Un monde sans fin

Today was the first time I have seen this movie. Although I adore the SCI-FI genre, I really don't dribble or quibble over Special Effects like smaller-minded viewers. I much rather watch a SCI-FI movie that has a good story and fairly good acting.

Folks so quickly forget what pre-2001 A Space Odyssey and pre-Star Wars SCI-FI movies were like and become jaded in their views. Suddenly all perspective is gone. Goodness, these were simple times in the mid-50's, have some compassion. We have come far even in comparison to 50 years ago.

WORLD WITHOUT END offers a story taking off from the classic Time Machine and anticipating the post-apocalyptic nightmare of Planet of the Apes. It presents yet another version of what could be the future. The sets and complete production values are all fine and well realized.

But what is important here is the story and the hope that mankind can survive through any adversity because he has and will always have the will to live and carry on. Warts and all.

I would recommend this to any real fan of storytelling.

World Without End has four astronauts on a Mars mission enter a time warp similar to what Charlton Heston and his crew encountered in Planet Of The Apes. Only they figure out before the end that it is earth about 500 years into the future where an atomic war has pretty well decimated the planet.

Fortunately for them the world is not just the savage mutants they inhabit outside. There is a civilization kept alive in earth's caves. But they're a pretty pacific lot and frown on these 20th century types with their weaponry which simply consists of handguns.

The four astronauts are Hugh Marlowe, Nelson Leigh, Christopher Dark, and Rod Taylor who would soon star in his own film about time travel. In the end it turns out that these guys and their knowledge of weapons come in pretty useful after all.

The director of this film Edward Bernds who did this for Allied Artists. Bernds who started out working on Frank Capra films was a director of several Bowery Boy features for Allied Artists formerly Monogram Pictures. This was a man used to working with minuscule budgets and realizing that the film didn't turn out half bad.

And unlike Planet Of The Apes it ends on a somewhat optimistic note.

There are many existing comments in regards to this particular film and most of them are quite similar and accurate, therefore there is not too much new substantial information left to be offered. I would just like to express and confirm that this is quite an excellent film for its time [1956]. Do not expect CGI quality graphics and effects -- this was a lower budgeted film, but it did indeed have some very nicely done SFX by its own standards. The wonderful screenplay, rather strong acting [HUGH MARLOWE, ROD TAYLOR, etc.], Color-Cinemascope production, and a fair amount of actual outside location shooting [no cheap soundstaging] combined to make this an absolutely wonderful film [still ranks as one of my favorite 50's Sc-Fi-Flix today!]. OK - for you meticulous purists, there is a large RUBBER SPIDER attack ... but it actually looks fairly decent. Try not to nit-pick, sit back and enjoy a really tight film. And, HEY -- it even has a well-constructed, moral, POSITIVE ending -- which is not sappy! ENJOY!!

Allied Artists pulls out their wallets and all the stops for this fantastic tale of men and mutants locked together in a time warp. The studio, at the time, had more in common with poverty row stalwarts like Eagle-Lion, Republic and Monogram, than the major studios of the era. But here they mounted a handsome production in "Cinemascope" and Technicolor. The major complaint about the film seems to concern the behavior and attitudes of the astronauts toward the females. I believe sexist and juvenile come to mind. But look a little under the surface and you will find the character of Deena. She breaks the typical space babe mold and develops an independent woman. Check out her courage in disobeying the elders as well as Rod Taylor, when she tags along in order to provide some practical information on the mutant culture. I can't believe I just wrote the words "mutant culture." In addition, I'm also aware that the costume department delivered the same mini-skirts which you might find in similar flicks of the period. But also remember that Star Trek dressed their female crew members in the same fashion--and in the late-sixties, too! I also like the engineer's character who is given feelings of sadness, regret and remorse when confronted with the ramifications of breaking the time barrier--with no means to return to his loved ones. Applause and salutations to the thoughtful screenwriter who delivered these pages.

Space pioneers are returning to Earth from a trip to Mars when their spaceship is propelled into the future. They land and discover a vastly different Earth than the one they left. All of the elements that went into the 50s scifi genre are here. Space travel, mutant creatures, and life in the far distant future. This film was a better than average film for its time. The effects are poor compared to today but the dialog makes up for it. The color is sharp and clear and there is a good cast to make it enjoyable. Pull up a chair and break out the popcorn. Following the adventures of the newly returned space travelers makes for a good Saturday afternoon viewing.