Ajouter une intrigue dans votre langueThe head of a drug company mysteriously disappears, after taking credit for a new anesthetic that actually resulted from the work of several doctors, and his surgeon is found strangely murde... Tout lireThe head of a drug company mysteriously disappears, after taking credit for a new anesthetic that actually resulted from the work of several doctors, and his surgeon is found strangely murdered by a surgical instrument.The head of a drug company mysteriously disappears, after taking credit for a new anesthetic that actually resulted from the work of several doctors, and his surgeon is found strangely murdered by a surgical instrument.
- Réalisation
- Scénario
- Casting principal
- Kenneth Martin
- (as Gordon Elliott)
- Nurse
- (non crédité)
- Nestor - Policeman and Driver
- (non crédité)
- Herbert - the Morgue Attendant
- (non crédité)
- Intern
- (non crédité)
Avis à la une
The mystery is extremely complex for its day and time. Suffice it to say that a medicinal sleeping formula is being touted by several members of the hospital staff including the administrator, Peter Melady. That he has the completed formula works to his disadvantage since his rivals are determined to claim it for their own. Melady is preparing himself for an operation while his wife, Agnes (Anita Kerry), is in the same hospital with a broken arm. She is surreptitiously being entertained by her paramour, Kenneth Martin (Gordon "William" Elliott--maybe this is how he got his epithet "Wild Bill"). Peter Melady asks his arch rival, Dr. Harrigan, to perform the operation. This is like asking Jack the Ripper to perform an appendectomy on a lady of the evening. To make a long synopsis short, Dr. Harrigan ends up stabbed to death, Dr. Melady ends up missing in action, and an African-American winds up being taken to the morgue, leaving a covey of suspects lurking in the corridors.
The romantic angle is almost as confusing. Dr. Lambert is lusting after vivacious nurse, Sally Keating (Kay Linaker), who in turn is lusting after him. Nurse Lillian Cooper (Mary Astor) is lusting after one of the suspects in the case, plus is burdened with a secret revealed at the end of the flick. Nurse Brody (Mary Treen) lusts after a funny line. And Agnes Melady, needless to say, is still lusting after Wild Bill.
Besides Nurse Brody, humor is provided by the patients, particularly Wentworth (Johnny Arthur) as a whiner with attention deficit hyperactivity disorder who is staying in the hospital for a much-needed rest but keeps being bothered by nurses, doctors, plumbers, the police, and other patients; and by Jackson (Don Barclay), a harmless dipsomaniac who drinks rubbing alcohol and runs amok.
"The Murder of Dr. Harrigan" is worthwhile for those of us who love a good mystery. This is a short entertaining programmer in the Warner's "Clue Club" series, which included the popular "While the Patient Slept."
It's one of a dozen 'Clue Club' mysteries from Warner Brothers in the mid-1930s, and given it's from a novel by Mignon Eberhart, it's a decent enough mystery, if a trifle rushed at 67 minutes. The cast includes Mary Astor -- supposedly she turned down Miss Linaker's role and was made to play a lesser one as punishment, which makes no sense to me -- Mary Treen, Bill Elliott, and Don Barclay and Johnny Arthur as comic-relief patients. It's a trifle generic, but good.
This minor mystery was based on the stories of Mignon G. Eberhart, who wrote a series of tales with Nurse Sarah Keate as the protagonist. However, besides changing the character name to Keating (played by Kay Linaker), she's also made secondary to love interest Ricardo Cortez as Dr. Lambert, who does all of the case solving. Interestingly, the Nurse Keating role was originally assigned to Mary Astor, who refused it. To punish her, the studio forced Mary to take a lesser supporting role as another nurse. This was one of a dozen or so mysteries released by Warner Brothers in the 30's that were stamped with the "Clue Club" banner.
The plot concerns a formula for a new anesthetic - I never did get the name - it sounded like Slaypen - and a Dr. Melady lays claim as the primary owner, though others, like Dr. Harrigan, had helped to develop it. Melady wants Harrigan to operate on him and use the Slaypen, However, Harrigan is murdered, and Dr. Melady disappears.
Most of the film revolves around the hospital elevator. For awhile, I couldn't figure out why the doctors and nurses kept manually closing the doors, and then I realized that although the elevator was automatic, apparently closing the doors was not yet automatic in 1936. Rather than use the elevator operator with that big wheel often seen in department stores years ago, they were just pulling the doors shut.
Even coming in at just over an hour, this movie seems long because it's so talky, and most of the action is described rather than seen, The star, Ricardo Cortez, lays out the whole solution to the murder to the detective in charge at the end - but we didn't see much of it.
The most entertaining things about this film are the old things: the elevator doors, the nurses' uniforms and caps, the rotary phones. As far as the acting, Cortez is an amiable presence, and Astor is very good. Mary Treen, a very familiar television face, has a small but showy role.
Two things strike you while watching this potboiler; first, the script is loaded with dialogue that is clichéd, trite and hackneyed - a great many lines that are cornball or just plain lame, no matter the time period. Second, the number of hospital practices that wouldn't pass muster today, for instance, a doctor wheeling his patient alone to the OR late at night for an operation he rescheduled, while wearing a suit and tie. Or people smoking all over the hospital, mostly in patients rooms.
The plot itself isn't too bad but the picture has a lot of nondescript, unattractive actors, the exception being the chipper, good-natured presence of Ricardo Cortez. But he, like everybody else, seems unaffected and unfazed by the murders occurring throughout the hospital. Check out the stiff and go about your business, nothing to see here.
But after all, it is a B picture. Maybe I was expecting too much but I can't get excited about this one. I would recommend it only to hardcore mystery fans who aren't too particular.
Le saviez-vous
- AnecdotesFilm debut of Kay Linaker. The part of Nurse Sally Keating was originally intended to be played by Mary Astor. When Astor refused it, Warner Bros. signed Broadway actress Linaker to play it. As punishment, the studio forced Astor to play a supporting part in the film.
- GaffesDr. Harrigan tells Nurse Brody to take care of patient calls as he is wheeling Melady off to surgery. A close-up of the nurse call board is shown, but in the next longer shot, the pattern of lights on the board is different.
- Citations
Nurse Sally Keating: What do you expect to find at the morgue?
Doctor George Lambert: What do you usually find at a morgue?
Nurse Sally Keating: A lot of your patients!
- ConnexionsFollowed by Murder by an Aristocrat (1936)
- Bandes originalesThe Lady in Red
(1935) (uncredited)
Music by Allie Wrubel
Lyrics by Mort Dixon
Sung a cappella by Don Barclay with modified lyrics
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Clue Club #6: The Murder of Dr. Harrigan
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 7min(67 min)
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1