Agent Z 1

Stars Constance Bennett and the mysterious, talented Erich von Stroheim (Sunset Boulevard!). Made in 1930, it's a period piece of world war I, of spies and treachery. Bennett is an operative for the germans, trying to gain the confidence of the Chamberlain family, specifically, Admiral of the British Navy. Stroheim is is employed at the Chamberlain household, but is not who he seems to be, and plays a large part in the story. while the picture quality is quite good, the sound is pretty bad, but as this is already ninety years old, this can be forgiven. we spend a lot of time watching the servants clean the visitor's guestroom. co-stars Anthony Bushell, as Arthur, brother of the deceased Chamberlain son. it's a bit of an early hollywood version of a spy thriller, but it is what it is. Bennett seems to be more interested in playing the blond bombshell than a low key spy. and even gets one of her high heels stuck in a compromising spot. and dropped a bracelet at the scene. not much of a spy! some surprises, here and there. it's entertaining. directed by Roy delRouth Story by Anthony Kelly; started out as a play, made into a silent film, then remade here. and again in 1940 as British Intelligence, also Warner Brothers.

but is it really fair to downgrade this film because of that? Would you downgrade Star Wars because the creatures were men in rubber suits rather than CGI creations not technologically possible in 1977?

It is WWI, and Constance Bennett plays Frances Hawtree / agent Z-1, assigned to go to England by the Germans. She is to claim that she and the oldest son of Lord Winston Chamberlain and Lady Katherine Chamberlain were in the same POW hospital, fell in love, and that he died before she could escape. (He did actually die.) She brings some of his personal effects back to them. This way she can work her way into their trust, their hearts, and their home and thus abscond with some important allied secrets. Eric Von Stroheim plays Valdar, Frances' superior and contact, and is also masquerading as a butler. "Three Faces East" is the phrase that they use to recognize one another as fellow agents. I can tell you this because Von Stroheim is seen early in the movie receiving a medal from the French army. If he was a soldier there is no way he would now, a short time later, be working as a butler in the Chamberlain estate.

The rest of the movie is a series of double crosses, tricks, and surprises that have stood the test of time as far as keeping you guessing as who is really who and what happens next. Plus one thing that almost trips everything up is a piece of information that was a secret between the dead older Chamberlain son and the younger Chamberlain son, Arthur, who is home recovering from a shoulder wound. I'll let you watch and find out what happens.

Just a couple of things seem a bit silly to me. First, why is this carefully guarded information of Allied troop movements being carried by armed guard via attache case to the Chamberlain estate, then just dumped in the safe where it is completely unguarded at night where anyone could get it? Why isn't it under lock and key and under guard at a military installation, not a private estate which apparently has no security, not even a dog or alarm system? If this is the security set-up, why does Frances/Z-1 even need to be there? Couldn't Valdar sneak downstairs in the middle of the night and get the information himself? Well the answer to the this last question is probably that audiences would much rather look at Constance Bennett for 71 minutes than Erich Von Stroheim.

One more odd thing - Both young Arthur AND Valdar declare their love to Z-1, knowing only the sketchiest details about her. What if the girl has insanity in her family, lay about relatives, or annoying or spendthrift habits? But I digress.

For a well paced tale of wartime intrigue, with good dialogue and good performances, and very good direction that makes you forget that the camera still can't move much at this period in time, I highly recommend it. Plus I just love the final scene - it is not what you are expecting.

While it is true that not all of these very old early talkies, are wonderful, they are still enjoyable. The picture quality is very high, I did not find the sound to be bad. It is a great opportunity to see how motion pictures are progressing. The fact that this movie was released two weeks after my father was born, and he lived 90 years provided an additional incentive for me. What is also fascinating to me is to see and hear actors born in 1862 on screen. 1862 Lincoln was president. I believe this is worth your time. A spy/counter spy movie circa WWI? And yes, she is beautiful.

Constance Bennett shows up at the home of William Holden -- no, not that one -- where she soon contacts the butler, Erich von Stroheim. She is a spy working for Germany, as is he. Soon se has him captivated, as well as Holden's son, Anthony Bushell. But there are other spies in the house, and it soon becomes clear that there are double agents in place. Who is working in who's real interests.

The first thing I noticed about this movie is the slow and stately pace at which the dialogue proceeds. Warner Brothers may have been producing all-talking pictures for a couple of years, but director Roy Del Ruth, working from a stage play, with screen dialogue by Arthur Caesar, clearly wants every word to be understood, so muddled is the situation. By about ten minutes in I knew who everyone was working for. By halfway through, I was utterly confused.

Remade Ten Years Later and Updated from WWI to WWII as "British Intelligence" with Boris Karloff in the Erich Von Stroheim Role. Nothing Much has Changed. The World is at War (yes again with Germany) and both Actors are Superb in a Complicated Plot of Agents, Double Agents, and Secret Plans.

Von Stroheim Steals the Picture and is Remarkable in a Tailor Made Part where He can Stroke Constance Bennett's Underwear and be Even Creepier than the Role would Assume. Everyone Else Stands Around with a lot of "Harrumphing" and Suspicion.

Not a Bad Early Sound Movie with an Opening that Intrigues and an Ending that Delivers with Some Power. The Story is More Confusing than it Needs to be (so is the remake) but Overall it is Worth a Watch for Erich and Bennett does Look Quite Beautiful. Some Miniature Work is Interesting and the Costumes are Striking.