Des Anglais se lancent à la recherche de la tombe de Gengis Khan avant que le sinistre Fu Manchu ne le fasse.Des Anglais se lancent à la recherche de la tombe de Gengis Khan avant que le sinistre Fu Manchu ne le fasse.Des Anglais se lancent à la recherche de la tombe de Gengis Khan avant que le sinistre Fu Manchu ne le fasse.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Everett Brown
- Slave
- (non crédité)
Steve Clemente
- Knife Thrower
- (non crédité)
Willie Fung
- Ship's Steward
- (non crédité)
Ferdinand Gottschalk
- British Museum Official
- (non crédité)
Allen Jung
- Coolie
- (non crédité)
Tetsu Komai
- Swordsman
- (non crédité)
James B. Leong
- Guest
- (non crédité)
Oswald Marshall
- Undetermined Role
- (non crédité)
Chris-Pin Martin
- Potentate
- (non crédité)
Lal Chand Mehra
- Indian Prince
- (non crédité)
Avis à la une
...dIrected by Charles Brabin. Boris Karloff stars in the title role, a Chinese scientist, warlord, and master criminal bent on world domination. He believes that if he can retrieve the long lost mask and sword of Genghis Khan he will be able to gather an army of followers with which to conquer the "white man's world". Out to stop him is the intrepid Sir Nayland Smith (Lewis Stone). Also starring Myrna Loy as Fu Manchu's cruel daughter, Karen Morley, Charles Starrett, Jean Hersholt, David Torrence, Lawrence Grant, Ferdinand Gottschalk, and Willie Fung.
Paramount had much success with a Fu Manchu series from 1929-1931 with Warner Oland in the lead. Those films are classier, and Fu Manchu is presented as more of a sympathetic character, seeking vengeance for the death of his family. In this version, he is just generically evil, more like a comic book villain. This outing has a lot going for it, though, like nice, large sets and elaborate costumes, ludicrously amusing torture devices, and ridiculous touches such as Fu Manchu's personal bodyguard squad consisting of large bald black men in loincloths. The plot is silly, and the stereotyping is both offensive and naively hilarious (apparently Chinese people literally worship Genghis Khan). One particular bit of business that I enjoyed in this was Fu Manchu's "box o' creepy creatures", a container he opens at one point that appears to hold snakes, large lizards, tarantulas and more, all just hanging out together in this box.
The movie ran into trouble once the production code went into full effect, and heavily edited versions floated around for years, but the copy I watched was fully restored, even if some of the scenes looked to be in much poorer condition than others. This is amusing in a cartoonish, high camp way, and for fans of unusual production design.
Paramount had much success with a Fu Manchu series from 1929-1931 with Warner Oland in the lead. Those films are classier, and Fu Manchu is presented as more of a sympathetic character, seeking vengeance for the death of his family. In this version, he is just generically evil, more like a comic book villain. This outing has a lot going for it, though, like nice, large sets and elaborate costumes, ludicrously amusing torture devices, and ridiculous touches such as Fu Manchu's personal bodyguard squad consisting of large bald black men in loincloths. The plot is silly, and the stereotyping is both offensive and naively hilarious (apparently Chinese people literally worship Genghis Khan). One particular bit of business that I enjoyed in this was Fu Manchu's "box o' creepy creatures", a container he opens at one point that appears to hold snakes, large lizards, tarantulas and more, all just hanging out together in this box.
The movie ran into trouble once the production code went into full effect, and heavily edited versions floated around for years, but the copy I watched was fully restored, even if some of the scenes looked to be in much poorer condition than others. This is amusing in a cartoonish, high camp way, and for fans of unusual production design.
The Mask of Fu Manchu is a bit campy, but if you've got a theme planned for Halloween of old horror movies, you might want to add it to the list alongside some other Boris Karloff classics. Boris stars, in heavy makeup, as Dr. Fu Manchu, who's on the lookout for Genghis Khan's lost treasure. His minions will do anything to find it, including steal it off of museum curators who tried to find it legitimately.
Lewis Stone is the head of the good guys, or if you're looking at it another way, the opposition team. Lawrence Grant, Jean Hersholt, and Charles Starrett try to find the treasure, but along the way, Lawrence gets kidnapped and held ransom. His daughter, Karen Morley, who's in love with Charles, gets involved in the adventure, and all three of the remaining try to rescue Lawrence and maintain the treasure.
Myrna Loy, in her early days, costars as Boris's daughter, and she's quite the villainess who enjoys power and violence. This one's not as scary as Frankenstein, but it's fun if that's your theme for the weekend. Where else will you be able to find Lewis Stone fighting his way through a pit of alligators, or Jean Hersholt strapped to a chair while giant spikes close in all around him? That's some pretty scary stuff for the soon-to-be Judge Hardy and Heidi's Grandfather!
Lewis Stone is the head of the good guys, or if you're looking at it another way, the opposition team. Lawrence Grant, Jean Hersholt, and Charles Starrett try to find the treasure, but along the way, Lawrence gets kidnapped and held ransom. His daughter, Karen Morley, who's in love with Charles, gets involved in the adventure, and all three of the remaining try to rescue Lawrence and maintain the treasure.
Myrna Loy, in her early days, costars as Boris's daughter, and she's quite the villainess who enjoys power and violence. This one's not as scary as Frankenstein, but it's fun if that's your theme for the weekend. Where else will you be able to find Lewis Stone fighting his way through a pit of alligators, or Jean Hersholt strapped to a chair while giant spikes close in all around him? That's some pretty scary stuff for the soon-to-be Judge Hardy and Heidi's Grandfather!
The Mask of Fu Manchu is not perfect. The dialogue does feel corny to me, Karen Morley overacts dreadfully that it was difficult to take her hysteria seriously and Lewis Stone makes a piece of wood more animated. However, the black and white cinematography does show crispness and atmosphere and the sets and costumes are beautiful. The score is haunting and while occasionally silly the story is fun and never felt dull. The tortures were both scary and amusing, and I got some entertainment from the scene with the crocodiles. While Charles Starrett is not the most convincing of actors he does make up for it by his sexiness. The two best performances come from Myrna Loy and especially Boris Karloff. Loy is lustful and incredibly magnetic, while Karloff seems to be having the time of his life.
All in all, The Mask of Fu Manchu is a flawed film but it is a decent and fun one. 7/10 Bethany Cox
All in all, The Mask of Fu Manchu is a flawed film but it is a decent and fun one. 7/10 Bethany Cox
No self-respecting fan of the great Boris Karloff should miss his juicy performance in this raunchy and very unconventional film. As the evil and maniacal Asian mastermind Dr. Fu Manchu, Karloff plans to kill off "the white race" as he hunts down the highly desirable mask and sword of Genghis Khan, which winds up in the possession of a group of British treasure seekers. Boris seems to really relish his part as he tortures his captives with a grinning sadistic glee. Myrna Loy plays his self-described "ugly and insignificant daughter", who harbors a sado-masochistic appetite and nymphomania.
The sets are glorious, some sequences are disturbing for the time they were made, and there is newly restored controversial dialogue in the recent editions of the film, with "politically incorrect" slang being used on both sides of the line. There is sometimes a criticism toward the movie for its usage of this type of speech, but the time in which the feature was produced should be historically considered, as well as fairly noting that no race is spared during the length of the film. While Fu Manchu is referred to as a "yellow devil" by his victims, for instance, he is also denouncing Christianity and roaring with contempt to his eastern followers with his authoritative command for them to "kill the white men and take their women!"
There are also some unintentional laughs to be found on occasion, and many of them come courtesy of Karen Morley as "Shelia", who is just atrocious with her comedic overacting. Running a scant 68 minutes, this is a wild and wacky good time for fans of old movies, serials, and Boris Karloff in particular. Enjoy! *** out of ****
The sets are glorious, some sequences are disturbing for the time they were made, and there is newly restored controversial dialogue in the recent editions of the film, with "politically incorrect" slang being used on both sides of the line. There is sometimes a criticism toward the movie for its usage of this type of speech, but the time in which the feature was produced should be historically considered, as well as fairly noting that no race is spared during the length of the film. While Fu Manchu is referred to as a "yellow devil" by his victims, for instance, he is also denouncing Christianity and roaring with contempt to his eastern followers with his authoritative command for them to "kill the white men and take their women!"
There are also some unintentional laughs to be found on occasion, and many of them come courtesy of Karen Morley as "Shelia", who is just atrocious with her comedic overacting. Running a scant 68 minutes, this is a wild and wacky good time for fans of old movies, serials, and Boris Karloff in particular. Enjoy! *** out of ****
The Mask of Fu Manchu easily could have served as inspiration for Raiders of the Lost Ark. Archaeologists dashing to retrieve relic to save Western Civilization. Feats of derring-do. Scenes of despicable torture and heroic bravery. What makes this movie even better is in Raiders you know Dr. Jones will win. The Nazis are mere obstacles in his path to run over. But in this movie, Boris Karloff's performance as the insidious Dr. Fu Manchu makes the Nazis seem like mere shadows of a threat compared to his evil genius. His Fu Manchu is a villain you not only fear, but respect. Myrna Loy as his daughter is wickedly good. While the sparks put off by Fu Manchu's diabolical invention are impressive special effects, they are nothing in comparison to the sparks emitted by the young, scantily clad Myrna Loy.
Le saviez-vous
- AnecdotesAccording to the book "The Films of Myrna Loy" by Lawrence J. Quirk: "She recalls that she and Karloff decided between themselves that the only intelligent way that this movie could possibly be played was subtly tongue-in-cheek."
- GaffesFu tortures Barton to obtain the whereabouts of Genghis Khan's mask and scimitar. Later on Fu is shown to have a serum that brainwashes people, so the torture of Barton was needless.
- Versions alternativesIn the 1970's, "Mask of Fu Manchu" was cut slightly (by about 2 minutes), removing references deemed particularly offensive to the Asian-American community (including several racial remarks and an extended version of the famous whipping scene). It is actually this cut version which MGM/UA released in the early 1990's on videotape, although the deleted segments were restored for the print of "Mask of Fu Manchu" used for the later laserdisc release "MGM Horror Classics," and the more recent DVD release.
- ConnexionsEdited into Mondo Lugosi - A Vampire's Scrapbook (1987)
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Détails
Box-office
- Budget
- 327 627 $US (estimé)
- Durée1 heure 9 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Le Masque d'or (1932) officially released in India in English?
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