Le triomphe de la volonté

Whatever ones beliefs this is amazing. Leni Riefenstahl was a great director with amazing vision.Not alone is there all the marching and saluting which one would expect from a documentary filmed in Nazi Germany but Riefenstahl also gives snap shots of the people who are in the crowd at the various events.The looks of amazement and zeal on the faces of many who are watching is testimony, in my opinion ,to how mesmerizing an event this was.Riefenstahl captures the atmosphere and the excitement of this event.The last seen where Hitler is giving a fiery speech shows Riefenstahls genius at work.The camera angles are amazing and give a feeling of being there.I would highly recommend this not only to historians but also to students of film.

After winning elections, the National Socialist Party of Germany held a congress in 1934, a demonstration of force that was filmed "to show the world the triumph of the will of the German people." From the opening when the Führer literally arrives from heaven and the healthy, disciplined and pure Arian party members gather in Nuremberg, the documentary goes from the particular to the general with clever audiovisual manipulation, through marches, speeches and banners, turning the masses that celebrate the triumph of their will into a perfect piece of architecture, a magnificent structure that is reduced to the power of the Party. For decades, this so-called work of "reactionary modernism" was dismissed after the revelation of the Nazis' iniquity. However, after emotions are subdued, the masterfulness of director Leni Riefenstahl is evident (see "Die Match der Bilder.") In this and her 1938 film of the Olympic Games in Berlin, "Olympia", she coined techniques that today are common place in the entertainment industry. So don't be surprised if today you watch a football game with technical solutions of Nazi origin...

A historical film capturing the1934 Nazi party rally in picturesque Nazi hotbed of Nuremberg, Filmed over a number of days it contains all the leading lights of National Socialism in pre-war Germany making speeches to the faithful. It also shows the various clips of the different organizations within National Socialism ie.The Hitler Youth in all their Arian glory excited and in gleeful expectation of seeing their Fuhrer,The goosestepping standard bearers of the S.A. and the S.S. paying homage to their glorious leader. Triumph of the Will captures the state of the German nation and the Nazi mindset perfectly ,and I felt a sense of foreboding with the bluntness of some of the speeches. The film is full of very striking German Expressionism Cinema techniques,never more so than in the night shots, full of torch bearing storm troopers and the Nazi faithful hailing their glorious leader..Goebbels vision was put brilliantly to film by Riefenstahl who had over thirty cameras to film every incident of the event.This is truly a masterclass in Propaganda but it is also one in Cinema,Triumph of the Will truly is a triumph of Cinema and despite its content should be seen as one. Riefenstahl for her part was imprisoned for four years after the war and never was able to reinvent her career as a top Director,a real and tragic loss to Cinema

....although, in this case, once may be more than enough for some people. It's technically innovative, with several amazing camera shots, but the content is hollow and repetitive; if you make it through the endless parade footage, Hitler's final speech is the most inflammatory - and revealing. One thing that is made clear, however, is how hypocritical it is to retroactively condemn director Leni Riefenstahl for being seduced by the Nazi ideology at that point in time, when millions of Germans (and others around the world) were far more vocal in their support of the Fuhrer. *** out of 4.

Triumph Des Willens was a blockbuster film in a number of ways. It was meant to be a proper memorializing of an annual NSDAP Parteitag held in Nurenburg. A prior attempt, Sieg Des Glaubens, had proved to be a failure. Adolf Hitler gave director Leni Riefebstahl full rein to use all means to make this film the success which he wanted. First, many innovations in camera techniques, sound synchronization, storyboarding, staging, etc., made movie history. Second, it was an overt appeal to the emotions of both Germans and foreigners that suggested the excitement for and the apparent power of the new Third Reich. Third, the film was part of a multimedia campaign ahead of its time. Its success was confirmed for many years by the almost universal ban most countries placed on its showings. And sixty years later it is still effective in both thrills and chills. Highlights: the first 20 minutes or so resemble a media drama; the solemn military reviews demonstrate components of state power; speeches illustrate the personnel in power at the time. Quite a package!