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7,0/10
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MA NOTE
Un jeune médecin enthousiaste se lance avec joie dans sa carrière, mais il ne tarde pas à découvrir ce qu'implique réellement le métier de médecin.Un jeune médecin enthousiaste se lance avec joie dans sa carrière, mais il ne tarde pas à découvrir ce qu'implique réellement le métier de médecin.Un jeune médecin enthousiaste se lance avec joie dans sa carrière, mais il ne tarde pas à découvrir ce qu'implique réellement le métier de médecin.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 4 Oscars
- 9 victoires et 4 nominations au total
Penelope Dudley-Ward
- Toppy LeRoy
- (as Penelope Dudley Ward)
Francis L. Sullivan
- Ben Chenkin
- (as Francis Sullivan)
Avis à la une
I found the performances of Donat and Russel fascinating so many years after the film was made. A J Cronyn's story is relevant even today and that makes the film entertaining. King Vidor needs to be complimented on getting such wonderful performances out of the leading pair as well as Rex Harrison and Ralph Richardson. Mary Clare as Mrs Orlando was also an interesting though brief performance. Harry Stradling's camerawork is impressive, if taken in perspective of the film's vintage.
What is a shame is that Rosalind Russel was not picked up by good directors for meaty serious roles, after this noteworthy performance.
What is a shame is that Rosalind Russel was not picked up by good directors for meaty serious roles, after this noteworthy performance.
The Citadel is a fine and inspirational film about a dedicated young doctor and the hardships he has to overcome to see his destiny and move to fulfill it. A lot of the same ground was covered before in Arrowsmith and would be covered again in Not As A Stranger and then in over a dozen or more medical drama shows on television. Stories about medicine and its practice is a genre we will never tire of.
Robert Donat plays the idealistic young doctor who is assigned a number of positions in Great Britain and the story is how he deals with the various situations he encounters. Along the way he picks up a wife in the person of Rosalind Russell.
For an American to review this film probably one should have a knowledge of the British health system and remember this would have been before the days of the current health system of socialized medicine. That system was put in before the post World War II Labour government changed things.
One of his assignments is a coalmining area in Wales and Donat because of his own integrity and commitment manages to make a whole bunch of enemies and has to leave. His assignment is in what might be described as an HMO run by the coal miner's union. He starts doing research in a chronic cough he notices several of the miners have and upsets a whole lot of applecarts both with labor and management. He also isn't so easy with giving sick slips to malingering workers and they don't come to his defense. Not easy at times to be an idealist.
For a while Donat takes an easy road in a wealthy sanitarium that caters to upper class hypochondriacs. Doctors Felix Aylmer and Rex Harrison are getting rich themselves off them. But eventually Donat finds his true calling in research.
Rosalind Russell said that working with Donat was a pleasure, but the film itself wasn't. She and Director King Vidor were the only Americans in this film and she and Vidor took a lot of criticism for taking jobs away from British players. Not like she had anything to say about it, MGM loaned her out there. Still she did her job without a trace of a British accent.
Besides Aylmer and Harrison other noteworthy British players in the cast are Emlyn Williams and Francis L. Sullivan. Williams is one of the local union heads and Sullivan is a blustering boorish lout of a miner who leads the opposition to Donat's research. All of them do fine jobs and Harrison got his first real notice by American audiences in his role.
Because for two generations we Americans have been awash with medical dramas all these situations seem all to familiar to us. That's a jaded point of view. The Citadel is a fine drama and worth seeing.
Robert Donat plays the idealistic young doctor who is assigned a number of positions in Great Britain and the story is how he deals with the various situations he encounters. Along the way he picks up a wife in the person of Rosalind Russell.
For an American to review this film probably one should have a knowledge of the British health system and remember this would have been before the days of the current health system of socialized medicine. That system was put in before the post World War II Labour government changed things.
One of his assignments is a coalmining area in Wales and Donat because of his own integrity and commitment manages to make a whole bunch of enemies and has to leave. His assignment is in what might be described as an HMO run by the coal miner's union. He starts doing research in a chronic cough he notices several of the miners have and upsets a whole lot of applecarts both with labor and management. He also isn't so easy with giving sick slips to malingering workers and they don't come to his defense. Not easy at times to be an idealist.
For a while Donat takes an easy road in a wealthy sanitarium that caters to upper class hypochondriacs. Doctors Felix Aylmer and Rex Harrison are getting rich themselves off them. But eventually Donat finds his true calling in research.
Rosalind Russell said that working with Donat was a pleasure, but the film itself wasn't. She and Director King Vidor were the only Americans in this film and she and Vidor took a lot of criticism for taking jobs away from British players. Not like she had anything to say about it, MGM loaned her out there. Still she did her job without a trace of a British accent.
Besides Aylmer and Harrison other noteworthy British players in the cast are Emlyn Williams and Francis L. Sullivan. Williams is one of the local union heads and Sullivan is a blustering boorish lout of a miner who leads the opposition to Donat's research. All of them do fine jobs and Harrison got his first real notice by American audiences in his role.
Because for two generations we Americans have been awash with medical dramas all these situations seem all to familiar to us. That's a jaded point of view. The Citadel is a fine drama and worth seeing.
10madshell
A morality tale of medicine, this film brilliantly illustrates the plight of a doctor who truly cares for healing the sick -- yet even finds his patients to be dishonest. Robert Donat is superb in his transformation from a good doctor to a money making doctor for the rich. Roselyn Russell compliments his performance with her own emotional struggle, as she watches her husband all but lose his heart. Brilliant direction from early veteran director King Vidor gives this film a worthy place in film history. This is a must see for any doctor -- IMHO.
I wasn't too sure what to think of Vidor after Our Daily Bread. Usually, filmmakers who have a message to get across, and who don't do it all that subtly, rub me the wrong way. But after seeing The Citadel i'm starting to rethink King Vidor. Indeed i thought Our Daily Bread a very fine film, certainly from the standpoint of direction. But what Bread lacked in the two lead performances (which are quite corny and camp), has been perfected in The Citadel, where we are given two marvellous performances from Robert Donat and Rosalind Russell. And i didn't have the same feeling about Vidor's message-making in Citadel that i did in Bread. It is more subtle in Citadel, and also for a better cause (altruism in the medical profession, a very noble thing, as opposed to socialism, the subject preached about in Our Daily Bread). But now i've started thinking this about Vidor:
He was a passionate artist - how much do i prefer this to someone like Rossellini who didn't think much of movies, or someone like Bergman, who often (he can be optimistic) depicts human nature as an empty, valueless abcess. The fact that he expresses such strong messages, and that in fact he has something that he finds of value, is immensely reassuring. I get so used to railing against preachy filmmakers that i seem to equate non-preachiness with cynicism, and even nihilism. Well, one doesn't have to dispise everything to make a wonderful film, which is what Vidor has done here.
Everything works in The Citadel. It draws you very nicely, without pomp or flashiness, but with immense skill, into its environment, and what a lovely environment it is. You so badly want nothing bad to happen to earnest, idealistic young doctor's assistant Dr Andrew Manson. I hesitate to use the word perfection, but there is a real perfection to this movie. And i was more than a little bit moved by it. I really enjoyed it, i just thought it was wonderful. Mr Vidor really was a king.
He was a passionate artist - how much do i prefer this to someone like Rossellini who didn't think much of movies, or someone like Bergman, who often (he can be optimistic) depicts human nature as an empty, valueless abcess. The fact that he expresses such strong messages, and that in fact he has something that he finds of value, is immensely reassuring. I get so used to railing against preachy filmmakers that i seem to equate non-preachiness with cynicism, and even nihilism. Well, one doesn't have to dispise everything to make a wonderful film, which is what Vidor has done here.
Everything works in The Citadel. It draws you very nicely, without pomp or flashiness, but with immense skill, into its environment, and what a lovely environment it is. You so badly want nothing bad to happen to earnest, idealistic young doctor's assistant Dr Andrew Manson. I hesitate to use the word perfection, but there is a real perfection to this movie. And i was more than a little bit moved by it. I really enjoyed it, i just thought it was wonderful. Mr Vidor really was a king.
This film features an excellent cast, ably led by Robert Donat in a performance that is superior to his marvelous performance one year later in Goodbye, Mr. Chips. As a young doctor, he begins with the highest intentions, gradually becoming cynical and disillusioned. He decides it's better to have money than scruples, with predictable results. Outstanding work as well by Rex Harrison and Rosiland Russell and a very good script. Most recommended.
Le saviez-vous
- GaffesWhen Andrew examines Christine's throat, he sits in front of a light that is supposedly reflected into Christine's mouth by his eyepiece. We see this from over Andrew's shoulder, and when the light is directed into her mouth, it is clearly coming from behind Andrew, because the back of his eyepiece is illuminated.
- Citations
Christine Barlow Manson: Andrew, Do you remember once telling me that a all good research man needed was a notebook, a microscope and a room with a roof over it?
- Crédits fousPrologue: "This motion picture is a story of individual characterizations and is in no way intended as a reflection on the great medical profession which has done so much towards beating back those forces of nature that retard the physical progress of the human race."
- Versions alternativesAlso shown in computer colorized version.
- ConnexionsFeatured in The Ultimate Film (2004)
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- How long is The Citadel?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La ciudadela
- Lieux de tournage
- Abertillery, Blaenau Gwent, Pays de Galles, Royaume-Uni(Village scenes)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 50min(110 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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