Ladies of the Jury

In New Jersey, hidden from camera range, ex-chorus girl Jill Esmond (as Yvette Gordon) kills her husband. She is charged with murder, but claims the gun went off accidentally. The case goes to jury trial. Despite being pushy and over-talkative, wealthy society matron Edna May Oliver (as Mrs. Crane) is accepted as a juror. She creates chaos in the courtroom. As you will surely guess, Ms. Oliver has a contrary opinion in the deliberation room. Oliver would be more amusing if the comedy worked. For example, have Oliver blurt out a question from the jury box and be overruled; an Oliver muttering and mugging after being scolded would be funnier. This was based on a play, so RKO and director Lowell Sherman presumably adhered to the original. It was titled "Ladies of the Jury" too, despite having a jury consisting of both "ladies and gentlemen." A better title would have been "Lady of the Jury", although even that is a judgment call.

**** Ladies of the Jury (2/5/32) Lowell Sherman ~ Edna May Oliver, Jill Esmond, Helene Millard, Leyland Hodgson

Can someone tell me what the big deal was about 1957's Twelve Angry Men? It was a remake of a Playhouse 90 special, and in 1950 there was an extremely similar story about one juror pinned against eleven prejudiced ones: Perfect Strangers. Recently, I just discovered an even earlier version from 1932 with the same theme. In Ladies of the Jury, Edna May Oliver stars as an intelligent, intuitive juror who has the task of changing the other eleven people's minds when they're all set to vote the defendant guilty.

This movie is very dated, engaging in early 1930s tropes, like the overemotional judge, the long-winded stammerer, the gum-chewing floozy, and the low-class Greek. Edna usually took supporting parts in her career, so if you really like her you can rent this or her "Snoopy Withers" mysteries to see her in the lead. But I would really only recommend it if you want to see the original 12 Angry Men. There are times when it gets pretty silly, and it doesn't stand the test of time.

Snotty society lady Mrs. Livingston Baldwin Crane (Edna May Oliver) gets picked to be on a jury. Ex-chorus girl Yvette Gordon is accused of murdering her rich elderly husband.

This is 12 Angry Men but wackier. Edna May Oliver has a bit of fun. Every character is cracked. It's not really a mystery. The story has some unreal turns. Crane can't do her own investigation. All in all, there is some fun especially in the jury room.

That first part is a real hoot. Society matron Oliver is used to having her own way. So when she enters the rule-bound courtroom as a juror, the judge is driven to distraction. Oliver's superb, amusing rather than dislikable as she disrupts the constrained proceedings with her constant remarks. Thus, it's a high society presumptions versus a frazzled judge and the court's rules. So did Mrs. Gordon (Esmond) murder her husband or not. With one exception, the jury thinks so, and we know who the exception is. But how long can Oliver hold out. Here the movie reminds me of that heavy 1957 courtroom melodrama 12 Angry Men. Except this is done for comedic effect with an array of jury characters—the blonde chippie and her glandular admirer, a wisecracking Ken Murray, a stuttering Roscoe Ates, et al. The script includes some snappy lines and an occasional pre-Code innuendo. Note too, the gender-bending woman in a man's suit who's also a prude. And even though the dialogue seldom pauses, there's little action, while events themselves are pretty much confined to two courtroom sets. All in all, it's an entertaining programmer with a lot of character color, but not much diversion for the eye.

LADIES OF THE JURY is a little programmer boosted by the performance of leading player EDNA MAY OLIVER as a Bostonian aristocrat who is allowed to ask questions of the woman on trial for her life (JILL ESMOND), accused of murdering her husband.

Edna May is the only member of the jury who believes the woman "not guilty" on the first ballot. The balance of the courtroom scenes show how she turns everyone around to thinking differently.

Surprisingly, GUINN ("BIG BOY") WILLIAMS, who livens up the proceedings with some characteristic humor and facial expressions, is not even credited in the film's cast. Among the supporting players, he's the one that stands out.

Unfortunately, the script is uneven and the treatment is less than routine with the outcome assured. The abrupt ending makes no impact at all even though the last word goes to Miss Oliver.

The humor is scanty and it's surprising to see KEN MURRAY cast as a flippant juror whose attempt at comedy is not really successful.