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IMDbPro

Le fantôme

Titre original : Haunted Gold
  • 1932
  • Approved
  • 58min
NOTE IMDb
5,4/10
833
MA NOTE
John Wayne and Sheila Terry in Le fantôme (1932)
Official Trailer
Lire trailer1:45
1 Video
35 photos
DramaMysteryWestern

Ajouter une intrigue dans votre langueJohn and Janet get a weird letter telling them to go to a ghost town which has an abandoned mine. There they contend with bad guys looking for hidden gold. They are aided by a mysterious Pha... Tout lireJohn and Janet get a weird letter telling them to go to a ghost town which has an abandoned mine. There they contend with bad guys looking for hidden gold. They are aided by a mysterious Phantom.John and Janet get a weird letter telling them to go to a ghost town which has an abandoned mine. There they contend with bad guys looking for hidden gold. They are aided by a mysterious Phantom.

  • Réalisation
    • Mack V. Wright
    • Hugh Harman
    • Rudolf Ising
  • Scénario
    • Adele Buffington
  • Casting principal
    • John Wayne
    • Duke
    • Sheila Terry
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,4/10
    833
    MA NOTE
    • Réalisation
      • Mack V. Wright
      • Hugh Harman
      • Rudolf Ising
    • Scénario
      • Adele Buffington
    • Casting principal
      • John Wayne
      • Duke
      • Sheila Terry
    • 24avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Haunted Gold
    Trailer 1:45
    Haunted Gold

    Photos35

    Voir l'affiche
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    + 28
    Voir l'affiche

    Rôles principaux18

    Modifier
    John Wayne
    John Wayne
    • John Mason
    Duke
    • Duke - His Horse
    Sheila Terry
    Sheila Terry
    • Janet Carter
    Harry Woods
    Harry Woods
    • Joe Ryan
    Erville Alderson
    Erville Alderson
    • Benedict
    Otto Hoffman
    Otto Hoffman
    • Simon
    Martha Mattox
    Martha Mattox
    • Mrs. Herman
    Blue Washington
    Blue Washington
    • Clarence
    Tom Bay
    • Tom
    • (non crédité)
    Bob Burns
    Bob Burns
    • Bob
    • (non crédité)
    Edward Burns
    • Ranch Hand
    • (non crédité)
    Jim Corey
    Jim Corey
    • Ed
    • (non crédité)
    Charles Le Moyne
    Charles Le Moyne
    • Cowhand
    • (non crédité)
    Ken Maynard
    Ken Maynard
    • Rider
    • (images d'archives)
    • (non crédité)
    Bud Osborne
    Bud Osborne
    • Bud
    • (non crédité)
    John T. Prince
    John T. Prince
    • Bill Carter
    • (non crédité)
    Tarzan
    Tarzan
    • Tarzan
    • (images d'archives)
    • (non crédité)
    Slim Whitaker
    Slim Whitaker
    • Slim
    • (non crédité)
    • Réalisation
      • Mack V. Wright
      • Hugh Harman
      • Rudolf Ising
    • Scénario
      • Adele Buffington
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs24

    5,4833
    1
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    10

    Avis à la une

    6FightingWesterner

    Decent John Wayne Vehicle

    Haunted Gold is perhaps the closest John Wayne ever got to making a horror picture. It comes complete with secret passages, a ghostly figure, a graveyard, and a creepy butler.

    There's great spooky atmosphere in the early scenes but the scary stuff is soon abandoned in favor of a more conventional tale featuring bandits and the theft of a gold mine.

    The photography and sets are exquisite and the action scenes are top-notch, even if the script is typical. Fans of John Wayne and nineteen-thirties B-westerns will find it interesting if not entirely spectacular.

    However, Haunted Gold is tainted a bit by the racial stereotypes represented by Wayne's annoying sidekick Clarence, played by Blue Washington. The modern viewer might get a little embarrassed while watching it.
    5Bernie4444

    Duke, go to the ranch and get the boys.

    I viewed this film for only one reason. It may not have been worth it. I wanted to see a film that contained the "Black Bird" used in "The Maltese Falcon" (1941).

    Spooky town, sliding panels, mysterious tunnels, spooky eyes, and a phantom all have to be dealt with in this film. More still unrealistic characters, stilted dialog, and a suggestion that the phantom had a watermelon accent.

    The basic story is different owners and quasi owners of an abandoned gold mine were invited by cryptic letters promising it is worth the trip. One of the owners of the mine is a young John Wayne.

    If you are wondering why Duke is a better actor than most of the other characters, that is because he had six moves in his acting career and dialog aside has the most visual cliffhanger action. One of the most memorable scenes in this film is when Clarence (Blue Washington) is in a phantom suite and Duke is ready to kill. Clarence asks, "Duke don't you recognize me," and Duke shakes his head no. Clarence takes off the phantom hood and asks Duke again. This time Duke shakes his head yes.

    This has all the feel of a serial. And we are not sure it will wrap up.
    6bkoganbing

    The Duke Goes Gothic

    Haunted Gold is not a bad western for John Wayne from the series he made at Warner Brothers in 1932-1933. He's the owner of a ranch who's investigating some strange goings on at a mine where his father was once the part owner. The daughter of his dad's partner, Sheila Terry, received a letter about the mine and she's on the scene as well.

    There's a mysterious 'phantom' at work and Haunted Gold is starting to bare a resemblance to Abbott and Costello's Hold That Ghost. Never mind that it's a remake of an old Ken Maynard silent western.

    The comedy here comes from Blue Washington who plays Clarence Washington Brown, cook at Wayne's ranch and self-appointed bodyguard to his person. Sad to say that Blue Washington conforms generally to prevalent black stereotypes of the period. But actually if you take away the racial component, Washington really does act a whole lot like Lou Costello.

    As in all of Wayne's Warner Brothers films of the time, the Duke is aided and abetted by Duke the Wonder Horse. Most exciting scene is a fight with John Wayne and one of Harry Woods's gang of bad guys in a cable car above the mine. Duke the Horse comes to Wayne's rescue twice during that scene, actually quite exciting.

    It's too bad the racial stereotyping was there, but wouldn't a film with John Wayne with Lou Costello as a sidekick been real interesting? The mind boggles.
    6Norm-30

    An "old house" WESTERN!

    This western reminds me of an "old house film".....a ghost town with a "real" ghost! Secret panels, shadows on the walls, eyes peering thru slits in the walls, etc.

    It also gives Blue Washington the chance for some great "scared reaction" comedy (ala' Mantan Moreland or Willie Best).

    I don't much care for westerns, but the "supernatural" elements in this film make it worth watching!
    8ccthemovieman-1

    Better 'B' Movie Than You'd Think, Thanks To 'Blue'

    An early John Wayne western that only ran for an hour, this was surprisingly entertaining. Since he was a beginning actor and this was a Grade B-type of production, I didn't except it to be so entertaining, although now that I've watched a lot of early '30s films, I am not surprised. Movies in that era were pretty fast- moving ones.

    What makes this fun is the combination of western action, a few spooky things and comedy. The latter is mostly supplied by Blue Washington who plays "Clarence Washington Brown," a Mantan Morleand-like character. Yeah, I know this kind of role is demeaning to blacks and it's almost embarrassing to watch nowadays, but Washington was funny. The "western" part of the story is just so-so.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The statuette of the Maltese Falcon, previously used in the original version of Le faucon maltais (1931) can be seen in the background inside the house several times and very prominently in the scene where the film's heroine, Sheila Terry, is playing the organ.
    • Citations

      Joe Ryan: Benedict, just why are you back in town? And what are you trying to pull, up at the Mary-Ann?

      Benedict: No one's been near that worthless mine for years

      Joe Ryan: I'm not so sure it's worthless. You ain't hanging on here for nothing.

      Benedict: Joe Ryan, your father was a bad man in this town. What are you trying to do - live up to his record?

      Joe Ryan: Listen to me you old carcass, there's plenty of gold in that mine somewhere, and half of it belongs to me. And I've got a deed right here to prove it.

      Benedict: Yes, and I got a pretty good idea how you got it

      Joe Ryan: Why you old...

      [he grabs Benedict as if to strike him]

      John Mason: Just a minute...

      Joe Ryan: And who invited you into this game?

      John Mason: Looked to me like someone was getting a dirty deal. Just thought I'd cut in.

      Joe Ryan: Cutting in here ain't the healthiest thing you could do.

      John Mason: Well, I'll take that chance. You boys better get moving.

    • Crédits fous
      Duke is listed 2nd in the opening credits (above the title) but not mentioned in the comprehensive cast list. IMDb's policy for such a case is to list the opening credits first and fill in the rest with the comprehensive list.
    • Versions alternatives
      Turner Classic Movies (TCM) has been showing a re-released version of this film (the PCA certificate number ends with "R" on it). The original version has Erville Alderson's name misspelled as "Anderson." That version was broadcast on TCM's sister station, TNT, in 1990.
    • Connexions
      Edited from The Phantom City (1928)
    • Bandes originales
      She'll Be Comin' Round the Mountain
      (uncredited)

      Traditional

      Played on a harmonica by John Wayne

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    Détails

    Modifier
    • Date de sortie
      • 1951 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Le fantôme de la mine
    • Lieux de tournage
      • Iverson Ranch - 1 Iverson Lane, Chatsworth, Los Angeles, Californie, États-Unis
    • Société de production
      • Leon Schlesinger Studios
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      58 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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    John Wayne and Sheila Terry in Le fantôme (1932)
    Lacune principale
    By what name was Le fantôme (1932) officially released in India in English?
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