Les aventures de Marco Polo

In itself corny and uneven, this is typical 30s entertainment done on a grand scale; the look of the film is artificial but undeniably lavish. Being a Samuel Goldwyn production, the film is the very antithesis of a history lesson; still, it's more interesting when dealing with the title character's various discoveries in the Orient than his romantic conquests!

Goldwyn, however, could surely afford to employ a reliable cast - most of whom, though, one would be hard-pressed to accept as Chinese - including Gary Cooper (likeable as always in the lead, if not exactly believable), Basil Rathbone (a typically sly villain), Sigrid Gurie (Kublai Khan's daughter and, naturally, an object of contention between Cooper and Rathbone), Ernext Truex (funny as Cooper's flustered sidekick), Alan Hale (a jovial rebel leader) and H.B. Warner (who basically replicates his dignified Chang from LOST HORIZON [1937]). Action is sparse but nicely handled (particularly the climax) and, surprisingly, the montage sequences (a feature of many films of the era) utilize some interesting optical effects.

The IMDb lists the uncredited contribution of two other directors - John Cromwell and John Ford; since the latter's frequent cinematographer Archie Stout does feature in the credits, I'm inclined to believe Ford was involved at some point...though it doesn't really show in the finished product (the subject was hardly up his street, to begin with)! Back in the day, I had watched both the 1965 international epic MARCO THE MAGNIFICENT and the 1982 TV mini-series MARCO POLO; I'll be following this with an Italian low-brow variation made in 1961 (see review below) and might even rent the recent 1998 version, THE INCREDIBLE ADVENTURES OF MARCO POLO (shortened to MARCO POLO for the U.S.) - if only because it features Jack Palance and Oliver Reed, and was written by Harry Alan Towers!

Gary Cooper plays the role of Marco , a venetian adventurer , in this all star production of Marco Polo's adventures . Young Marco travels to China to help Kublai Khan fight against rebels, headed by his own assistant , with a new invention : gunpowder . Entertaining motion picture about oriental and medieval feats in superb Black and White cinematography and luxurious scenarios . High budget Hollywood production deals with Marco Polo travels from Venice to Pekin , where he falls in love with the Emperor's daughter . Marco (sympathetic as well laconic Gary Cooper) becomes the first traveler to record his visit to the Eastern court of the Emperor Kublai Khan . Once there he possesses his protection to merchandise between China and Europe but he prefers to seek out for more adventures . There Marco falls for gorgeous Princess Kukachin (Sigrid Gurie) . Kublai (Barbier) is a kindly fellow , but his villain aide Ahmed (Basil Rathbone replaced originally cast John Carradine as the evil of a piece) wants to get rid of Kublai Khan so he can be emperor, and to get rid of Marco Polo so he can marry the princess . But Ahmed sends Marco Polo to the West to fight barbarians led by a Tartar chief called Kaidu (Alan Hale Jr), but he goes back just in time to save the day . The Italian explorer rescues the daughter of the Mongol leader Kublai Khan , and meets a hermit (the prestigious silent actor H.B. Warner) who has invented gunpowder . During his adventures Polo is imprisoned and will suffer numerous dangers , adventures and risks ; besides he'll quickly discover many Chinese invents as coal , ¡ spaghetti! and gunpowder , among others .

It's a spectacular adventure and plenty of emotions , action , romance and evocative musical score from Alfred Newman and Hugo Friedhofer . The picture blends far eastern adventures and medieval scenario . This is one of the most bemusing oriental adventure movies ever made and extremely well produced , lush production design and shot in awesome black and white photography from Archie Stout and Rudolph Mate . This juvenile romp is utterly amusing and entertaining though inexactly based on facts . Don't expect historic accuracy from this typical Hollywood product full of adventures , a love story and lots of action . The notorious producer Samuel Goldwyn were more concerned with offering moving and enjoyable amusement than factual information . However , the picture has some actual events such as the attempt conquest Japan by means a fleet that was sunk by strong winds ,thunders and gale . This marked the screen debut of Samuel Goldwyn's protégé Sigrid Gurie, whom he publicly labeled "the Norwegian Garbo , even though she was born in Brooklyn . In fact , by the time the film was released , it had been discovered Sigrid was born from the rather less exotic place of New York . Look out for Lana Turner in her sixth movie making a short appearance , almost extra , as a slave girl , later she recalled in a Gary Cooper biography that her "fancy black oriental wig" had been glued around her face with spirit gum, while she felt extremely uncomfortable in her costumes .

The motion picture was middlingly directed by Archie Mayo who replaced John Cromwell after a few days due to "differences of opinion on story treatment," according to a press release. The film's producer Goldwyn then attempted to rope in William Wyler for the job , but Wyler wanted nothing to do with it, so Goldwyn persuaded John Ford to take over for a few days until he could find a permanent replacement for Cromwell. Archie Mayo was eventually brought in to finish the picture. The film was received poorly at the box-office, becoming the biggest flop up to that time for both Gary Cooper and Samuel Goldwyn; it was estimated that the picture lost close to $700,000 . The flick will appeal to far eastern saga fanciful and Gary Cooper enthusiasts.

Other pictures based on this legendary character are the followings : ¨Marco Polo (1962)¨ by Hugo Fregonese and Piero Pierotti with Rory Calhoun , Yoko Tani and Robert Hundar ; "Marco the Magnificent" by Raoul Levy with Horst Buchhold, Anthony Quinn , Elsa Martinelli ; ¨Marco¨ (1973) by Seymour Robbie with Desi Aznar Jr , Zero Mostel ; the best results to be ¨Marco Polo¨ TV (1982) by Giuliano Montalvo with Ken Marshall , David Warner , F Murray Abraham , Leonard Nimoy ; ¨The Incredible Adventures of Marco Polo on His Journeys to the Ends of the Earth¨ (1998) with Don Diamant , Jack Palance and Oliver Reed ; and ¨Marco Polo¨ (2007) by Kevin Connor with Ian Somerhalder , BD Wong and Brian Dennehy .

Worthless as biography and not even much of a Gary Cooper adventure film but on a camp level there is entertainment value here. You would think with a tale as rich as Polo's they wouldn't have to fabricate an almost entirely false one but such was Hollywood film making in the 30's.

All the obviously Caucasian women are made up with Jean Harlow eyebrows and dark makeup not for one instance being convincingly oriental. About those eyebrows: within the cast in a small role about an hour in is Lana Turner as a maid/concubine, to prepare her for the role the makeup department shaved off her eyebrows and they never grew back! It wasn't worth the sacrifice she is no more convincing than anybody else. Most absurd is the usually reliable Alan Hale who looks preposterous. There is nothing wrong with his performance except its one that would feel right at home in a western but he is supposed to be a Mongol warlord, so authentic it is not.

Sigrid Gurie, the Siren of the Fjords as she was billed but who was actually born in Flatbush, doesn't make much of an impression as the romantic interest. Binnie Barnes tries to inject some life into the picture and have some fun with her role as Alan Hale's wife but is likewise handicapped by her makeup. Gary Cooper does not look at all like a traveling merchant in the 13th century but like Gary Cooper of course, oddly that's one of the films strengths since even when faced with the unlikely sight of Basil Rathbone as Ahmed a Mongol villain Coop is there to remind you that this is a vehicle for its star and little else.

It's quite an expedition to go to China,if we are to believe the screenwriters!Today,Venice ,and the lovely women Marco ,a womanizer as irresistible as Casanova,seduces,and tomorrow,no problem ,we are in a Chinese village where a wise man reads the Bible to children ("are you a Christian?-No,but I want'em to be carefully taught and be aware of all religions around the world ";relevant today and even a lesson to be remembered in our troubled times)

A cheap expedition :only two persons (Marco and some kind of dwarf ,here to provide the story with a comic relief ) and not a long and winding road full of ambushes or dangers .As easy as to go from the Doges Palace to Marco's uncle's mansion .(The uncle is just passing by)

It's very pleasant though.Gary Cooper is handsome and his charm is as effective in China as it is in Venice (or in America);there is a very tongue-in -cheek side that sustains the interest throughout:Marco suggests he "test" the women,before a khan shocked by his brazenness;the princess ,reciting all his family tree to play for time and thus not to marry the ugly villain,the ending with a dubious moral ,which people with a dirty mind might take for a future menage à Trois.

This is the film that cost LANA TURNER (in a bit role) her eyebrows which never grew back. Other than that, it has no distinction whatsoever except that it provides a nice comic book excursion into the past with lavish sets of Oriental splendor but little else for compensation.

Still, it's watchable enough thanks to the low-key and quietly humorous performance of GARY COOPER (an unlikely choice for the role of the Italian adventurer from Venice). It's also interesting to watch SIGRID GURIE, fascinating in close-ups with Hollywood's brand of Oriental make-up--but an actress who never managed to be more than a passing fancy.

BASIL RATHBONE adds the right touch of menace as Ahmed, the villain of the piece, and ALAN HALE brings his boisterous presence to the role of a man who was afraid of his lecherous wife (BINNIE BARNES) but not afraid to dispose of his enemies in boiling oil.

It gets more laughable as it goes on, but reaches new heights of incredibility with an ending that has Polo making use of explosives to bring down the enemy camp. His final fight to the death with Rathbone, near an open trap door with hungry lions waiting below and vultures overhead, is the stuff of comic book suspense.

If you can suspend all disbelief long enough to enjoy it, it passes the time quickly and entertainingly. A history lesson, it's not.