NOTE IMDb
6,3/10
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MA NOTE
Ajouter une intrigue dans votre langueA master criminal terrorizes the occupants of an isolated country mansion.A master criminal terrorizes the occupants of an isolated country mansion.A master criminal terrorizes the occupants of an isolated country mansion.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
Avis à la une
A tour-de-force of chases, shootouts, and robbery, as "The Bat" terrorizes a city, and particularly the renters of a mansion where he makes his hideout. Nearly everybody is a suspect, but the key lighting pretty much gives it away. Nonetheless, West keeps the pace moving so fast that we don't really have time to stop and think about much of anything. Features West's trademark effects with miniatures and wires.
Some remarkable photography (in 65mm, no less) in the disappearing silent gothic tradition makes this movie a link from the newly emerging horror scene to the old "haunted house with criminals" genre into which it more properly falls.
"Goofy gothic" excellence.
Some remarkable photography (in 65mm, no less) in the disappearing silent gothic tradition makes this movie a link from the newly emerging horror scene to the old "haunted house with criminals" genre into which it more properly falls.
"Goofy gothic" excellence.
From the memorable opening scene of the newsboy yelling "You won't get the Bat! I'll bet the Bat makes a chump out of you!" to the police, it was clear this would be a much more stylish film than the 1926 one. Roland West directed both films. This one is markedly superior visually and, unlike a lot of other directors at the time, West seems to make the transition from silent to sound filmmaking seamlessly. I've seen all three versions of The Bat and enjoyed them all but this is probably the best version. This is also the version that, according to Bob Kane, was part of the inspiration for Batman. The Bat looks less silly here than in the last movie, where he had big mouse ears and was more adorable than scary. Anyway, it's a good old dark house thriller with a cool beginning and an amusing ending. Any movie with Una Merkel in it can't be that bad.
This is a great old black and white mystery/suspenser. If you have the capacity to enjoy films of the 30's and 40's and you like mysteries and fine film craftsmanship, see his movie. Chester Morris is very good as the lead. The plot is relatively true to the Hopwood/Rinehart original screenplay. The setting is an old mansion with a spinster and family members terrified by a super criminal known as the Bat. They get outside help, but the Bat strikes anyway. Who is the Bat? What does he want in the old mansion? The story answers those questions in a most old-fashioned, entertaining manner. Of the three movie versions of the Bat, the 1926 silent, the 1950's Vincent Price/Agnes Moorhead version, and this one, this is the best.
I've watched the 1926, 1930 and 1930 wide screen versions many times over the years. However, the other day I finally watched the widescreen on my 5x6 foot screen which I usually save for 3D and football. The details really jumped out. There are so many wonderful camera tricks, many of which I cannot explain. As a professional modeler I can say that the miniatures were far ahead of their time, as was the skill in photographing them. They probably were only exceeded beginning with the Star Wars attack on the death star.
The fluidity of the camera was amazing for its time. The old lady and the maid walk down a long corridor, talking all the time as the camera moves ahead of them. They walk into a room and sit at a table which was right in the path of the camera. Later in the film a character vaults over a 3 foot wall and runs down a path with the camera following him, apparently right through the wall. The shadows of the Bat as he hulks on the floor are inhuman. On several startling occasions the characters jump right into the camera. These and more have been mastered for years but this film discovered them. If you are familiar with the climax of The Alibi, you remember the special effect that seemed almost real, not surpassed until CGI. The Bat Whispers is filled with such effects.
Yes, the film is static, despite all the goings on. And the acting, although unacceptable by 1932 standards was about average for 1930. However, I would gladly have strangled Maude Eburn who ruined every scene she was in. The Bat Whispers is really a guilty pleasure for modelers, cinematographers and horror fans.
The fluidity of the camera was amazing for its time. The old lady and the maid walk down a long corridor, talking all the time as the camera moves ahead of them. They walk into a room and sit at a table which was right in the path of the camera. Later in the film a character vaults over a 3 foot wall and runs down a path with the camera following him, apparently right through the wall. The shadows of the Bat as he hulks on the floor are inhuman. On several startling occasions the characters jump right into the camera. These and more have been mastered for years but this film discovered them. If you are familiar with the climax of The Alibi, you remember the special effect that seemed almost real, not surpassed until CGI. The Bat Whispers is filled with such effects.
Yes, the film is static, despite all the goings on. And the acting, although unacceptable by 1932 standards was about average for 1930. However, I would gladly have strangled Maude Eburn who ruined every scene she was in. The Bat Whispers is really a guilty pleasure for modelers, cinematographers and horror fans.
Great fun! The special effects are amazing for a 1930 movie. Miniaturized sets are used & although they're primitive by today's standards, keep in mind that this movie is over 70 years old. It's an excellent Old Dark House movie, complete with thunderstorms, secret passageways, a mysterious creature named "The Bat," comedic elements, a large old house, several murders, etc. It's been noted that the comic strip character, "Batman," owes some of his origins to "The Bat," & it's apparent in the outfit, the shadows cast from buildings, & in the name of the character itself. "The Bat" is indeed a pretty scary entity. The sound effects are good, camera work is excellent, & the ending is bizarre. It kept my interest throughout its 83 minutes. Well worth seeing for Old Dark House fans (this is one of the best). I rate it 9/10.
Le saviez-vous
- AnecdotesOne of only a handful of films to be shot in the widescreen Magnifilm 65mm format (other studios were also experimenting with other wide formats at the time). The expense of upgrading theaters with new screens and projectors - after just having to install sound equipment - coupled with the Depression and the December 1930 edict from the MPPDA that the film industry not cause "the public's curiosity to be aroused about any new innovations for at least two years" effectively killed the new format. Widescreen formats did not return until the middle of the 1950s out of the necessity to compete with television.
- GaffesAfter the bank robbery, there is a obvious slot in the "road" where the miniature car travels.
- Citations
The Unknown: What I'd like to know is how did you get the dope from headquarters on this case?
Detective Anderson: The same way I get everything, with my mind. I've got the greatest brain that ever existed.
- Crédits fousAfter the film an actor comes onto a movie house stage and implores the audience to withhold the identity of the bat from family and friends so they can also enjoy the movie.
- Versions alternativesThis film was shot in two versions with a different director of photography for each. One is in standard 35mm and the other in an early 65mm process. The 65mm version is considered "stagebound" (it was actually based on a popular play) while the 35mm version is considered more "cinematic". Prints of both versions still exist.
- ConnexionsFeatured in Cinemassacre Video: Bat-a-Thon (2008)
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- How long is The Bat Whispers?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Roland West's The Bat Whispers
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 24 minutes
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