Rayon d'amour

In every episode of Three's Company, someone tells a fib, it snowballs into bigger problems, and it's all finally resolved in the end. There's the plot of Happiness Ahead, from First National. Rich girl Joan (Jo Hutchinson) doesn't want to marry her assigned boyfriend, so she goes to great lengths to chase blue collar worker "Bob" (Dick Powell) who opens the film by singing "Happiness Ahead". The nasal Allen Jenkins is in here as the butler... we usually see him playing the wisecracking gangsters. Frank McHugh is in here as Tom, for comedy relief. And Jane Darwell (Ma Joad !) is the landlady that clues Bob in to what's going on. Cute little film. Fun little love story. Nothing that will tax the brain... I could have done with less singing numbers, but that's what everyone was doing in those days. Directed by Mervyn LeRoy, who was six when the big quake hit san francisco. Quite an interesting tale.

"Happiness Ahead" is a romance with some comedy and music that is set, as most such films were during the Great Depression, in New York City. This is another working stiff meets wealthy person, the latter who is anonymous. This one has a different twist that makes it a little more fun.

Dick Powell stars as the working man and Josephine Hutchinson is the millionairess in Cognito. This was her first film since one appearance as a child in a 1917 silent film. Hutchinson would go on to have a long career in films and then television to the mid-1970s. But it would be in supporting roles, not as a leading lady for which the First National and Warner Brothers tried to present her in the buildup for this film.

Some other familiar faces of supporting actors people this film - all of which gives it some familiarity and enjoyment. The musical aspect consists of one dance performance in a Chinese nightclub and Dick Powell singing a couple of numbers.

Cute little movie with Dick Powell, Frank Mchugh. Any movie Dick Powell sings in is alright with me.

During the 1930s, Dick Powell played a lot of similar roles--the fresh-faced young man who sings some very high-pitched but pleasant songs. The public adored it...and Powell hated it and wanted meatier, tougher roles. In my opinion, he was right and his tough- guy roles are my favorites. As for the guy he plays in "Happiness Ahead", it's pretty much the typical 30s Powell film.

Joan (Josephine Hutchinson) is a rich, pampered society girl. However, she's vaguely dissatisfied about this and longs for fun in her life...something sorely lacking at her boring high-brow parties. So, she decides to slum it and goes on on New Years Eve to see how the normal folks live and celebrate. There she meets nice-guy, Bob (Powell) and they soon start dating. She's very happy but he has no idea she's loaded.

This plot is awfully familiar in the 1930s. You would have thought that films would have avoided the whole bored rich girl angle--after all, it WAS the Depression and many folks were just happy to get enough to eat! But despite this, films like "Five and Ten" and "Poor Little Rich Girl" and this one were pretty common. This isn't necessarily a complaint but does mean that the film isn't exactly original.

So is it any good? Well, most of the songs were pretty forgettable but I liked the one Powell and Frank McHugh sang as they washed windows as well as the weird number in the bizarre Chinese restaurant/night club near the beginning of the picture. I personally just hoped they'd end soon so they could get back to the romance--which was rather cute and enjoyable. Deep? No way...but cute.

"Happiness Ahead" is a title that might lure a citizen into a movie theater during the depression. Dick Powell and Josephine Hutchinson are the couple paired to provide the happiness in this story about an heiress (natch!) who falls for a working stiff.

The story is very basic. Fortunately, Powell (as Bob Lane) has a nifty singing voice, so the script can allow him to vocalize at regular intervals. The happy couple base their relationship on the misunderstanding that Hutchinson (as Joan Bradford)is also a member of the working class--a misunderstanding that she promotes, and that drives the tension of this story, though things are not that tense. Lightheartedness is the order of the day.

Frank McHugh plays Bob's sidekick, whose antics are like a tame version of Curly Howard's--typical for his work. John Halliday plays the aristocratic father of Joan with a light touch that is appealing.

You can guess what happens to the two lovebirds in the end. The film is a pleasant diversion.