One Frightened Night

Intriguing, better-than-average old house thriller where a cantankerous old millionaire decides to give his money to his heirs whilst still alive - providing of course his lost granddaughter from a runaway daughter continues NOT to be found. But on this one frightening night - a granddaughter arrives as does mischief, mayhem, and murder. One Frightened Night, made for Mascot Pictures, is cheaply made and has no major stars; however, it does more with what it does have than in some A List movies of the same period. The opening with the title names put on shades drawn throughout the opening title sequence had me at once, and then actor Charley Grapewin, Uncle Henry from The Wizard of Oz and Inspector Queen from the Ellery Queen movie series, comes on and chews up so much scenery with his cantankerous old codger bit that you end up loving his character from the first moment you see him. Obviously the similarities with this film and The Cat and the Canary are going to be made - and with good reason as both have much in common: a similar story with similar plot twists, a cast of greedy relatives/friends, secret passageways and burning candles, an austere, humorless old maiden of a maid, light comedy amidst the backdrop of murder, and much more. This film is certainly not as polished as that one but a great deal of fun nonetheless. I love the dialog in this film - particularly that of Grapewin but also of Wallace Ford as the "Great Luvalle" and Fred Kelsey as Sheriff Jenks. In one scene Grapewin learns that one of his annoying, greedy relatives, a somewhat hysterical woman won't talk at all anymore and someone says something to that effect. Grapewin looks on dubiously and says something to the effect that she was a remarkable woman for not speaking at all and keeping silent. Such humor is pervasive throughout. One Frightened Night is just good, old-fashioned fun. Period.

Unlike today, back in film's golden age, there were always roles for older character actors. Charley Grapewin - even in uncredited parts, he was easily recognisable and when he had a featured part (as the amiable granddad in "The Night of June 13th" (1931), who decides to tell the people in the street some home truths) he was very memorable. Lucien Littlefield also made a career out of character parts (Cupido the barber in "Torrent" (1926) and "The Cat and the Canary" (1927)).

In this film Grapewin has the lead role as Jasper, a crotchety head of a family, who are planning how to spend his money before he is dead. Jasper has a surprising announcement - he is going to give each of his relatives a $1 million before he dies!!! But if his granddaughter can be found, it all goes to her!!! Lucien Littlefield for once playing his right age, plays Dr. Denham.

Before the night is over, Mr. Felix (Clarence Wilson) is knocking at the door with the long lost granddaughter (Evalyn Knapp) - or is she!!!

Downstairs, trouble is brewing - everyone has a desperate need of the $1 million gift. Arthur Proctor (Arthur Hohl) has lost money in some business venture and his wife (Hedda Hopper) is worried he will do something foolish. Suddenly Doris Waverley 2 (beautiful Mary Carlisle, looking a treat) turns up, then the Great Luvalle (Wallace Ford), looking for her. Before Jasper can take Doris upstairs to have it out with her double, the first Doris is killed by fast acting poison.

A belligerent policeman (Fred Kelsey, whose most memorable role was the house detective in the "Honeymoon Hotel" sequence in "Footlight Parade") is trying to interview people. Everyone is acting pretty innocent. Tom (Regis Toomey) the black sheep of the family is romancing Doris - or is he just after her inheritance, and the Great Luvalle is determined to find the real killer!!!

It is a pretty good film - all the players have enough time to establish their characters. Rafaela Ottiano is particularly good as Elvira, the creepy maid.

Very Recommended.

As Old Dark House movies go, it's not bad. It has the intriguing plot of having a group of no goods, needing money, having it given to them by the old rich man, and then having it plucked away. A murder is committed and then all the fun starts. There are secret closets and passages. There are dumb policemen and their partners. There are suspects all over the place. There's the guy who was Dorothy's uncle in "The Wizard of Oz." We never know who to suspect. I have to admit that I felt sorry for some of the people who were going to get the money and then were aced out by a young woman, the granddaughter of the old man. I felt the housekeeper got a raw deal since she is treated pretty shabbily throughout. Even when we find out who did it, it's a little disappointing. The fun was "not" knowing. Nevertheless, there's lots of action and enough humor to make it fun. It's better than most of its ilk.

"An aging eccentric millionaire gathers his heirs and informs them that he intends to give his fortune to his granddaughter, if she appears before midnight, otherwise the five of them will split the estate. Two women arrive claiming to be the long-lost granddaughter, which upsets all of the other relatives. When one of the women ends up dead, suspicion falls upon everyone who potentially would benefit form the elimination of the other heirs," according to the DVD sleeve's synopsis.

For the umpteenth time, a group of interconnecting people gather at a spooky mansion, hope to collect a fortune, and become murder victims (or suspects) - it's a very familiar plot. But, "One Frightened Night" manages to always seem cleverer than it is. Director Christy Cabanne, who was often hired to keep thing moving, does just that, while managing to throw in some of the flair he more often neglected. It's nice to see an older actor, Charley Grapewin (as Jasper Wythe), taking the lead; and, the rest of the cast circumvents him well.

***** One Frightened Night (1935) Christy Cabanne ~ Charley Grapewin, Mary Carlisle, Wallace Ford

John Stanley's Creature Feature Film Guide calls this film "dusty fun" and I have to agree wholeheartedly. The formula and gags are quite dated but still retain a charm that lends so much to the enjoyment. I don't think I've met anyone who has a negative opinion of this film. I first saw it back in the early 80's on PBS's Matinée at the Bijou. It was cut pretty severely, about 10 or 15 minutes, to fit the time schedule, but lost nothing of it's story or characterizations. I loved it from the start. What a blessing to find it intact from Creepy Classics back in 95, and now from Alpha on DVD. A great cast of character actors ranging from "Dorothy's uncle" to "that crabby guy who ran the orphanage in the little Rascals.....now Spanky be reasonable!" A movie like this can't be made these days, and I imagine a great deal of the population would pass this right by were any station to show it. This is a real forgotten gem that should be watched if the occasion arises. BTW I don't think Hedda Hopper is Jasper's daughter. She always refers to him by his name and doesn't call him father. Also, at one point she says of Jasper's "daughter" "she doesn't look much like her mother does she?" I believe she may be a cousin or perhaps his sister.