La danse macabre

This short film was the first of the Silly Symphony series, which ran under the Disney banner from a decade from 1929 and proved to be an excellent training ground for animation techniques which would become the springboard into Snow White and the later features.

Even though the distributor at the time dismissed 'The Skeleton Dance' with the terse telegram 'More Mice' (a reference to the Mickey cartoons which had just started a few months before), this film is inventive, extremely funny, marries action and sound perfectly (and remember, this was when talkies were still very much in their infancy), and is an absolute hoot even after all these years.

So what's it about? Well, it is about skeletons dancing. And that's about it. But you can see the influence this film had on later animators (there is a sequence in Monty Python for example which references this film quite closely) and there is no doubt that it is a lot of fun.

A Walt Disney SILLY SYMPHONY Cartoon Short.

The powers of darkness are abroad one dark & stormy night. In a lonely churchyard, graves are opened and THE SKELETON DANCE is performed by four bony fellows who exhibit terpsichorean skills of the most sepulchral sort. The crowing of a cock signals the approach of daybreak and the ghastly hoofers hie themselves back into their grave.

Carl W. Stalling, Disney's music director in the early days, arranged Grieg's 'March Of The Dwarfs' as musical accompaniment to this first entry in the Symphonies series. With Ub Iwerks' masterful drawing, this black & white cartoon still packs a punch today. In 1929 it proved to be completely different from the Studio's Mickey Mouse productions. Indeed, some theater owners found it to be too macabre and refused to show it.

The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.

The Skeleton Dance was made over 85 years ago, but if you put it on at a Halloween party, not only will it make for some awesome ambiance, people will very likely stop what they're doing and watch it. This is Walt Disney and Ub Iwerks, with assist from musician Carl W. Stalling, putting on something extremely simple, you might even say, ahem, bare-bones: what happens in a cemetery at night?

The movie has that truly awesome feeling, seeing it today, of the animators going 'hey, here's something we can try that has never been done before - skeletons dancing to spooky music (and the occasional Owl, who opens the short film in a great way by its eyes). There are some gags here and there; at the end, as the skeletons have to pack themselves back in their crypt, the little feet on one body has been left behind and they kick and kick at the crypt to let them back in.

But in reality, this is a fun-but-spooky little movie. It's amazing to see how much times have changed, as this was originally not allowed in a good many theaters as exhibitors thought it was "too gruesome". Today it almost carries some kind of profundity that I'm sure hipsters will latch on to. Take it on its own terms, in the context, and see how extraordinary it is: images repeated, real technique going on (mediums and close-ups, varied to create a spectacular effect), and an attempt to evoke a place and moment in the middle of the night. Or to put it another way, this is like Thriller's grandfather.

So much animation; so many skeletons. This is a film about what happens at midnight when all the skeletons of the dead pop up and start to have a good time. They create multi legged creatures. The do hoop rolls. They play the old xylophone thing with the spine of someone. This, of course, has been done a million times. The neat thing here is that this is very cleverly done with all kinds of creativity. There is still something eerie about the fact that what we are seeing is inside each of us. This also has a fun soundtrack that allows the skeletons to do dance routines and participate in the making of the music. A very well done early cartoon that has been copied a number of times.

This is a very old cartoon, only one year older than the first Mickey Mouse cartoon. It was made with sound, but not colour (the first colour cartoon would not appear for roughly three more years).

I personally quite like this cartoon, although it is surprisingly disturbing. Walt Disney seemed happy enough producing spooky cartoons like this. I like the music, the animation and the theme of the episode is quite clever and the makers present it well.

In this short, a bunch of skeletons dance around in fun ways, with a slight Disney touch. I note that at the beginning, to put you in the mood of the short, there are a few animals beside a graveyard such as an owl and two cats. Personally I think these animals at the beginning are more spooky than the skeletons, who are supposed (as it seems) to be the spookiest thing in the cartoon.

I recommend this to people who like weird and spooky Halloween cartoons and to people who are interested in finding out about historical cartoons. Enjoy! :-)

P.S ***WARNING***: Anyone under the age of 12 watching this are very likely to be scared stiff, as well as people who are scared by anything, really.

7 and a half out of ten.