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6,2/10
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Ajouter une intrigue dans votre langueA cocky guy joins the Navy for the wrong reason but finds romance and twice is cited for heroism.A cocky guy joins the Navy for the wrong reason but finds romance and twice is cited for heroism.A cocky guy joins the Navy for the wrong reason but finds romance and twice is cited for heroism.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 2 victoires et 1 nomination au total
Guinn 'Big Boy' Williams
- Dance-Floor Manager
- (as Guinn Williams)
Eddie Acuff
- Marine Orderly
- (non crédité)
Eleanor Bayley
- Girl
- (non crédité)
James P. Burtis
- Chief Petty Officer
- (non crédité)
Eddy Chandler
- Supply Sergeant
- (non crédité)
Nick Copeland
- Navy Yard Workman
- (non crédité)
Joseph Crehan
- Recruiting Officer
- (non crédité)
Ida Darling
- Lady Visiting Navy Yard
- (non crédité)
Avis à la une
Jimmy Cagney is a high metal man who gets into a brawl with Naval Petty Officer Pat O'Brien. In pursuit of his grudge, Cagney joins the Navy, where he is a self-centered guy, but makes friends with Frank McHugh. He also charms Gloria Stuart, who tries to civilize him. She turns out to be O'Brien's sister.
In other words, same old same old when it comes to plot, just the sort of movie that William Haines started in for Metro in the 1920s; Cagney is a low-class guy, although just as cocky as Haines ever was. He's in high-energy mode here, and Naval cooperation gives this one some documentary interest. Cagney, O'Brien and McHugh are assigned to the USS Arizona, and there's ample footage of that ship, now under the waves at Pearl Harbor. Later, Cagney is assigned to the USS Macon, one of the two largest dirigibles commissioned by the Navy. The year after this movie was made, the airship crashed into the Pacific, with the loss of two men.
Although this is pretty much a standard movie, its production values are first-rate, and alloys Bacon gets good performances out of his actors. Arthur Edeson's cinematography and his views of the Macon and her hangar are lovely.
In other words, same old same old when it comes to plot, just the sort of movie that William Haines started in for Metro in the 1920s; Cagney is a low-class guy, although just as cocky as Haines ever was. He's in high-energy mode here, and Naval cooperation gives this one some documentary interest. Cagney, O'Brien and McHugh are assigned to the USS Arizona, and there's ample footage of that ship, now under the waves at Pearl Harbor. Later, Cagney is assigned to the USS Macon, one of the two largest dirigibles commissioned by the Navy. The year after this movie was made, the airship crashed into the Pacific, with the loss of two men.
Although this is pretty much a standard movie, its production values are first-rate, and alloys Bacon gets good performances out of his actors. Arthur Edeson's cinematography and his views of the Macon and her hangar are lovely.
Here Comes the Navy (1934)
** 1/2 (out of 4)
Standard action from Warner about a cocky loudmouth (James Cagney) who joins the Navy so that he can get even with a Captain (Pat O'Brien) but Cagney ends up falling in love with his sister (Gloria Stuart). This film starts off with a great bang but as the movie goes along things become quite predictable and rather flat. The first part of the movie is great with a lot of fighting and insults being thrown by Cagney. Needless to say Cagney is very energetic and delivers another fine performance. His relationship with Stuart is also handled very well as the two actors have a lot of chemistry together. O'Brien is in good form as well and he and Cagney do their magic unlike any other duo. The biggest problem comes in the middle where the story pretty much gets weighted down by the familiar bit where the cocky Cagney must learn what it means to be a normal human being and shut his mouth up before it gets him in real trouble. The action scene at the end is very nice as is the funny ending. The most shocking scene comes when Cagney sneaks off the boat in blackface.
** 1/2 (out of 4)
Standard action from Warner about a cocky loudmouth (James Cagney) who joins the Navy so that he can get even with a Captain (Pat O'Brien) but Cagney ends up falling in love with his sister (Gloria Stuart). This film starts off with a great bang but as the movie goes along things become quite predictable and rather flat. The first part of the movie is great with a lot of fighting and insults being thrown by Cagney. Needless to say Cagney is very energetic and delivers another fine performance. His relationship with Stuart is also handled very well as the two actors have a lot of chemistry together. O'Brien is in good form as well and he and Cagney do their magic unlike any other duo. The biggest problem comes in the middle where the story pretty much gets weighted down by the familiar bit where the cocky Cagney must learn what it means to be a normal human being and shut his mouth up before it gets him in real trouble. The action scene at the end is very nice as is the funny ending. The most shocking scene comes when Cagney sneaks off the boat in blackface.
With the birth of the production code, the fun pre-code frolics of Cagney and Joan Blondell were at an end. Thus Warner Brothers came up with a new dynamic screen team - James Cagney and Pat O'Brien. This is the first of the films they did together. Prior to the production code, O'Brien often played the same kind of roles that Cagney played - the fast-talking smart guy with big ideas and a big dose of attitude. Since you can't have two of these in the same picture, O'Brien was generally promoted to being the more traditionally respectable of the two in their films together, and such is the case here.
The film starts with construction worker Chesty O'Conner (James Cagney) and naval officer Biff Martin (Pat O'Brien) trading at first verbal barbs and then punches. Chesty gets fired from his job because of the time he takes off recovering from the fight, and decides to go another round with Biff. Unfortunately, Biff's ship has put out to sea, so Chesty thinks the solution is to join the navy and get assigned to Biff's ship. He actually does wind up on Biff's ship, but soon learns he can't take to punching out officers whenever the mood strikes him. To complicate matters, Chesty takes a shine to Biff's sister, Dorothy (Gloria Stuart), and this just inflames matters more as Biff wants his sister to have nothing to do with Chesty. Warner contract player Frank McHugh provides the comic relief as Droopy Mullins, Chesty's stalwart friend and shipmate.
The film works better than most made right after the production code, primarily because the teaming of Cagney and O'Brien worked so well. By turning down the volume a bit on O'Brien's screen sauciness and turning up the volume on Cagney's, the two play off of each other's dynamism perfectly. This film is also interesting for historical reasons - it was filmed on and around the U.S.S. Arizona, one of the ships that sank at Pearl Harbor seven years after this film was made.
The film starts with construction worker Chesty O'Conner (James Cagney) and naval officer Biff Martin (Pat O'Brien) trading at first verbal barbs and then punches. Chesty gets fired from his job because of the time he takes off recovering from the fight, and decides to go another round with Biff. Unfortunately, Biff's ship has put out to sea, so Chesty thinks the solution is to join the navy and get assigned to Biff's ship. He actually does wind up on Biff's ship, but soon learns he can't take to punching out officers whenever the mood strikes him. To complicate matters, Chesty takes a shine to Biff's sister, Dorothy (Gloria Stuart), and this just inflames matters more as Biff wants his sister to have nothing to do with Chesty. Warner contract player Frank McHugh provides the comic relief as Droopy Mullins, Chesty's stalwart friend and shipmate.
The film works better than most made right after the production code, primarily because the teaming of Cagney and O'Brien worked so well. By turning down the volume a bit on O'Brien's screen sauciness and turning up the volume on Cagney's, the two play off of each other's dynamism perfectly. This film is also interesting for historical reasons - it was filmed on and around the U.S.S. Arizona, one of the ships that sank at Pearl Harbor seven years after this film was made.
Here Comes the Navy is a key film in the history of cinema. As it marks the first teaming of James Cagney and Pat O'Brien, that in itself is historic. For these two in my humble opinion are the inventors of the male buddy film. The only other rivals for that distinction are Edmund Lowe and Victor McLaglen when they did a series of films as Captain Flagg and Sergeant Quirt. Cagney and O'Brien were teamed for seven years by Warner Brothers in various parts.
This also is James Cagney's first film in any of our Armed Services. He's the usual fresh mouthed Cagney who as a civilian runs afoul of CPO Pat O'Brien over a woman played by Dorothy Tree. Then Cagney joins the Navy and there's O'Brien waiting for him. And O'Brien has a sister, Gloria Stuart who Cagney falls for.
But of course when Warner Brothers had the good idea of shooting this movie at the San Diego Naval Station, they had no idea that they would be shooting on what became a national shrine. In fact it's mentioned several times that both O'Brien and Cagney are assigned to the battleship, U.S.S. Arizona. Shortly after this film was made the Arizona and the rest of the Pacific Fleet moved to Honolulu and on December 7, 1941 the Arizona became a part of history. A whole lot of the crew of the Arizona served as extras in Here Comes the Navy, so a lot of the faces you see are probably at the bottom of Pearl Harbor in the Arizona.
Knowing that I find it incredible that Here Comes the Navy has never made it to VHS or DVD. Hopefully that will be rectified soon.
This also is James Cagney's first film in any of our Armed Services. He's the usual fresh mouthed Cagney who as a civilian runs afoul of CPO Pat O'Brien over a woman played by Dorothy Tree. Then Cagney joins the Navy and there's O'Brien waiting for him. And O'Brien has a sister, Gloria Stuart who Cagney falls for.
But of course when Warner Brothers had the good idea of shooting this movie at the San Diego Naval Station, they had no idea that they would be shooting on what became a national shrine. In fact it's mentioned several times that both O'Brien and Cagney are assigned to the battleship, U.S.S. Arizona. Shortly after this film was made the Arizona and the rest of the Pacific Fleet moved to Honolulu and on December 7, 1941 the Arizona became a part of history. A whole lot of the crew of the Arizona served as extras in Here Comes the Navy, so a lot of the faces you see are probably at the bottom of Pearl Harbor in the Arizona.
Knowing that I find it incredible that Here Comes the Navy has never made it to VHS or DVD. Hopefully that will be rectified soon.
I'd heard about this since I was a kid!
The scenes aboard Arizona, the US Pacific battle Fleet at sea!
The plot is lousy but entertaining enough to hold you between those amazing scenes!
The scenes aboard Arizona, the US Pacific battle Fleet at sea!
The plot is lousy but entertaining enough to hold you between those amazing scenes!
Le saviez-vous
- AnecdotesThe movie was filmed in the spring of 1934 on the U.S.S. Arizona, which was sunk on 7 December 1941 at Pearl Harbor.
- GaffesAs Chesty and Droopy are walking after the flag-raising ceremony at San Diego, they walk through a clear shadow of the boom microphone.
- Citations
Wilbur 'Droopy' H. Mullins: [Droopy waves, then blows a kiss to his buddy, Chesty, who's leaving the ship for a new post.]
CPO: [Backs away from Droopy] What are you two guys, a couplea violets?
Wilbur 'Droopy' H. Mullins: Aw, mind your own business.
[Blows Chesty another kiss]
- ConnexionsFeatured in James Cagney: Top of the World (1992)
- Bandes originalesAnchors Aweigh
(1906) (uncredited)
Music by Charles A. Zimmerman
In the score during the opening credits and at the end
Also in the score during maneuvers
Meilleurs choix
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- How long is Here Comes the Navy?Alimenté par Alexa
Détails
Box-office
- Budget
- 263 000 $US (estimé)
- Durée
- 1h 27min(87 min)
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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