Le Texan chanceux

Jerry Mason (John Wayne) is a tough Eastner who goes West and meets Jake Benson (George Gaby Hayes who bears the comic relief , as usual), an old rancher, become partners and strike it rich with a gold mine. The Young Texan and the old man then find their lives complicated by bad guys and a woman . The prospectors securing their gold discovery against mean villains . They find a mine and are successful, but when Jake sells some gold and after depositing the cash he is detained for the attempted murder of banker Williams . Meanwhile , Betty (Barbara Sheldon) arrives to live with Jake, but before she learns of his whereabouts , Jerry locates the guilty bunch and Jake is freed . But the nasty outlaws seek vengeance .

The picture gets thrills , Western action , shootouts , a love story , and several fights between Wayne and his enemies ; being quite entertaining . It's a low budget film with good actors , technicians, mediocre production values , pleasing results and usually regarded as one of the best Westerns made by John Wayne during his ¨Lone Star¨ period . The picture packs brawls and fights in silent cinema style and a final pursuit in Keystone wake . Nice acting by John Wayne as a young Texan who finds himself involved with claim jumpers , miners and ambitious guys . Very early Wayne has the Duke looking awfully young as cowboy securing his gold . Sympathetic performance from veteran George ¨Gaby¨ Hayes as short-tempered person , Gaby steals the show as when he get dressed in woman clothes and gives a special spectacle in court . Mediocre cinematography by Archie Stout , a notorious cameraman with a long career . Being necessary an alright remastering because of the film-copy is washed-out . The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film . Therefore, many of the versions of this film available on the market are either severely and usually badly edited and/or of extremely poor quality, having been duplicated from second- or third-generation or more copies of the film . The motion picture was professionally directed by Robert North Bradbury who made various early John Wayne vehicles .

John Wayne played a great role in the super-production ¨The big trail¨(1930) but he subsequently fell in B series during the thirties . Most of them in ¨Lone Star¨ productions , usually directed by Robert N. Bradbury , such as : ¨Rough romance¨, ¨The range feud¨, ¨Texas cyclone¨, ¨Two-fisted law¨, ¨Ride him cowboy¨, ¨Big stampede¨, ¨Haunted gold¨ , ¨The telegraph law¨, ¨Somewhere in Sonora¨ , ¨The man from Utah¨ , The man from Monterrey¨, ¨The lawless frontier¨ , ¨West of the divide¨, Rainbow Valley¨ , The desert trail¨ , The dawn rider¨, ¨Lawless range¨, The Oregon Trail¨ , and ¨Born in the west¨ . In 1938 he participated in Republic series with ¨The three musketeers¨ replacing Robert Livingston and in which George Sherman directed 8 films . Later on , Wayne starred the hit ¨The stagecoach¨ by John Ford and took part in ¨A movies¨ such as¨: ¨Allegheny uprising¨, ¨Dark command¨, ¨The spoilers¨, ¨In old California¨, ¨War of the wildcats¨, ¨Tall in the saddle¨, ¨Flame of the Barbary Coast¨ and ¨Dakota¨ . And financed his first production : ¨Angel and the badman¨ . Subsequently , with ¨Red River¨ John rose at top box-office and after that , he starred many successes .

Looks like our friends at Lone Star put this one together on the fly. It's like they've got two plots going at the same time, and then decide to drop the one with bank robber Al (Eddie Parker) in favor of the other with Jake (Hayes) and his daughter (Sheldon). Nonetheless, there are some entertaining touches. The street fight with Wayne and Parker is especially energetic, two young guys in tip-top shape and well matched. I guess producers decided we Front Row kids had seen enough hard riding, so instead there's that nifty 3-way chase pitting horse against flivver against rail-car. The latter two are faster, but then the horse can go anywhere and we know who's got the horse. And is that Hayes actually duking it out with the bad guy. We only see the back of his head, at a time when the one-and-only Hayes was already pushing 50. Then there's that headlong slide down the sluice chute that looks like an Old West version of an E-ride at Disneyland. And what kid wouldn't have given his proverbial i- teeth to have been along on that one.

One reason I still like these Lone Star oaters is because of the young Wayne. Note how loose and relaxed he is; he's having fun out there in LA's outskirts with all his buddies in the crew and cast. He's just perfect for these matinée specials. But pity poor Barbara Sheldon as Betty. Director Bradbury has his hands full with the guys and the script, so here she is floundering around, doing her best, but looking like a confused puppy. Sadly, it appears she quit the business following this movie's wrap-up. No, this is not top-rank Lone Star, but then it's not every entry where we get to see knobby-knee Hayes in drag and his underwear. So there are compensations.

In passing—note how the assayer in his office quotes Hayes a price of $16 an ounce for gold. That was the price in 1933, and the trouble is it stayed at that price for the next 40 or so years because of gov't fiat. At the same time, the costs of mining gold were rising yearly. So the industry went into eclipse and that's why the metal that had so much to do with opening the West fell off the public's radar screen for so many years following WWII. Ironic.

Gabby Hayes irascible sidekick performance and Yakima Canutt's excellent stunt work make this one quite watchable. Gabby is delightful, especially when he puts on a dress to testify at his own trial. The horse transfer stunt that doesn't work is really special. Yakima (doubling for Wayne) jumps on a fleeing horse from his own galloping horse, he misses and ends up rolling down a hill. One gasps and hopes he wasn't hurt.

With likable characters and a plot that keeps moving, this one is quite professional and on a par with a good Lone Ranger episode two decades later.

John Wayne made 16 Westerns for Lone Star productions between 1933 and 1936. Many of them starred some of the same actors, (Wayne, Geo.(Gabby)Hayes, Yakima Canutt, Earl Dwyer etc.). The Lucky Texan is one of the best I've seen and I've seen nearly all of them. Sure the production techniques are primitive ( lots of jump cuts and zips, poor audio and editing) but these are marks of Bradbury's earlier films and only make these early films more interesting for me. Gabby Hayes is a laugh riot in drag in the courtroom scene and Canutt's "injun Joe" escape (through the open window of the courthouse) had me rolling. I loved this film. I'm glad I bought it.

John Wayne and blacksmith George "Gabby" Hayes strike gold in a nearby creek, prompting crooked gold office employees into tricking Gabby into signing his property over to them in an attempt to get closer to the gold. Complicating things is the no good son of the town's sheriff who frames poor Gabby for attempted murder.

Another good film from the Duke's tenure as a Lone Star/Monogram contract star, this is fast-paced, well edited and a heckuva lot of fun.

As well as playing the chief heavy, Yakima Cannut appears to have performed every stunt in the movie himself. For example, in the scene where Wayne confronts the sheriff's son, the escaping villain turns into an easily recognizable Cannut who does a flying leap onto his horse. Wayne runs after him and also turns into Cannut. He then leaps onto White Flash and begins chasing himself!

A great climax begins with scene-stealer Gabby in a dress. If I didn't know any better, I would have thought he really was an old woman!