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Ajouter une intrigue dans votre langueA rural con artist and an army deserter cheat the townsfolk and are aided by a rich gal who shields the fleeing duo from the wrath of the pursuing sheriff.A rural con artist and an army deserter cheat the townsfolk and are aided by a rich gal who shields the fleeing duo from the wrath of the pursuing sheriff.A rural con artist and an army deserter cheat the townsfolk and are aided by a rich gal who shields the fleeing duo from the wrath of the pursuing sheriff.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Raymond Guth
- First Fertilizer Man
- (as Ray Guth)
Jesse Baker
- Doodle Powell
- (non crédité)
Dale Van Sickel
- Deputy-Guard
- (non crédité)
Avis à la une
Wanted to point out that the 1967 20th Century Fox film The Film Flam Man starring George C Scott and Michael Sarrazin has never see digital media. No laser discs were ever made, and now in its 14th year, no DVD either. This wonderful panavision comedy, and cast along with an excellent soundtrack by Jerry Goldsmith is just crying out to be made in 5.1 surround and 2:35.1 widescreen. All prints on TV are purple in texture, and the VHS, though as good as we can get now, is full screen. I have heard rumors that AMC has run this film in widescreen. But AMC doesn't reach all the populace in every region on cable TV. I have written many letters on different forums and also to Fox themselves, but never a peep from the studio when a DVD may be in the works. Can others help me and others like me, to get this gem on video in proper form??
An aging con artist teams up with an Army deserter to begin fleecing the locals of their hard earned cash. The flim flam man knows all the cons and he and his sidekick run several smooth operations; doing well until they have a run-in with the local constable. Their problems are a direct result of something that the older con man no longer believes in, but is still alive and well in the human heart. Good comedy even though it is dated.
Happened to be channel-surfing today and, how amazing!, came in on an early scene of this film (instead of one of the endless stream of advertisements and promo clips that pad their broadcasts) on American Movie Classics. Not letterboxed, of course (and WHY NOT?!!?, may I ask), so that director Irvin Kershner's Panavision framing was not part of the pleasure of viewing this pell-mell tale, scripted by the gifted William Rose. I don't know why I avoided catching this during its initial theatrical release, possibly because the trailers were somehow drab-looking (a fault of the cheap film stock commonly used at the time to advertise films shot in DeLuxe Color) and too frantic, the latter easily achieved when there's so much amazingly choreographed action for an editor to choose from.
Anyway, the cast, topped by George C. Scott, clearly enjoying himself in a bravura performance, includes Harry Morgan, Albert Salmi, Alice Ghostley, Slim Pickens...wow! What a roster!...and the lovely Sue Lyon (who, in one carefully lit shot looked like the ideal choice to play Joanne Woodward's younger sister in a movie one could imagine but that never got made before Ms. Lyon's retirement to, one hopes, a very happy marriage.) Michael Sarrazin acquits himself quite well, despite the formidable presence of Mr. Scott in full thespic throttle, and Jerry Goldsmith's music underscores the proceedings quite skillfully, including his use of a harmonica (which I usually find somewhat off-putting.) My only complaint, as an enthusiast for Detroit products of the past, is the merciless destruction of that bright red Plymouth convertible as it careens through a town left devastated in its wake. That particular sequence packed more eye-popping excitement than all of the more recent destruction derbies in the many so-called action movies in the decades since.
Anyway, the cast, topped by George C. Scott, clearly enjoying himself in a bravura performance, includes Harry Morgan, Albert Salmi, Alice Ghostley, Slim Pickens...wow! What a roster!...and the lovely Sue Lyon (who, in one carefully lit shot looked like the ideal choice to play Joanne Woodward's younger sister in a movie one could imagine but that never got made before Ms. Lyon's retirement to, one hopes, a very happy marriage.) Michael Sarrazin acquits himself quite well, despite the formidable presence of Mr. Scott in full thespic throttle, and Jerry Goldsmith's music underscores the proceedings quite skillfully, including his use of a harmonica (which I usually find somewhat off-putting.) My only complaint, as an enthusiast for Detroit products of the past, is the merciless destruction of that bright red Plymouth convertible as it careens through a town left devastated in its wake. That particular sequence packed more eye-popping excitement than all of the more recent destruction derbies in the many so-called action movies in the decades since.
Anyone who has seen George.C.Scott in his most widely recognized role as PATTON(1970) should take a look at his wonderful performance in THE FLIM FLAN MAN(1967). It's like looking at two absolutely different actors. I have always admired the actors and actress' who completely disappear into their parts (Alec Guiness, Kate Blanchet, Tom Hanks, to name a few) You forget for a few hours that you are watching an actor, and that makes the characters they play stand out all the more. In this film, Scott plays Mordecai Jones, a legendary con-man who takes up with a young soldier awol from the army. The two stike a chord immediately, and start working together to make a quick buck. Things start to get interesting when the young soldier proves to be a little bit too honset for the Flim Flan Man. The locales, supporting cast, and a top notch car chase make this film top notch entertainment, but it is Scott who steals the picture (as he has done so many times i.e DR STRANGELOVE, THEY MIGHT BE GIANTS) as the wiley and charming Flim Flan Man. Grab a copy of THEY MIGHT BE GIANTS, and make it a evening. You won't be disappointed you did.
I saw this film on AMC a while back and fell in love with its charm and hilarity. The film is about a runaway teenager and a seasoned old "crook". The movie is very funny, with one great scene linked to the next one. Directed by Irvin Kershner (Empire Strikes Back). Here, he shows a flair for staging complex set pieces and good comic timing. George C. Scott, always great, seems to be the perfect choice as the old con-man. As playful as this film is, there are some tender moments between the characters, adding some heart to an already fun movie. I hope this movie becomes more widespread in the future, since I feel so many are missing out on this one!
This movie was so good, I hunted down the next scheduled airing on TV, and made sure I recorded it. I've enjoyed it on tape ever since. Here's hoping for a future DVD!
This movie was so good, I hunted down the next scheduled airing on TV, and made sure I recorded it. I've enjoyed it on tape ever since. Here's hoping for a future DVD!
Le saviez-vous
- AnecdotesAlthough Jay Ose is credited only with playing the small part of "2nd Fertilizer Man," the Los Angeles Times reported during filming that he was on set to coach George C. Scott in his role as a con artist. Ose, a professional magician and card dealer, is apparently the man whose hands appear in the close-up shots of Mordecai Jones doing particularly elaborate card tricks.
- GaffesThe deflated tires are fully inflated when the truck leaves the railroad tracks.
- Citations
Mordecai Jones: Only cheat the cheaters, boy - you can't cheat an honest man!
- ConnexionsFeatures Peyton Place (1964)
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- How long is The Flim-Flam Man?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El amable estafador
- Lieux de tournage
- Paynes Depot, Kentucky, États-Unis(Opening sequence and titles filmed here)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 845 000 $US (estimé)
- Durée
- 1h 44min(104 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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