Les Joies du mariage

It has been a year since Laurel and Hardy married each other's sisters. They stay at home for a nice quiet meal, but the tensions between this close knit family bubble up as things go wrong during the meal.

At the start of the film I felt that the duo dressed in drag would be a gimmick that wasn't used well, happily I was wrong and they use it well. It isn't just them mugging in girl's clothes, it is more a chance for them to play the same characters twice as, essentially, their sisters are them same as them! This works well and the dynamics between the two sisters are the same as between the two men.

The comedy is given a fresh feel by this mix, which is good because it is lacking in other areas. The banter is not at it's best and the physical work is not as imaginative as at their best. In their dual roles both Laurel and Hardy are good – the badly dubbed women's voices take a little getting used to but don't detract too much.

Overall this is an amusing short. Not their funniest short, but the twist of them playing each other's sisters helps freshen it all up a little bit.

There are certain clichés that almost every comedian has done some time. One of them is dressing as the opposite sex and in this film you get to see how well Laurel & Hardy manage to entertain as ladies. The best individual concept in this bit is the fact that the pair has married each others sisters, who both "unfortunately" look like their brothers. Mr Hardy is very "Ollie" when he even states about his wedding day "It was the happiest day of my life." The best in this film are the insults that the two "ladies" present to each other. Some people might not necessarily find the insults enjoyable, but they are definitely something you never hear in other Laurel & Hardy films. Not their best film, but despite the possible not-very-good-taste element, among the funniest "men as women" flicks ever.

Stan and Ollie have both married into each others family's, to celebrate their respective wedding anniversaries, dinner is arranged.

Seeing both Stan and Ollie in drag, side splitting, incredibly funny scenes, showing the two legends were happy enough to explore any avenue to get the laughs. It does seem somewhat strange that the guys would go for each others sisters, but it's true what they say, it's a funny old world.

Plenty of laughs to enjoy here, for such a short film, it really does pack in the laughs, still the best physical humour you could imagine.

Cleverly filmed, managing to get the dual characters on screen at the same time, in 1933 that was a real triumph.

The voice overs work a treat, they are so outlandish, so wonderfully over the top, they seem to capture the spirit of Laurel and Hardy very well.

It was fun to discover they Fanny and Sandy were as clumsy and accident prone as their respects brothers.

9/10.

I hadn't seen this L&H "Twice Two" before but I find myself re-watching it on my DVR as a better effort by them than some of their other better-known short films. Yes, the dubbing of the womens' voices is not perfect but that is hardly a problem. There is so much more that IS good: The sound effects are great - when Stan's wife (played by Ollie) gets a cake dumped on her - twice - or when eating supper and she claims the noise she is making is not her slurping the soup, but "it's my asthma..." and then lets loose with a noise that sounds like an elephant snorting through a ditch pipe. Of course Ollie's reaction to his sister's 'asthma' noise is a puzzled stare into the camera.

Stanley was great too, playing Ollie's wife. You have to watch closely but he made some of the best faces I've ever seen him do.

I'll never say it's their very best but this is much better than some L&H things that I've seen. Late in their career Oliver Hardy seemed to be too fat to do the physical comedy and the stories were not even believable from a comedy standpoint. This early short is funny and I enjoyed it.

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'Twice Two' quite one of their very best, but it to me still very good.

Admittedly, the story is pretty thin and is pretty standard and the beginning is a touch slow. The dubbing has also been criticised by a few for understandable reasons, it jars a bit.

Despite that, 'Twice Two' is great fun while also having a definite degree of substance, never less than very amusing and the best moments, like with the ice cream and the phone calls, being classic hilarity. It is never too silly, there is a wackiness that never loses its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. Seeing the two in drag is great fun and nowhere near as tiresome as it sounds, while Laurel and the ice cream is even funnier. A lot happens yet it doesn't ever feel rushed or over-stuffed.

Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Twice Two' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable, especially Laurel as Hardy's wife.

'Twice Two' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static.

Concluding, very good. 8/10 Bethany Cox