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Ajouter une intrigue dans votre langueAs a thunderstorm approaches, birds, mice and other creatures try to stay safe and dry in an old mill.As a thunderstorm approaches, birds, mice and other creatures try to stay safe and dry in an old mill.As a thunderstorm approaches, birds, mice and other creatures try to stay safe and dry in an old mill.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 2 victoires au total
Elvia Allman
- Doves
- (voix)
- …
Dorothy Compton
- Singer
- (voix)
Beatrice Hagen
- Singer
- (voix)
Mary Moder
- Singer
- (voix)
Purv Pullen
- Owls
- (voix)
- …
Marie Arbuckle
- Singer
- (voix)
- (non crédité)
Jean MacMurray
- Crickets
- (voix)
- (non crédité)
Louise Myers
- Birds
- (voix)
- (non crédité)
Clarence Nash
- Frogs
- (voix)
- (non crédité)
Marta Nielsen
- Singer
- (voix)
- (non crédité)
Jerry Philipps
- Singer
- (voix)
- (non crédité)
Barbara Whitson
- Singer
- (voix)
- (non crédité)
Avis à la une
A Walt Disney SILLY SYMPHONY Cartoon Short.
As evening draws near, the various creatures living in THE OLD MILL settle in for the night. Dark, fast-moving clouds, however, signal the arrival of a fierce storm...
Winner of the 1937 Academy Award, this lovely cartoon was important for a couple of significant reasons. It exhibited the quantum leaps the Disney artists had taken since the early Symphonies in the animation of animals - the mice and birds are particularly well drawn. The cartoon also debuted the Studio's new multi-plane camera, a complicated and very expensive machine which was able to render an astonishing illusion of depth. - notice the opening traveling shot which moves through the spider web.
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
As evening draws near, the various creatures living in THE OLD MILL settle in for the night. Dark, fast-moving clouds, however, signal the arrival of a fierce storm...
Winner of the 1937 Academy Award, this lovely cartoon was important for a couple of significant reasons. It exhibited the quantum leaps the Disney artists had taken since the early Symphonies in the animation of animals - the mice and birds are particularly well drawn. The cartoon also debuted the Studio's new multi-plane camera, a complicated and very expensive machine which was able to render an astonishing illusion of depth. - notice the opening traveling shot which moves through the spider web.
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
The Old Mill (1937)
*** 1/2 (out of 4)
Excellent Silly Symphonies short from Disney takes place at the title location. We see an old mill and then we witness several animals take shelter there just as a major storm starts to blow in.
If you're looking for some sort of plot or character driven story then you're going to be disappointed. This really reminded me of what Disney would do a few years later in FANTASIA as this here is really all about the visuals and the score that goes with it. The images are certainly quite beautiful and it's easy to see something like this and realize why Disney really did change animation and especially when you compare this to other bits of animation from this period. The colors of the creatures make them come to life and the storm itself just has so much detail that you can just feel the wind blowing on your neck. Certainly one of the studios best works.
*** 1/2 (out of 4)
Excellent Silly Symphonies short from Disney takes place at the title location. We see an old mill and then we witness several animals take shelter there just as a major storm starts to blow in.
If you're looking for some sort of plot or character driven story then you're going to be disappointed. This really reminded me of what Disney would do a few years later in FANTASIA as this here is really all about the visuals and the score that goes with it. The images are certainly quite beautiful and it's easy to see something like this and realize why Disney really did change animation and especially when you compare this to other bits of animation from this period. The colors of the creatures make them come to life and the storm itself just has so much detail that you can just feel the wind blowing on your neck. Certainly one of the studios best works.
I was first introduced to The Old Mill when footage of it was recycled into a "Blueberry Hill" music video on DTV. I liked the dark, cloudy and atmospheric animation and the video became one of my favourites. The cartoon itself features a decrepit old windmill and the surrounding pond which is home to everything from frogs to bats. When a stormy night rolls in chaos ensues and the animals struggle to make it through.
For a 72-year-old cartoon the animation is wonderful. There's not a human or a line of dialogue in the whole 9 minutes but there's still a great little story to be told. For all of these reasons it's no wonder that it won an Academy Award.
For a 72-year-old cartoon the animation is wonderful. There's not a human or a line of dialogue in the whole 9 minutes but there's still a great little story to be told. For all of these reasons it's no wonder that it won an Academy Award.
I can't praise this beautiful masterpiece of a cartoon enough. The animation is absolutely stunning, and the storm effects were excellent, certainly give Snow White and Fantasia a run for their money. I didn't find the Old Mill dull in any way, it was beautiful and just perfect. Another special mention has to go to the music, its lyricality somehow reminded me of the countryside on a beautiful summer's day, and the animals the swallows especially were a delight. They never spoke, but were beautifully incorporated into the story, and there was a lot of genuine fright when the storm started. Who wouldn't be frightened, it was a truly wonderful moment.
Overall, just beautiful, I can't find another word to describe how good it really was. I will admit I forgot I was watching a eight minute or so cartoon, and insisted I was watching a work of art. 10/10 Bethany Cox
Overall, just beautiful, I can't find another word to describe how good it really was. I will admit I forgot I was watching a eight minute or so cartoon, and insisted I was watching a work of art. 10/10 Bethany Cox
Wonderful Disney animated short that has a lot of significance, both artistically and from an animation history perspective. I just love this cartoon. The plot, such as it is, has various adorable animals living in an old windmill and dealing with a scary thunderstorm. It's so simple but so effective and just gorgeous to look at. The animation is sublime with beautifully drawn characters and backgrounds, rich colors, and some of the best use of lighting to create atmosphere you'll ever see in a cartoon. If you loved the spooky part of Snow White where she's running through the woods, you'll love this. This is Disney's first use of the multiplane camera, which creates a short of three-dimensional effect. It played a big role in the making of those early Disney feature-length classics we all know and love. The music in this is also very enchanting and perfectly matches the animation. This is truly a work of art. Lovely from start to finish. A real classic that everyone who loves vintage animation should see at least once.
Le saviez-vous
- AnecdotesThis film introduced Disney's technical innovation, the multiplane camera.
- GaffesThe reflection for the ducks is supposed to be down center of screen, like the windmill's reflection. Therefore, the ducks reflection is not missing, but off the screen, down and center.
- ConnexionsEdited into La Petite Sirène (1989)
- Bandes originalesOne Day When We Were Young
by Johann Strauss
Played by orchestra and hummed by chorus in several places throughout the cartoon
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Old Mill
- Société de production
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By what name was Le vieux moulin (1937) officially released in Canada in English?
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