Party Wire

Curiously enough Party Wire came out after the big hit that Jean Arthur co-starred in The Whole Town's Talking with John Ford directing. This film is about a whole town spreading gossip created with bits and pieces.

Party lines are thank God a thing of the past. I remember my grandparents in the 50s still having one. We'd have to wait until someone was finished to use the phone.

The local rich kid Victor Jory comes back to his home town and takeover the creamery which is the main employer. That's news in and of itself. But when a nasty story involving Jory, Jean Arthur, and Bob Allen with a 'theft" of some church funds and a mysterious trip taken the gossips invent some dirt. And dirt travels best by phone.

It all results in a near tragedy for an innocent other party.

Jean Arthur did well and Victor Jory made a nice couple. Occasionally Victor Jory was a nice guy in movies.

Arthur's part might have given Frank Capra some idea that she could be good casting in some upcoming projects of his. After all in Mr. Deeds she's a gossip spreader of sorts. She scores well in this film.

Arthur fans should love this

Enjoyable yarn that takes its inspiration from the party line, a concept that may be unfamiliar to many people today. In rural areas, many telephone subscribers would share the same telephone number. I actually had a party line in rural new Jersey as recently as the 1970's! Different households had different rings to distinguish one from another. However, nosy neighbors could listen in to each other's conversations, just like when a member of your family picks up the upstairs extension. As a result, gossip and news traveled fast in small town America back in the early part of the twentieth century. The plot revolves around an certain overheard conversation that leads to an ugly rumor. (Misstated, by the way in the review by Eva, who captures the gist of things in a review with many factual errors)

This movie features many of the great character actors of the thirties and is led by by the always-wonderful Jean Arthur. It has the fast pace typical of the movies of the period. A very well made time capsule of rural America between the wars. Worth a look.

This 1935 classic has got to be the most pleasant entertainment surprise of my experience in quite sometime. The two lead characters are people you could like. Jean Arthur portrays a small town bank clerk. Victor Jory is the hometown success story who returns to his little 'burg' and falls in love with the 'girl he left behind. Thing is that when he left neither he nor her knew he left her behind till he returned home. This is actually the side story. The main story is about nosy, gossiping Americans back in the day when phone communication had a party line. More than one person could use them at the same time to listen in on conversations of others. The other point of the story is how small minds can function in small towns ( it even takes place in big towns too )and ruin people that the small minds take their aim at. A great story line written well / acted well. Definitely worth your time.

If you didn't grow up in a town like this, you might think the plot was exaggerated, and that people didn't really act like this. But they did. From the old man with his jug to all the members of the First Self Righteous church, these are all characters from my home town. Even the party line was familiar, but these old gossips didn't need the party line to spread gossip about every one in town. And it didn't need to be anything specific, just a whiff of anything different, and they were all off baying like hounds.

I was very unhappy that there was no real chemistry between the leads in this movie. I have seen Victor Jory as Indians and as every sort of criminal, but as a romantic lead he is a total dud. A handsome profile, a great voice, but as snake eyed as they come, and I kept waiting for him to hiss. A shame Jean Arthur didn't have someone more attractive to play opposite her.

Most 1930's and 1940's films portray small town America as some kind of Heaven on earth where your neighbor will give you their last dime and everybody loves everybody and are all model citizens. PARTY WIRE, an overlooked gem from 1935, blows that illusion to smitterheens and may be closer to the truth. Small towns can breed small minds and the horrors of gossips who tell tales they don't really care if they are true or not is vividly brought to life is this amazing comedy drama.

Victor Jory stars as the scion of the small town's wealthiest family who returns to town for an extended stay. His return is big news for the locals, many of whom have daughters they would like to see Jory marry. When Jory begins to squire local farm girl Jean Arthur, the inner green-eyed monster flares in the local old prudes and when via habit of listening in on phone calls on the town's party line they overhear Arthur's father make an angry phone call to a local boy they are all abuzz, concluding the guy has knocked up Jean.

This starts a tidal wave of gossip and venom as poor Jean gets fired from her job and is completely snubbed by the town folk, who stick a baby carriage with a nasty note on her doorstep and disqualify her from winning a local event for no reason. When Jory learns of their maliciousness, he vows to make the town pay for their viciousness and financially ruin them all.

The cast of this film is outstanding. Jean Arthur at the very beginning of the major era of her career is wonderful as the unpretentious sweetie who has what it takes to charm the most wanted man in town. Victor Jory has one of his rare leading man roles - he was most often cast as a villain, notably in GONE WITH THE WIND - but he is excellent and thoroughly credible both as the man everyone admires and the hero out for vengeance. The supporting cast is superb - Charley Grapewin as Jean's slightly absent-minded father, Maude Eburne as one of the biggest gossips in town but most especially Clara Blandick as the queen bee of this hick town who conjures all the trouble. Miss Blandick is best remembered for her loving Auntie Em in THE WIZARD OF OZ but she had no peers when it came to portraying the small town bitch matron - she plowed similar territory as Janet Gaynor's sneering aunt in A STAR IS BORN.

This is a fine looking Columbia film that belies it's modest budget. PARTY WIRE is possibly the best of Jean Arthur's early starring films and is highly recommended.