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MA NOTE
Un gangster essaie de faire passer Apple Annie, la vendeuse de pommes de Times Square, pour une grande dame de la haute société new-yorkaise.Un gangster essaie de faire passer Apple Annie, la vendeuse de pommes de Times Square, pour une grande dame de la haute société new-yorkaise.Un gangster essaie de faire passer Apple Annie, la vendeuse de pommes de Times Square, pour une grande dame de la haute société new-yorkaise.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 4 Oscars
- 2 victoires et 4 nominations au total
Ernie Adams
- Reception Guest
- (non crédité)
Irving Bacon
- Pool Hall Dupe
- (non crédité)
Ward Bond
- Mounted Policeman
- (non crédité)
Joe Bordeaux
- Reception Guest
- (non crédité)
Harry C. Bradley
- Lloyd - Hotel Mail Clerk
- (non crédité)
Raymond Brown
- Seated Man in Mayor's Office
- (non crédité)
Avis à la une
Back in the days of the studio system only one B picture outfit managed to vault itself into the big time and compete with the majors. That studio was Harry Cohn's Columbia and the film that did it was Frank Capra's Lady For A Day.
In his very candid memoirs Capra said unabashedly that his goal was to win one of those statues nicknamed Oscar. The Motion Picture Academy Awards were only five years old, but still the awards were coveted then because it meant prestige and far bigger salaries and in a director's case, bigger budgets to work with.
Capra said he tried and failed with a very arty film, The Bitter Tea of General Yen which lost money for Columbia and Cohn. He set out try it a different way with a sentimental story from that most sentimental of writers, Damon Runyon. The original story was entitled Madame LaGimp and it was about a street beggar who the great city of New York takes to its heart for a brief period with the assistance of a gangster with a streak of sentiment.
But this was Columbia, the poverty row studio so Capra couldn't get the only old lady movie star around in Marie Dressler from MGM. May Robson was his second choice for Apple Annie, the street beggar who has a daughter in a convent school in Spain and engaged to marry into Spanish nobility.
As for the gangster Capra wanted James Cagney, but Harry Cohn couldn't pry him loose from Jack Warner. He was offered Warren William instead and certainly the dapper and elegant William played a different kind of gangster than Cagney would have. For William's moll, Capra's partner and screenwriter for Lady for a Day Robert Riskin persuaded his then girl friend Glenda Farrell to take the part. She Jack Warner was willing to part with.
With the great skill that Capra had in casting his films, some of the best character actors around like Guy Kibbee, Nat Pendleton, Ned Sparks, and Walter Connolly filled out his roster. A lot of these people would work for Frank Capra again and again.
Came Oscar time and Lady for a Day had the great distinction of being nominated for Best Picture, Best Director, Best Actress, and Best Screenplay adapted from another source. This was the first film from Columbia Pictures that was ever nominated for anything by the Motion Picture Academy. May Robson made Capra forget he ever wanted Marie Dressler. Unfortunately she lost to a young actress picking up her first of four Oscars, Katharine Hepburn.
Riskin lost to the writers of Little Women and the film itself lost that year to the British story Cavalcade. One of the most embarrassing moments in Frank Capra's life occurred when Awards host Will Rogers in announcing the Best Director said "come up and get it Frank."
Capra rose thinking it was him and the spotlights came down on him. Then there was a frantic buzzing and the spotlight shifted to the opposite side of the hall where Frank Lloyd got up to accept the award that was meant for him for directing Cavalcade. Talk about feeling like a nickel looking for change.
However next year Capra's next film It Happened One Night swept all the major Oscars including his first. It sounds like something that only could have happened in a Frank Capra movie.
In his very candid memoirs Capra said unabashedly that his goal was to win one of those statues nicknamed Oscar. The Motion Picture Academy Awards were only five years old, but still the awards were coveted then because it meant prestige and far bigger salaries and in a director's case, bigger budgets to work with.
Capra said he tried and failed with a very arty film, The Bitter Tea of General Yen which lost money for Columbia and Cohn. He set out try it a different way with a sentimental story from that most sentimental of writers, Damon Runyon. The original story was entitled Madame LaGimp and it was about a street beggar who the great city of New York takes to its heart for a brief period with the assistance of a gangster with a streak of sentiment.
But this was Columbia, the poverty row studio so Capra couldn't get the only old lady movie star around in Marie Dressler from MGM. May Robson was his second choice for Apple Annie, the street beggar who has a daughter in a convent school in Spain and engaged to marry into Spanish nobility.
As for the gangster Capra wanted James Cagney, but Harry Cohn couldn't pry him loose from Jack Warner. He was offered Warren William instead and certainly the dapper and elegant William played a different kind of gangster than Cagney would have. For William's moll, Capra's partner and screenwriter for Lady for a Day Robert Riskin persuaded his then girl friend Glenda Farrell to take the part. She Jack Warner was willing to part with.
With the great skill that Capra had in casting his films, some of the best character actors around like Guy Kibbee, Nat Pendleton, Ned Sparks, and Walter Connolly filled out his roster. A lot of these people would work for Frank Capra again and again.
Came Oscar time and Lady for a Day had the great distinction of being nominated for Best Picture, Best Director, Best Actress, and Best Screenplay adapted from another source. This was the first film from Columbia Pictures that was ever nominated for anything by the Motion Picture Academy. May Robson made Capra forget he ever wanted Marie Dressler. Unfortunately she lost to a young actress picking up her first of four Oscars, Katharine Hepburn.
Riskin lost to the writers of Little Women and the film itself lost that year to the British story Cavalcade. One of the most embarrassing moments in Frank Capra's life occurred when Awards host Will Rogers in announcing the Best Director said "come up and get it Frank."
Capra rose thinking it was him and the spotlights came down on him. Then there was a frantic buzzing and the spotlight shifted to the opposite side of the hall where Frank Lloyd got up to accept the award that was meant for him for directing Cavalcade. Talk about feeling like a nickel looking for change.
However next year Capra's next film It Happened One Night swept all the major Oscars including his first. It sounds like something that only could have happened in a Frank Capra movie.
For a middle class Indian guy like me falling head over heels for Hollywood movies and especially for B/W beauties is like making Ned Sparks laugh.... very difficult!
And yet in love I am with Hollywood for movies like 'The Lady For A Day'.
( What you haven't seen it? Rent it or better BUY it .. Right Now!)
It's pure magic from beginning to end.
Performances are top notch.Warren Williams with his voice n charm, Ned Sparks with his comments and May Robson for her great performance make the film a legend.
Let's not forget Frank Capra. It actually makes you wonder weather it is Capra's direction , the performances or the storyline which sets this film apart.
Capra's brand of comedies is well known. And this one is an out n out success!
Whatever be the ingredients it's poetry in motion. It's a must watch for true fans and it should be made compulsory for the 'Scary Movies Gang'.
And yet in love I am with Hollywood for movies like 'The Lady For A Day'.
( What you haven't seen it? Rent it or better BUY it .. Right Now!)
It's pure magic from beginning to end.
Performances are top notch.Warren Williams with his voice n charm, Ned Sparks with his comments and May Robson for her great performance make the film a legend.
Let's not forget Frank Capra. It actually makes you wonder weather it is Capra's direction , the performances or the storyline which sets this film apart.
Capra's brand of comedies is well known. And this one is an out n out success!
Whatever be the ingredients it's poetry in motion. It's a must watch for true fans and it should be made compulsory for the 'Scary Movies Gang'.
Others have said it all! However, check out the beautiful love scene photographed through a glass fountain. Absolutely GORGEOUS! Solid performances from the stars right down to the supporting actors. I think we hardly ever see great supporting actors like these any more.
Frank Capra wrote about this movie in his autobiography, apparently one of his first hits, using the recipe of lesser-known actors, a great scriptwriter, and a low budget. He relies heavily on the great supporting actors available to him and gave them all a Runyon-esquire quality which never fails to please. They are all just great! Check this movie out! It gets better every time I see it!
Frank Capra wrote about this movie in his autobiography, apparently one of his first hits, using the recipe of lesser-known actors, a great scriptwriter, and a low budget. He relies heavily on the great supporting actors available to him and gave them all a Runyon-esquire quality which never fails to please. They are all just great! Check this movie out! It gets better every time I see it!
It's not often (especially these days) that a character actor or actress pulls a leading role. This movie rates my 8/10 vote mostly on the strength of the marvelous character performance of May Robson in the central role as Apple Annie, an elderly down-and-out who must somehow preserve the imaginary persona she has built for herself to her daughter, soon to arrive from Paris with a prospective husband in tow. Robson was nominated for an Oscar, as lead, and richly deserved it for her tragicomic characterization.
Frank Capra's excellent direction (also nominated for an Oscar) keeps the plot unfolding with the speed and apparently effortless fluidity so characteristic of the comedies of this period. Capra did not win the Oscar that year, but this film launched his series of feel-good dramas and sparkling comedies that netted him three subsequent Oscars.
But this is far more than a feel-good comedy/drama. It's an excellent movie that stands on its merits outside the genre, with a solid supporting cast. Capra's own remake (Pocketful of Miracles), doesn't meet the standard he himself set here. And although I have tremendous respect for Bette Davis, who played the lead in the remake, it is the difference between a good performance and an exceptional portrayal. Now that I've seen this version, May Robson simply IS Apple Annie.
Frank Capra's excellent direction (also nominated for an Oscar) keeps the plot unfolding with the speed and apparently effortless fluidity so characteristic of the comedies of this period. Capra did not win the Oscar that year, but this film launched his series of feel-good dramas and sparkling comedies that netted him three subsequent Oscars.
But this is far more than a feel-good comedy/drama. It's an excellent movie that stands on its merits outside the genre, with a solid supporting cast. Capra's own remake (Pocketful of Miracles), doesn't meet the standard he himself set here. And although I have tremendous respect for Bette Davis, who played the lead in the remake, it is the difference between a good performance and an exceptional portrayal. Now that I've seen this version, May Robson simply IS Apple Annie.
Glenn Ford and Betty Davis in color fall short competing with the BW original version with lesser known but more convincing actors. Lets face facts. Glenn Ford never played a convincing bad guy/bad boy. On the other hand little known Warren William had to convince the viewers that he wasn't a bad guy all the time. Dave the Dude is basically a bad guy with a touch of good. Even his act of kindness to Annie is self serving. This movie is a perfect example that technical advances don't make a better story, lesser known actors can play the role better, and age can define whether any work of art can stand up to the ultimate critic - Time. Different audiences, tastes, standards and means of portraying the play, are the ultimate judge regarding the worth of the production.
Le saviez-vous
- AnecdotesA number of beggars in downtown Los Angeles were cast in small roles, including the legless man, nicknamed William F. Sauls, whom Frank Capra had remembered as selling pencils when the director was a paperboy.
- GaffesWhile Dave the Dude's gang waits inside Missouri Martin's nightclub, Happy McGuire and Dave stand outside and are informed of the presence of the cops. Behind them on the left side of the double doors, there is a "Closed" sign, but the sign is gone when the interior shot has the two entering the club.
- Citations
Happy McGuire: That should be a cinch.
Butler: I beg your pardon, Sir.
Happy McGuire: I said that should be a leadpipe cinch!
Butler: If I had choice of weapons with you, Sir, I'd choose grammar!
- ConnexionsFeatured in Frank Capra's American Dream (1997)
- Bandes originalesThe Sidewalks of New York
(1894) (uncredited)
Music by Charles Lawlor and James W. Blake
Played during the openng credits
Meilleurs choix
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- How long is Lady for a Day?Alimenté par Alexa
Détails
Box-office
- Budget
- 300 000 $US (estimé)
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Grande dame d'un jour (1933) officially released in India in English?
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