L'île mystérieuse

I saw this a one AM last week on a TMC linel Barrymore marathon.C'mon anything thats labeled sci-fi and 1929 you just gotta love.This semi-talkie has the usual Vernian speculation (distant cousins of man living in the sea a la Blacklagoon) combined with twenties class conflict and Ceasarianism. But the real show is the special effects. Forgive me but those old silent FX just seem so much more "special" than the ones we have to day. Their cool if nothing for their age and a unique surreal quality that you don't see in talkies. Don't beleive me just ask the sea people.

I am a history teacher and sometimes use films to discuss American history. In particular, we discuss and learn about the earliest films and historically important films. While some of these films are just brief little snippets (like the very early Edison films) and some are extremely dated and dull by today's standards (THE JAZZ SINGER comes to mind), some of the films we discuss have aged very well and are still great entertainment. One such important but still entertaining early films is THE MYSTERIOUS ISLAND. It was intended as a silent film, but with the success of "talkies", the studio decided to add dialog and very loud sound effects to this very early sci-fi film taken from the Jules Verne novel. At times, the sound works very well--such as in the beginning when there is a lot of dialog (provided the record of the sounds was timed perfectly--fortunately on video and DVD this isn't a problem). At other times, it looks like a silent movie with a few tacked on sounds (similar to what happened with Harold Lloyd's WELCOME DANGER). However, despite this "hybrid" nature of the film, it is still very entertaining--and a lot of fun to see sci-fi done in the old fashioned way. The undersea sequences are of course dated, but not really that bad for 1929--in fact, I found them to be pretty charming. An interesting and entertaining film even today with a good performance from the great Lionel Barrymore.

THE MYSTERIOUS ISLAND is a mixed silent / "talkie" film about Count Dakkar (Lionel Barrymore) and his visionary creation of early submarine technology. He wants to explore the ocean floor in order to find a race of deep-sea humanoids. Unfortunately, Dakkar makes the mistake of letting the ruthless Baron Falon (Montagu Love) in on his plans. Falon has big plans of his own for Dakkar's invention, none of them good.

For it's time, this movie has incredible special effects, including the army of fish-men superimposed with a "giant" octopus and a caiman as a finned, aquatic "dinosaur". The miniature work is also amazing, as are the bulbous diving suits during the finale.

An exciting, highly entertaining sci-fi / adventure film from beginning to end...

I was looking forward to this one for several reasons: the fact that I've watched and enjoyed the 1961 remake featuring the model work of effects wizard Ray Harryhausen, because of a still of one of the film's sea creatures (found in an old anthology of Sci-Fi cinema belonging to my father) which had always intrigued me, and also due to the uncredited contribution of a couple of (now rather neglected Silent-film stylists) – Benjamin Christensen and Maurice Tourneur.

Still, now that I've caught up with the film, I have to say that it didn't live up to my expectations: the biggest problem is that, for an adventure epic, it's rather dull – perhaps the behind-the-scenes turmoil which saw the production go through three directors, as well as the addition of clumsily-integrated Sound sequences (not bad in themselves, particularly a lengthy conversation near the beginning between Lionel Barrymore and Montagu Love), diffused any momentum the picture might have had! Then again, the plot itself (which probably has little to do with Jules Verne's original) isn't exactly inspired: the Russian-style setting is a mistake and the love triangle/class struggle element really bogs down the proceedings.

What makes the film, therefore, are the submarine/underwater sequences – even if the monster attacks themselves are somewhat lame (featuring nothing more imaginative than an alligator made-up to look like a dinosaur[!] and a rather small octopus). Leading lady Jane Daly – whose last film this was – is lovely but her role has no depth (besides, her ostensible propensity with the sub's gadgetry is hard to take); lamentable but, thankfully, brief injections of comedy are provided by the ubiquitous "Snitz" Edwards – and a thinned-down Gibson Gowland (the imposing star of Erich von Stroheim's GREED [1924]) appears as one of the sub's crew.

Mysterious Island, The (1929)

*** (out of 4)

I seemed to enjoy this one a tad bit more than Mario. The film tells the simple story of a scientist (Lionel Barrymore) who creates a submarine so that he can go to the bottom of the ocean to look for life. My main problem with the film is probably its historic nature in the fact that it was started as a silent film but production got pushed back so much that MGM decided to shoot some sound scenes and include them. The start of the film is sound and none of it worked for me. Like most early sound films, the dialogue was badly recorded and it really was boring and make me want to doze off. When the silent section, pretty much the rest of the film, started, I thought the film took off like a rocket. There was plenty of action from start to finish and I also enjoyed the underwater scenes. Hundreds of midgets were hired to play the sea creatures and I thought they looked pretty good. The alligator turned dinosaur was silly but the huge squid was nice. Barrymore, in the sound portion of the film, is all over the place but I thought his silent scenes were a lot better. I've always felt he was better in silents and to see him act here silent and sound was interesting to say the least.