Transatlantic

Transatlantic is a must for Myrna Loy fans. Myrna spelled Mirna here plays Kay Graham the wife of crooked banker Henry ( John Halliday). I know Myrna is only 6th in the credits ( Edmond Lowe ( Monty Greer) is the main star)), but she is the reason I have looked for years for this film. She actually plays a good woman here ( rare for any pre-Thin Man role), and finding any Pre MGM Loy film is extremely difficult, so seeing this film on OK. RU is a treat. The main woman in this movie is Lois Moran ( Judy Kramer), who does nothing for me ( except look Pretty ( although not in the Myrna Loy Class, but still better then Greta Nissen's character Sigrid Carline)). One highlight is the ending which I did not expect, but works very well, so I will not spoil. This movie was one of the Top 10 existing films that eluded me, so thank you to OK. RU for making it available. I give it 8/10 stars. Mostly for Myrna but for a very well done ending.

Saw Transatlantic on June 23 at a special screening at AFI/Silver, in the glorious restored Art Deco Silver Theater. In a joint presentation with the Art Deco Society of Washington an audience of almost 300 people enjoyed a restored copy of a little know early talking film Transatlantic. I was expecting a film like many of the early 30's films, a little slow, flat sets, and a thin story line. I was stunned to watch a fast paced, gripping story line that was definitely Pre Code, with a touch of Noir, and had stunning sets. Its called Grand Hotel on the Ocean, which is a bit unfair. You can see the similarities but this is a piece on its own. The gorgeous Art Deco furnishings, wood work, and grills, the flashing directional signage, exuberant jazz music, and costumes that would be popular today. There is infidelity, corruption, theft, and raspberry pie. The finally is a cat and mouse chase scene through a multi tiered engine room with tracking shots that is as good as any CGI super hero film today. A really amazing and superior film for its time, and you definitely see the talents of James Wong in its design. The AFI presentation included a pre film lecture by Christian Roden on early 20th century ocean liners and how the Liner companies updated their interior designs from the English country house look to the very latest cutting edge designs that are now referred to as Art Deco. The lecture provide helpful context on an industry now known more for Caribbean cruises than necessary and elegant transportation. Pay particular attention to a montage of scenes when the ship is going through high seas - couples on a dance floor and elegantly clad ladies falling down steps provide a look at how the real transatlantic crossing passengers braved high seas in practiced good humor. Many thanks to MoMa for the restoration. They made the overlap transition to subtitle, in sections where dialogue is missing, seamless to the viewer. Many thanks to all the technicians who pulled together the many foreign copies to recreate this film. Many in last nights audience wanted to know if the film would be shown again, and when it will be released for sale. We all want to see it again and again, and hit pause to admire the sets. If you have a chance to see this film, it is worth the time and effort. .

Made in the early-morning of talking pictures, this belies any notion you might have of early talkies, with fast editing, a deleriously moving camera, and sharp script. Sets are magnificent, with the luxury liner where the action takes place assuming the atmosphere of some Byzantine palace. Best of all, it's capped off with a tour-de-force cat-and-mouse shoot-out through the vast engine room, which James Wong Howe's photography turns into a visual wonderland-maze of catwalks, huge machines and glossy steam. Script, story and playing are all top-notch.

Though this does go a bit off course from time time, a boat - like a train - does provide for quite a good stage for an engaging mystery peppered with loads of melodrama. "Greer" (Edmund Lowe) is the suave and debonaire gent who hopes to make an easy living on the cards and on the roulette wheels abroad this liner. He quickly becomes aware of a cunning wheeze by a gang of crooks to relieve wealthy tycoon "Graham" (John Halliday) of some of his wealth but declines to get involved. "Halliday" is not so happily married to "Kay" (Myrna Loy) and so keeps mistress "Sigrid" (Greta Nissen) in the style to which she wishes to remain accustomed. That brings us full circle because she and "Greer" have some history together. Things become distinctly choppier on board when news reaches all that the financier's bank has gone bust and that has devastating effects on poor old "Kramer" (Jean Hersholt) who is travelling with his daughter "Judy" (Lois Moran) and who is now completely broke. What now ensues is quite an entertaining marriage of the criminal, the comedic - especially the steward (Billy Bevan) with his shallow obsequiousness - and the lightly romantic. As the threads tie together these characters have to reconcile the bankruptcy and the infidelities - all before the ship docks and they can all go their merry ways. It's really more of an ensemble effort with a competent Lowe at the top of the bill holding together the conflicting themes and whilst I could maybe have done with a little more of Loy, it still looks good and flows well enough - if predictably - for eighty minutes before quite a lively denouement deep in the gunwales. I suppose the "code" would have put paid to it had it been made three years later - too many sinful and naughty shenanigans.

"Transatlantic" didn't feature any names I'm familiar with besides Myrna Loy and Jean Hersholt. It starred Edmund Lowe as Monty Greer, someone of nebulous dealings. He, as well as a host of other characters, was on a cruise ship named "S. S. Transatlantic." The people of interest were Henry Graham (John Halliday), Kay Graham (Myrna Loy), Sigrid Carline (Greta Nissen), Judy Kramer (Lois Moran), Jed Kramer (Jean Hersholt), and Handsome (Earle Foxe).

Henry Graham (John Halliday)was a wealthy banker whose bank failed, yet he seemed eerily unfazed by it. He was having a grand old time on the Transatlantic messing around with Sigrid Carline (Greta Nissen) right under his wife Kay's nose. Henry was a loathsome person. He was cheating on his wife and cheating his customers. While they were losing everything with his bank's failure he'd withdrawn all of his money and assets from the bank. Jed (Jean Hersholt), one of his customers, was despondent. He went to Henry in hopes he may do something or offer up some advice. Instead Henry shooed him away as though he were a leper.

While Henry was publicly embarrassing Kay (Myrna Loy) by being seen with Sigrid, Kay was trying to remain a dutiful wife. In fact, she readily accepted Henry back once he was done with playing with Sigrid. It turns out that even though Henry was a foul cheat, he didn't want his mistress Sigrid to be fooling around with anyone else. When he saw Sigrid and Monty (Edmund Lowe) in the room together he'd had enough of her and went back to his wife who was ever the soldier.

Monty was mixed up with everyone. He found himself entertaining Judy Kramer (Lois Moran), the young daughter of Jed Kramer. He was dodging Handsome (Earle Foxe), a thief scheming on Henry Graham's loot. He evidently once had a relationship with Sigrid who now had her eyes on Henry Kramer and his money, which put him smack-dab in the middle of the Grahams marital affairs.

"Transatlantic" was pretty good. It looked like it could've been a model for movies like "Grand Hotel" (1932) and "Manhattan Tower" (1932), both movies that involved many characters in one enclosed location.