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Les Etats-Unis entrent en guerre

Titre original : War Comes to America
  • 1945
  • Not Rated
  • 1h 10min
NOTE IMDb
6,8/10
887
MA NOTE
Les Etats-Unis entrent en guerre (1945)
DocumentaireGuerre

Ajouter une intrigue dans votre languePart VII of the "Why We Fight" series of wartime documentaries. This entry attempts to describe the factors leading up to America's entry into the Second World War.Part VII of the "Why We Fight" series of wartime documentaries. This entry attempts to describe the factors leading up to America's entry into the Second World War.Part VII of the "Why We Fight" series of wartime documentaries. This entry attempts to describe the factors leading up to America's entry into the Second World War.

  • Réalisation
    • Frank Capra
    • Anatole Litvak
  • Scénario
    • Julius J. Epstein
    • Adolf Hitler
    • Emma Lazarus
  • Casting principal
    • Dean Acheson
    • General Bergeret
    • Adolf A. Berle
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    887
    MA NOTE
    • Réalisation
      • Frank Capra
      • Anatole Litvak
    • Scénario
      • Julius J. Epstein
      • Adolf Hitler
      • Emma Lazarus
    • Casting principal
      • Dean Acheson
      • General Bergeret
      • Adolf A. Berle
    • 11avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Photos1

    Voir l'affiche

    Rôles principaux43

    Modifier
    Dean Acheson
    Dean Acheson
    • Self
    • (images d'archives)
    General Bergeret
    • Self
    • (images d'archives)
    Adolf A. Berle
    • Self
    • (images d'archives)
    • (as A.A. Berle)
    Arno Breker
    • Self
    • (images d'archives)
    Neville Chamberlain
    Neville Chamberlain
    • Self
    • (images d'archives)
    Winston Churchill
    Winston Churchill
    • Self
    • (images d'archives)
    Galeazzo Ciano
    • Self
    • (images d'archives)
    • (as Galleazzo Ciano)
    Édouard Daladier
    Édouard Daladier
    • Self
    • (images d'archives)
    Charles Edison
    • Self
    • (images d'archives)
    Francisco Franco
    Francisco Franco
    • Self
    • (images d'archives)
    Joseph Goebbels
    Joseph Goebbels
    • Self
    • (images d'archives)
    • (as Josef Goebbels)
    Hermann Göring
    Hermann Göring
    • Self
    • (images d'archives)
    Rudolf Hess
    Rudolf Hess
    • Self
    • (images d'archives)
    Heinrich Himmler
    Heinrich Himmler
    • Self
    • (images d'archives)
    Hirohito
    Hirohito
    • Self
    • (images d'archives)
    Adolf Hitler
    Adolf Hitler
    • Self
    • (images d'archives)
    Cordell Hull
    Cordell Hull
    • Self
    • (images d'archives)
    Charles Huntziger
    • Self
    • (images d'archives)
    • Réalisation
      • Frank Capra
      • Anatole Litvak
    • Scénario
      • Julius J. Epstein
      • Adolf Hitler
      • Emma Lazarus
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs11

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    Michael_Elliott

    Why We Fight

    War Comes to America (1945)

    *** (out of 4)

    Seventh and final entry in Capra's "Why We Fight" series centers in on America, their reasons for wanting to stay out of the way and their eventual slide to knowing that the war was the only way out. As usual Capra, or how much he actually had to do with it, fills the screen with all sorts of stock footage of various battles and even more shots of Hitler and his various rants. This time out there's even more polls showing how Americans were viewing the stuff overseas and it's no shock that the majority wanted nothing to do with what was going on in Europe. Looking at the various poll numbers was one of the most fascinating things about this film and especially how the numbers changed over the years. Also worth mentioning are the various turning points that the government finally realized that they were going to have to power up the various military forces here. Again, as with many of the entries in this series, there's a lot of stuff that would probably be called incorrect today but we must remember when this thing was made. One could also roll their eyes when the film talks about freedom of people here yet we know that wasn't really the case in this era. With that said, there's enough here to make it worth watching and the overall feel of patriotism is quite high and works very well. The movie doesn't pull many punches as we get some rather graphic photos of injured children and it certainly hammer home its point of why America should enter the war.
    10tavm

    War Comes to America is excellent conclusion to Frank Capra's Why We Fight series

    Today is November 10. That's Veteran's Day for this year since the usual 11th fell on a Saturday. It's for this occasion that I chose to watch the last of Frank Capra's Why We Fight series: War Comes to America. Walter Huston serves as the elder statesman narrator giving the history of our country from Plymoth Rock to Pearl Harbor. He tells how people of most nationalities have helped to make our country great and how we suffered and triumphed. Through a combination of news footage and recreations we also see what actions from Germany and Japan led us to battle with them. There's also some wonderful use of songs like Gershwin's Rhapsody in Blue, Kern and Hammerstein's The Last Time I Saw Paris (with vocals that sound like Judy Garland), and Berlin's This is the Army. So to anyone who wants to watch what it was like in the mid-20th century, I highly recommend War Comes to America. Oh, and if you happen to meet a veteran, by all means thank him or her!
    RussianPantyHog

    Wonderful

    The "Why We Fight" series is now 60 years old, but documentary film-making still doesn't come any better. I've got all 7 on DVD and although the sound quality is weak on a couple they remain the finest "propaganda" films I've ever seen. Apart from that, since being made they've now assumed another role as 'primary source' history. Wonderful snapshots on a vanished America. President Coolidge once said "The main business of the American people IS business" and i think that's why the series was made. While 'we' in Europe were squabbling and scheming and tearing ourselves apart the American people simply got on with their lives and built up a beautiful country, not to mention an economy that dwarfed the rest of the world. Most Americans had little knowledge of European affairs and we can't blame them for feeling a little p****d that just 20 years after they rescued us from a world war, we went and did it again! Of course, Hitler & the Nazis were very different to the German imperialism of WW1. They wanted the whole world and it WAS in America's interest to stop them. "War Comes To America" paints a portrait of Amrican history right from the beginning and gradually shows how all the achievements and work and struggle of the people have to be honoured by defeating this new and most terrible threat. The narrators (Walter Huston & Lloyd Nolan) both have wonderful voices and always seem to be talking directly to the viewer as an individual. A staggering amount of care went into the editing and selection of film and sound clips and it shows throughout. This is my favourite of the Why We Fight films and although the portrayal of America is sometimes a little "rose-tinted" (the Civil War is COMPLETELY left out) I found myself wishing I could've lived through that time. The comparison between the USA in the 30s and 40s and Britain today is quite striking. There's a tremendous optimism and energy and 'drive' in America that I simply don't see over here, then or now. I'm absolutely certain that if I'd watched this movie as a 19 year old GI back in the 40s I'd have left the cinema feeling 10 feet tall and ready to kick Hitler's ass! It really does show the sense of outrage of a free people attacked by barbarians, and the certainty that good will triumph over evil. In another of the series they show a clip from one of Winston Churchill's speeches that sums up the whole message of Why We Fight. Churchill's mother was American, so it's worth repeating again: "Every trace of Hitler's footsteps, every stain of his infected and corroding fingers, must be sponged and purged and if necessary BLASTED from the surface of the Earth. Lift up your hearts. All will come right." So. "War Comes To America" remains the finest documentary I've ever seen and it's a worthy end to an utterly outstanding series. As no film is 'perfect' I'll give it 9 out of 10 and I'd advise anyone to get hold of the entire series. You won't regret it.

    PS - I recently discovered something that anyone familiar with this film will find quite hilarious. Several clips show Secretary of State Cordell Hull speaking. I now learn that (for whatever reason) Walt Disney based the Donald Duck character on Hull, and boy is it a striking resemblance. Very funny.
    10Bunuel1976

    WHY WE FIGHT: WAR COMES TO America (Frank Capra & Anatole Litvak, 1945) ****

    This is the seventh and last entry in the celebrated documentary series WHY WE FIGHT, dealing with the main events of WWII while it was still raging; ironically, it was the only one I had not watched until now since, when the cycle was broadcast on Italian TV (around 23:00) back in the early 1990s, this episode was never proposed! In retrospect, I wonder whether the station thought it was a two-part film and aborted the screening after they failed to track down its alleged continuation – because, as a matter of fact, the copy I now watched myself actually bore the tell-tale "Part One" on the opening title-card and "End Of Part One" on the concluding one!; the thing is that no source that I know of ever mentions a follow-up to it and, indeed, there exist on "You Tube" prints which omit this bit of misinformation entirely!

    Anyway, back then, I recall enjoying this incredibly informative yet highly entertaining franchise and, having caught up with its final segment, I can safely consider this – collectively – as perhaps the greatest documentary ever made. Many efforts of its ilk and era date because they tend to treat the authentic footage with extra reverence and a certain amount of detachment – so that you feel no different than if you had read about it in a history book! Here, however, all the resources of the medium (including animation) are put at the disposal of the film-makers to provide a comprehensive look at the birth of America all the way up to the infamous attack on Pearl Harbor – taking care to explain what it was really up to during its curious period of neutrality – yet one is never bothered by its being a lecture, because the images and the commentary (spoken by Walter Huston and Lloyd Nolan) balance the necessary gravity with an infectious wryness, not to mention an evident passion.

    The latter would seem misplaced, i.e. an attempt to sell the idea of America as the greatest nation on Earth, if it were not acknowledged early on that, after all, the country was basically composed of virtually every ethnic group imaginable! Ultimately, one has to admit that Frank Capra – forever the champion in his films of the little guy facing apparently insurmountable odds – was the ideal director to tackle this documentary series and make an enduring classic of it.
    5planktonrules

    Rather dated and heavy-handed

    This is the final installment of the "Why We Fight" series--a group of seven films made by Frank Capra in order to bolster the war effort. Some of these films have held up well, though I think "War Comes to America" hasn't--and is a weak entry to the series. Most of this is because the narration is very heavy-handed. Subtle, its message isn't and it came out just before the war in the Pacific ended.

    The film begins with a brief history of the United States. Then, what follows is a long litany of reasons the US is the bestest place to live on the planet. While much of this is true, it's message goes on way too long and is like a long and boring civics lesson. Even back in 1945, I am pretty sure a lot of folks in the audience felt similarly. Then, tons of documentary footage follows about the war and our reasons for becoming involved in it.

    The film probably did a lot to help the war effort but, frankly, there are much better documentaries about the same subjects. The film lacks subtlety and comes across like a pep rally as opposed to a documentary. This one just hasn't held up very well.

    Centres d’intérêt connexes

    Dziga Vertov in L'Homme à la caméra (1929)
    Documentaire
    Frères d'armes (2001)
    Guerre

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In the year 2000, the United States Library of Congress mandated that this film (and the other six documentaries in the 'Why We Fight' series)were "culturally significant" and selected them for preservation in the National Film Registry.
    • Gaffes
      Twice there appears an animated clip showing about a dozen fully-equipped US troops in gray silhouette marching briskly left to right over a background graphic; however, a close look shows the "soldiers" actually wearing narrow-brimmed office-worker-style civilian hats rather than army helmets.
    • Citations

      [the film explains the dire consequences for the United States of an Axis victory in Eurasia]

      Narrator: German conquest of Europe and Africa would bring all their raw materials, plus their entire industrial development, under one control. Of the two billion people in the world, the Nazis would rule roughly one quarter, the 500 million people of Europe and Africa, forced into slavery to labor for Germany. German conquest of Russia would add the vast raw materials and the production facilities of another of the world's industrial areas, and of the world's people, another 200 million would be added to the Nazi labor pile. Japanese conquest of the Orient would pour into their factory the almost unlimited resources of that area, and of the peoples of the earth, a thousand million would come under their rule, slaves for their industrial machine. We in North and South America would be left with the raw materials of three-tenths of the earth's surface, against the Axis with the resources of seven-tenths. We would have one industrial region against their three industrial regions. We would have one-eighth of the world's population against their seven-eighths. If we, together with the other nations of North and South America, could mobilize 30 million fully equipped men, the Axis could mobilize 200 million. Thus, an Axis victory in Europe and Asia would leave us alone and virtually surrounded, facing enemies ten times stronger than ourselves.

    • Connexions
      Edited from The Negro Soldier (1944)
    • Bandes originales
      Rhapsody in Blue
      (uncredited)

      Music by George Gershwin

      Played during the Modern America montage

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    Détails

    Modifier
    • Date de sortie
      • 14 juin 1945 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • War Comes to America
    • Société de production
      • U.S. Army Pictorial Services
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 10min(70 min)
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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