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À l'ouest des montagnes

Titre original : West of the Divide
  • 1934
  • Approved
  • 54min
NOTE IMDb
5,2/10
1,1 k
MA NOTE
John Wayne and Lloyd Whitlock in À l'ouest des montagnes (1934)
ActionAdventureDramaRomanceWestern

Ajouter une intrigue dans votre langueTed Hayden impersonates a wanted man and joins Gentry's gang only to learn later that Gentry was the one who killed his father. He saves Virginia Winters' dad's ranch from Gentry and also re... Tout lireTed Hayden impersonates a wanted man and joins Gentry's gang only to learn later that Gentry was the one who killed his father. He saves Virginia Winters' dad's ranch from Gentry and also rescues his long-lost brother Spud.Ted Hayden impersonates a wanted man and joins Gentry's gang only to learn later that Gentry was the one who killed his father. He saves Virginia Winters' dad's ranch from Gentry and also rescues his long-lost brother Spud.

  • Réalisation
    • Robert N. Bradbury
  • Scénario
    • Robert N. Bradbury
    • Oliver Drake
  • Casting principal
    • John Wayne
    • Virginia Brown Faire
    • George 'Gabby' Hayes
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,2/10
    1,1 k
    MA NOTE
    • Réalisation
      • Robert N. Bradbury
    • Scénario
      • Robert N. Bradbury
      • Oliver Drake
    • Casting principal
      • John Wayne
      • Virginia Brown Faire
      • George 'Gabby' Hayes
    • 28avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos9

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    Rôles principaux16

    Modifier
    John Wayne
    John Wayne
    • Ted Hayden posing as Gat Ganns
    Virginia Brown Faire
    Virginia Brown Faire
    • Fay Winters
    • (as Virginia Faire Brown)
    George 'Gabby' Hayes
    George 'Gabby' Hayes
    • Dusty Rhodes
    • (as George Hayes)
    Lloyd Whitlock
    Lloyd Whitlock
    • Mr. Gentry
    • (as Loyd Whitlock)
    Yakima Canutt
    Yakima Canutt
    • Henchman Hank
    Lafe McKee
    Lafe McKee
    • Fred Winters
    Billy O'Brien
    • Spud Hayden
    • (as Billie O'Brien)
    Dick Dickinson
    • Henchman Joe
    Earl Dwire
    Earl Dwire
    • Sheriff
    Horace B. Carpenter
    Horace B. Carpenter
    • Cattle Buyer Hornsby
    • (non crédité)
    Philip Kieffer
    • Doctor Silsby
    • (non crédité)
    Artie Ortego
    Artie Ortego
    • Henchman
    • (non crédité)
    Tex Palmer
    Tex Palmer
    • Henchman
    • (non crédité)
    Archie Ricks
    Archie Ricks
    • Henchman
    • (non crédité)
    Hal Taliaferro
    Hal Taliaferro
    • Henchman
    • (non crédité)
    Blackie Whiteford
    Blackie Whiteford
    • Henchman Butch
    • (non crédité)
    • Réalisation
      • Robert N. Bradbury
    • Scénario
      • Robert N. Bradbury
      • Oliver Drake
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs28

    5,21.1K
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    Avis à la une

    5FightingWesterner

    Okay Entertainment

    John Wayne and George Hayes come back to the place where Wayne spent his childhood in order to find out who killed his father and what became of his baby brother twelve years earlier. Wayne and Hayes then go undercover to stop a group of ranch thieves.

    There's a few good scenes and a decent climax in this entry in Wayne's Lone Star western series but mostly this is middle of the road entertainment with a bit too much talking and not enough action this time around.

    However, this does have some better-than-usual acting for the series. Duke and Gabby's performances are also quite likable, as is the actor that played Wayne's young friend.
    7Tweekums

    Decent enough John Wayne B-Western

    This early John Wayne western sees Wayne playing Ted Hayden, a man who was left for dead as a boy when he father was killed. In the opening scene he discusses this with the man who looked after him. As they talk a man staggers towards then; he lives just long enough to hell them he has drunk water from a poisoned well. He is carrying papers that identify him as Gat Ganns, a wanted killer who was hoping to work for a certain Mr Gentry; the man who now owns the Hayden farm. As Hayden looks rather like Ganns he takes his place and sees Gentry about the job. It turns out Gentry is trying to acquire a neighbouring ranch and wants 'Ganns' to kill the owner... he also has designs on the owner's attractive daughter. Hayden is determined to find a way to save them. He also learns the truth about who killed his father.

    While this isn't exactly a great western it is rather fun. The plot may be fairly predictable but it provides some decent action; this includes fist fights and some solid horse stunts. In most films of this sort the attractive leading lady quickly falls for the handsome hero but here she doesn't even meet him till quite a way into the film... he finds her earlier but she is unconscious. There are some fairly weak points; the opening involves quite a coincidence and Hayden doesn't look particularly like Ganns; certainly not enough that anybody shown the photograph on the wanted poster, as Gentry was, would believe he was Ganns. The acting is decent enough; John Wayne is solid as Hayden and Virginia Brown Faire is suitably sparky as Fay Winters, daughter of the ranch owner Gentry had feelings for. Lloyd Whitlock was a solid bad guy although the character was almost a pantomime villain. Overall this isn't a must see but it is fun if you enjoy westerns and have an hour to kill.
    7shrine-2

    Now I know why my grandfather loved westerns so...

    I was a TV addict at a very early age. I lived with my grandparents, and my grandfather and I used to fight over what to watch on his television. He loved westerns; we watched "Cheyenne," and "Wyatt Earp," and "Rifleman," and numerous others during the fifties. I didn't quite share his enthusiasm for these shows, but it was a way to pass the time with him. But after seeing "The West Divide," I know why he loved westerns so. Some may refer to it as a B movie, but I think the B stands for basic. There's something thrilling about its lack of artifice. The sound of fists connecting to flesh doesn't have that ungodly amplification that later, more technically sophisticated examples of the genre had. The sentiment is rarefied like the open air. When the heroine is shot, it's played out plainly and purely; sometimes you can get a stronger emotional effect without a musical score. And the sequence with the runaway team is bracing; I figure the legendary Yakima Canutt stunted in this scene.

    And then there is the young John Wayne. I think it is during this period in his career that he proved himself to be the giant star he became. When he dons white buckskin in "The Telegraph Trail," he becomes almost otherworldly. Here he plays a man posing as an outlaw to find the killer of his father. By the time he has set things right, lying supine in his long-lost brother's arms, you understand why so many moviegoers couldn't get enough of him. His entire body in that moment gives way to the scene, and you cherish how tenderly and passionately he's willing to play his part. This movie taps into that well of memories some of us have with family and loved ones, and as Father's Day is tomorrow, it helps remind me what deep, elemental emotion men often feel that these days goes unacknowledged. I certainly wasn't aware of it in those days with my grandfather; but I've gained a new consciousness that has come with my being about his age at the time and watching things I know he'd have loved. Like "The West Divide." It makes you wish they made more westerns like this one.
    3jayraskin1

    Bad Lone Star

    This was the fourth of the sixteen Wayne Lone Star series. I must respectfully disagree with those on IMDb who rate it highly. I thought it was one of the worse in the series. It has all the bad elements of the series, bad acting, convoluted and dull plot,anachronisms (telephones, automobiles and women in 1930's clothes). Only the stunt work is excellent, providing the five or six interesting moments.

    At one point, Wayne turns to the bad guy and says that he's acting like a character out of a dime novel. He's exactly right. The bad guy and the story are stereotypes even for 1933.

    The series seems to move between films that basically follow straight stereotypical Western stories and films that provide funny and clever twists on the stereotypical stories. This one is played straight and thus only has interest for cinema or Western historians. The other type ("Riders of Destiny" and "the Star Packer," for example) are still quite entertaining 75 years later.
    7kairingler

    the duke

    Along with the usual cast of characters , that the Duke usually performs with this movie attracted my attention more so than some of his other "b" westerns save for a few,, maybe because in the beginning of this one he plays or rather I should say pretends to be a killer to get deep inside of a gang to find out who killed his dad and kidnapped his brother,, he is very good at this and has the criminals totally convinced well except for one,, and eventually they find out he is not who he says that he really is... Yakima Cannut , and George "Gabby" Hayes also star with John Wayne,, rather enjoyable western LoneStar. I would definitely recommend this to anyone being a fan of the early John Wayne movies before he became a star.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In 1934, this film was condemned by the Catholic Legion of Decency.
    • Gaffes
      During a fight between Ted Hayden and Butch, Spuds shouts, "Come on, Ted!" Actually, Ted has been introduced to him and all others at the gangsters' hide-out as Gat Ganns. His real identity is in fact revealed later.
    • Citations

      Doctor Silsby: You got her here just in time. A small artery's been severed. However, I don't think it's very serious.

    • Versions alternatives
      Fox/Lorber Associates, Inc. and Classics Associates, Inc. copyrighted a version in 1985 with a new original score composed and orchestrated by William Barber. It was distributed by Fox/Lorber and ran 48 minutes.
    • Connexions
      Edited into Six Gun Theater: West of the Divide (2016)

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    FAQ13

    • How long is West of the Divide?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 15 février 1934 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • L'honneur retrouvé
    • Lieux de tournage
      • Kernville, Californie, États-Unis
    • Société de production
      • Paul Malvern Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      54 minutes
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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    John Wayne and Lloyd Whitlock in À l'ouest des montagnes (1934)
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    By what name was À l'ouest des montagnes (1934) officially released in India in English?
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