NOTE IMDb
7,2/10
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MA NOTE
Madame Hardy et Madame Laurel envoient leurs maris au magasin pour acheter des glaces, mais sur le chemin du retour, les garçons sauvent de la noyade une femme suicidaire recherchée par la p... Tout lireMadame Hardy et Madame Laurel envoient leurs maris au magasin pour acheter des glaces, mais sur le chemin du retour, les garçons sauvent de la noyade une femme suicidaire recherchée par la police.Madame Hardy et Madame Laurel envoient leurs maris au magasin pour acheter des glaces, mais sur le chemin du retour, les garçons sauvent de la noyade une femme suicidaire recherchée par la police.
- Réalisation
- Scénario
- Casting principal
Eddie Baker
- Detective
- (non crédité)
Gordon Douglas
- Hotel desk clerk
- (non crédité)
Charlie Hall
- Ice Cream Attendant
- (non crédité)
Tiny Sandford
- Doorman
- (non crédité)
Avis à la une
Laurel & Hardy return to a favourite plot device - that of blackmail - in this reasonably funny short. They save the life of a woman attempting to drown herself and are rewarded by having her threatening to have them arrested for attacking her if they don't take her home with them. Of course, being Stan & Ollie, this is what they do - with typically riotous results as they try to conceal her from their wives.
This one has a couple of classic moments: the encounter with the ice cream salesman in which Stan wants mustachio with his chocolate ice cream, and the boy's noisy attempts to cover the music blaring from another room by banging their crockery and singing at the tops of their voices. Not quite vintage Laurel & Hardy but still extremely funny.
This one has a couple of classic moments: the encounter with the ice cream salesman in which Stan wants mustachio with his chocolate ice cream, and the boy's noisy attempts to cover the music blaring from another room by banging their crockery and singing at the tops of their voices. Not quite vintage Laurel & Hardy but still extremely funny.
Maybe Laurel and Hardy can't do with out each other's company, but their wives are getting tired of it. Watching this I was reminded how in Goodfellas the wives of the wiseguys as well as them always socialized within the group.
So one night Stan and Linda Lorado come calling on the Hardys and Mrs. Hardy played by Gertrude Astor says pretend we're not at home. I can't say how the subterfuge was foiled, but it was Laurel in his own innocent way and this particular gag is a great example of how Ollie always thinks of himself as so much smarter than Stan but he really isn't.
Well once inside the boys discover there's not enough ice cream so off they go to get some. On the way back they save a drowning Mae Busch and Stan nearly kills Ollie doing it. Another bit you have to see.
Busch is no innocent, she insinuates herself with the boys looking to play a variety of the old badger game.
The rest is indescribable and indescribably funny. As usual Laurel innocently comes out on top. But in this short Ollie does have the last word, though it might be a four letter one.
A must for Stan and Ollie fans.
So one night Stan and Linda Lorado come calling on the Hardys and Mrs. Hardy played by Gertrude Astor says pretend we're not at home. I can't say how the subterfuge was foiled, but it was Laurel in his own innocent way and this particular gag is a great example of how Ollie always thinks of himself as so much smarter than Stan but he really isn't.
Well once inside the boys discover there's not enough ice cream so off they go to get some. On the way back they save a drowning Mae Busch and Stan nearly kills Ollie doing it. Another bit you have to see.
Busch is no innocent, she insinuates herself with the boys looking to play a variety of the old badger game.
The rest is indescribable and indescribably funny. As usual Laurel innocently comes out on top. But in this short Ollie does have the last word, though it might be a four letter one.
A must for Stan and Ollie fans.
James W. Horne does what he does best as a director of Laurel and Hardy shorts with Come Clean, a spry comedic short, which is erect a story and short film on the opportunities that naturally arise from situational comedy. His directorial style, combined with H.M. Walker's writing, is often comprised of coming up with a ridiculous story and continuing to feed its inanity by seeing just how far one could take it. This results in a short that is more than just endless bouts of physical comedy with no real humor whatsoever, but a showcase of two charismatic comedy talents and a screen writing exercise that serves as a fulfilling laugh-riot.
Come Clean may not live up to Horne's other Laurel and Hardy shorts, like Big Business and Thicker Than Water, but there is still an incomparable amount of energy and liveliness within the screenplay and the characters. The short begins by Mr. and Mrs. Hardy wishing they could have a restful, quiet evening in their apartment, but are interrupted, per usual, by the well-meaning but troublemaking Mr. and Mrs. Laurel. After trying to refuse entry, the Hardy's give up and decide to let them in, to which Laurel replies by hanging with his old pal Hardy and the wives are left to mingle in the frontroom. When Laurel and Hardy decide to venture out to get ice cream, they wind up preventing a woman from committing suicide off a bridge, to which she is ungrateful and begins making threats to both men if they dare leave her company. What results is a manic evening between the two men and the shrewish woman, as they try to get back to their wives for a dinner, while preventing the woman from screaming whenever she is unsatisfied with what's happening.
This is the first Laurel and Hardy short I've encountered where little sense is made in regards to the short's narrative or its cause-and-effect relationship. Why would this woman try and commit suicide? Was it all just a ploy to get the attention of someone she could blackmail? Why are Laurel and Hardy's wives so bitter and shrewish themselves? Writer H.M. Walker doesn't concern himself with that information so much as he does try his best to quietly obscure details by making such a ridiculous and wild short film, one that operates with the one-thing-leads-to-another formula of early comedy filmmaking, without so much as clearing up why one thing leads to another.
It's all in the name of comedy, and in that spirit, Come Clean is pretty funny, especially during the last ten minutes of its nineteen-minute runtime, where, per usual, all hell breaks loose and Laurel and Hardy are left to their own thoughtful wits, as lackluster as those often are. Come Clean provides for fun and enjoyment, which is precisely what most of these shorts have been giving me, so far.
Starring: Stan Laurel and Olive Hardy. Directed by: James W. Horne.
Come Clean may not live up to Horne's other Laurel and Hardy shorts, like Big Business and Thicker Than Water, but there is still an incomparable amount of energy and liveliness within the screenplay and the characters. The short begins by Mr. and Mrs. Hardy wishing they could have a restful, quiet evening in their apartment, but are interrupted, per usual, by the well-meaning but troublemaking Mr. and Mrs. Laurel. After trying to refuse entry, the Hardy's give up and decide to let them in, to which Laurel replies by hanging with his old pal Hardy and the wives are left to mingle in the frontroom. When Laurel and Hardy decide to venture out to get ice cream, they wind up preventing a woman from committing suicide off a bridge, to which she is ungrateful and begins making threats to both men if they dare leave her company. What results is a manic evening between the two men and the shrewish woman, as they try to get back to their wives for a dinner, while preventing the woman from screaming whenever she is unsatisfied with what's happening.
This is the first Laurel and Hardy short I've encountered where little sense is made in regards to the short's narrative or its cause-and-effect relationship. Why would this woman try and commit suicide? Was it all just a ploy to get the attention of someone she could blackmail? Why are Laurel and Hardy's wives so bitter and shrewish themselves? Writer H.M. Walker doesn't concern himself with that information so much as he does try his best to quietly obscure details by making such a ridiculous and wild short film, one that operates with the one-thing-leads-to-another formula of early comedy filmmaking, without so much as clearing up why one thing leads to another.
It's all in the name of comedy, and in that spirit, Come Clean is pretty funny, especially during the last ten minutes of its nineteen-minute runtime, where, per usual, all hell breaks loose and Laurel and Hardy are left to their own thoughtful wits, as lackluster as those often are. Come Clean provides for fun and enjoyment, which is precisely what most of these shorts have been giving me, so far.
Starring: Stan Laurel and Olive Hardy. Directed by: James W. Horne.
The Hardy's are planning for a nice evening in when the Laurels come knocking. When they can't pretend to be out any longer, they let the Laurel's in and Stan and Oliver go out to buy some ice cream. On the way home they see a woman drowning in the river and save her. Less than grateful the woman follows them home and the duo try to hide her from their wives. Meanwhile the police continue their hunt for a wanted woman.
In terms of plot, this short is quite weak. The main plot doesn't really happen till the end of the short and, even then, it doesn't really make any sense and it feels like the writers had an idea about L&H hiding a woman in their home but couldn't work out a better way of setting it up. Aside from this the opening of the film is good, as is the scene in the ice cream shop. The scenes involving hiding Kate from their wives are OK but the final short is quite underplayed considering how quite funny it is.
Laurel and Hardy play their parts well. Laurel has some very good scenes of his trademark confusion early on and Hardy does well without dominating the film in the way it is often easy for him to do. Busch does OK as the wanted woman but I couldn't understand her part one little bit!
Aside from these complaints the short still contained enough funny moments to be worth watching. It's just a little distracting that the writers came up with the basic sequences first then trying to crow bar them into a poor plot.
In terms of plot, this short is quite weak. The main plot doesn't really happen till the end of the short and, even then, it doesn't really make any sense and it feels like the writers had an idea about L&H hiding a woman in their home but couldn't work out a better way of setting it up. Aside from this the opening of the film is good, as is the scene in the ice cream shop. The scenes involving hiding Kate from their wives are OK but the final short is quite underplayed considering how quite funny it is.
Laurel and Hardy play their parts well. Laurel has some very good scenes of his trademark confusion early on and Hardy does well without dominating the film in the way it is often easy for him to do. Busch does OK as the wanted woman but I couldn't understand her part one little bit!
Aside from these complaints the short still contained enough funny moments to be worth watching. It's just a little distracting that the writers came up with the basic sequences first then trying to crow bar them into a poor plot.
A LAUREL & HARDY Comedy Short.
Stan & Ollie save the life of a bizarre woman attempting to drown herself. Instead of gratitude, the ferocious female follows them home, ensconcing herself in Ollie's bedroom & demanding money. Not wanting to COME CLEAN to their wives only makes the problem much worse...
A hilarious little film. Highlight: Stan in the bathtub. That's Mae Busch as the female (her name is misspelled in the opening credits) & Charlie Hall as the soda jerk.
Stan & Ollie save the life of a bizarre woman attempting to drown herself. Instead of gratitude, the ferocious female follows them home, ensconcing herself in Ollie's bedroom & demanding money. Not wanting to COME CLEAN to their wives only makes the problem much worse...
A hilarious little film. Highlight: Stan in the bathtub. That's Mae Busch as the female (her name is misspelled in the opening credits) & Charlie Hall as the soda jerk.
Le saviez-vous
- AnecdotesFinal film of Linda Loredo.
- GaffesWhen Stan signs his name on the note look carefully on the door. You can see a marking which bears a similar resemblance, which would indicate a previous take.
- ConnexionsEdited into Zwei Ritter ohne Furcht und Tadel (1932)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Come Clean
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 18min
- Couleur
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