument after the movie wrapped.
- GaffesAs Jimmy follows Molly to the house, the bag of apples is held waist-high by the bottom of the bag. In the closer shot, the bag has disappeared and his hand is down by his side. When he brings the bag back into view, he is holding it at the top, whereas previously he held it by the bottom.
- Citations
Molly McCorkle: You've heard of the Hatfields and the McCoys?
Jimmy Haskell: Yeah.
Molly McCorkle: Well this is a fight between the Haskells and the McCorkles.
- ConnexionsEdited into Your Afternoon Movie: Pot O' Gold (2022)
- Bandes originalesHi, Cy, What's A-Cookin'?
(uncredited)
Written by Henry Russell and Louis Forbes
Performed by various characters
Meilleurs choix
Détails
- Durée1 heure 26 minutes
- Couleur
- Rapport de forme
- 1.37 : 1