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Nosferatu le vampire

Titre original : Nosferatu, eine Symphonie des Grauens
  • 1922
  • Tous publics
  • 1h 34min
NOTE IMDb
7,8/10
120 k
MA NOTE
POPULARITÉ
3 215
181
Nosferatu le vampire (1922)
NOSFERATU.  A chronicle of the Great Death in Wisborg.  The story of Nosferatu is one of gothic horror, sensuality and ultimately, death. Unlike Bram Stokers Dracula, the events in the movie take place, not in London, but in Bremen, Germany during the 183
Lire trailer2:27
1 Video
99+ photos
Fantastique sombreHorreur folkloriqueHorreur surnaturelleHorreur vampireFantaisieHorreur

Hutter, envoyé par son patron dans les Carpates, doit proposer une nouvelle résidence au comte Orlok. Le vampire, séduit par la photo de l'épouse de son invité, s'embarque pour Wisborg, sema... Tout lireHutter, envoyé par son patron dans les Carpates, doit proposer une nouvelle résidence au comte Orlok. Le vampire, séduit par la photo de l'épouse de son invité, s'embarque pour Wisborg, semant la peste sur son passage.Hutter, envoyé par son patron dans les Carpates, doit proposer une nouvelle résidence au comte Orlok. Le vampire, séduit par la photo de l'épouse de son invité, s'embarque pour Wisborg, semant la peste sur son passage.

  • Réalisation
    • F.W. Murnau
  • Scénario
    • Bram Stoker
    • Henrik Galeen
  • Casting principal
    • Max Schreck
    • Alexander Granach
    • Gustav von Wangenheim
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,8/10
    120 k
    MA NOTE
    POPULARITÉ
    3 215
    181
    • Réalisation
      • F.W. Murnau
    • Scénario
      • Bram Stoker
      • Henrik Galeen
    • Casting principal
      • Max Schreck
      • Alexander Granach
      • Gustav von Wangenheim
    • 616avis d'utilisateurs
    • 235avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 2 nominations au total

    Vidéos1

    Nosferatu / Vampyr
    Trailer 2:27
    Nosferatu / Vampyr

    Photos195

    Voir l'affiche
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    + 188
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    Rôles principaux21

    Modifier
    Max Schreck
    Max Schreck
    • Graf Orlok
    Alexander Granach
    Alexander Granach
    • Knock - ein Häusermakler
    Gustav von Wangenheim
    Gustav von Wangenheim
    • Hutter
    • (as Gustav v. Wangenheim)
    Greta Schröder
    Greta Schröder
    • Ellen - seine Frau
    • (as Greta Schroeder)
    Georg H. Schnell
    • Harding - ein Reeder
    • (as G.H. Schnell)
    Ruth Landshoff
    • Ruth - seine Schwester
    Gustav Botz
    • Professor Sievers - der Stadtarzt
    John Gottowt
    John Gottowt
    • Professor Bulwer - ein Paracelsianer
    Max Nemetz
    • Ein Kapitän
    Wolfgang Heinz
    • 1. Matrose
    Albert Venohr
    • 2. Matrose
    Karl Etlinger
    Karl Etlinger
    • Kontrolleur am Kai
    • (non crédité)
    Hans Lanser-Ludolff
    • A magistrate
    • (non crédité)
    Loni Nest
    • Child at Window
    • (non crédité)
    Fritz Rasp
    Fritz Rasp
    • Knocks Mitarbeiter
    • (non crédité)
    Josef Sareny
    • Head Coachman
    • (non crédité)
    Fanny Schreck
    • Krankenschwester im Hospital
    • (non crédité)
    Eric van Viele
    • Matrose 2
    • (non crédité)
    • Réalisation
      • F.W. Murnau
    • Scénario
      • Bram Stoker
      • Henrik Galeen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs616

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    Avis à la une

    didi-5

    superb silent Dracula

    For copyright reasons, Bram Stoker's novel was filmed with the names of the characters changed (Orlok for Dracula, for example) but otherwise the story remains the same: a young man goes on a trip to see a mysterious count in order to sell a house, leaving his bride behind, and finds that the creature he meets is not of this world.

    As the extremely creepy Orlok, Max Schreck is brilliant, with his long fingernails and gaunt appearance. A triumph in early cinematic make-up. Gustav von Wangenheim portrays the confusion of the victim well, as does Greta Schroder as his wife. FW Murnau directed the film with flair, showing us not only shadowed vistas and abandoned castles, but the nature outside (foxes) and miniature worlds evolving under a microscope. This film sits well with his later 'Sunrise' in showing the effect of outside forces on a young couple, as well as being one of the key early horrors in its portrayal of Stoker's anti-hero.

    This version of the Dracula tale remains one of the best, although all have some different perspective on the novel. On the strength of 'Nosferatu' alone, Murnau deserves his place as a true innovator of silent cinema.
    8skybrick736

    Nosferatu

    F.W. Murnau set the bar high for vampire movies, very high. Can not help but start praising the job Max Schreck and Murnau did to bring Count Orlok character to life on the screen. Orlok's face, hands and slender build along with his sly shuffling movements with the right camera angles and props brought a hell of a lot of general creepiness. The viewers in the twenties must have been shell shocked because they didn't tame it down which they most often did in this time period. For a full length silent feature film I found the time going fairly fast with a view dragged out scenes, that can be expected. The big bugaboo I have with Nosferatu though is the questionable ending being terribly anticlimactic. Regardless of the disappointing ending, Nosferatu is a killer film that is a must watch for horror or classic movie fans.
    keihan

    My conception of the vampire made celluloid...

    I despise most vampire stories. Not even Florence Stoker's dear departed husband could keep me occupied after the first act in Transylvania in "Dracula". The vampire has been so romanticized as an archetype (particularly during the '90s) that I can't but feel that most horror fans have forgotten exactly what made us afraid of these guys to begin with. Murnau's "Nosferatu" is just such a reminder and, because of that, is the only screen version of "Dracula" that I have ever loved.

    Though Murnau, in the hopes of dodging the copyright bullet, took many liberties with the novel, he actually shot a great part of the film on location (an unusual practice for the time) in the historical Dracula's old stomping grounds: the Carpathian Mountains in Romania. The town, landscapes, and castles were all for real, not just some fancy studio backdrop. To me, it helps convey the tone of authenticity, as you can believe this story being told. As for Max Schreck, no charming, suave seducer is he. With his bald head, bushy eyebrows, rat-like teeth, pointed ears, nails as long as the fingers they are attached to, emaciated build, and stare that seems to come from the bottom of Hell itself, he is the primal, archetypal image of the vampire of legend.

    While some could interpret this tale as a subtext to Nazism or anti-Semetism, at it's core, it's simply the tale of a monster, who brings ruin and death in his wake. That such a tale has managed to survive it's era, considering the obstacles that could have totally removed it from view, is the gain of all who have seen. Eat your heart out, Bela Lugosi.
    10jhclues

    Max Schreck IS "Nosferatu"

    In 1921, director F.W. Murnau set out to make a horror film based on Bram Stoker's novel, `Dracula,' but was denied the rights to the property by Stoker's estate. Undeterred, however, Murnau merely changed the title to `Nosferatu,' the name of the title character to `Count Orlok,' then proceeded to make what has come to be considered nothing less than a classic of the silent film era. An unsettling film (especially for the times in which it was made), it is a faithful adaptation of Stoker's story, and brings images to the screen, the likes of which at the time, had never before been seen. And although by today's standards much of it may seem relatively tame, there is an innate sense of the sinister about it that is timeless. For the same elements that so unnerved audiences in 1922 when it was released, are equally discomfiting now, most of which is courtesy of Max Schreck, who portrayed Count Orlok. It was the first screen appearance for what is now the most famous vampire in history, and the German character actor Schreck brought an eerie presence to the role that has never been equaled. Bela Lugosi may be considered the definitive Dracula-- his portrayal is certainly the most well known-- but even he could not match the sense of evil that Schreck brought to the character. The scene in which Schreck's shadow is cast on the wall as he slowly negotiates a staircase, emphasizing his misshapen head and elongated fingers and nails, is an image that leaves an indelible impression on the memory, as does Schreck's overall appearance: Lanky, though slightly stooped, with oversized, pointed ears and haunted, sunken eyes. It was Schreck's greatest screen role, and had it not been for a lawsuit by Stoker's estate that prevented wide distribution of the film, it would no doubt have made him a star. The supporting cast includes John gottowt, Alexander Granach, Wolfgang Heinz, Max Nemetz, Gustav von Wangenheim, Ruth Landshoff and Greta Schroder. An air of mystery surrounded the set during the filming of `Nosferatu' that became something of a myth, which began with the fact that Schreck, a method actor, was never seen by cast nor crew without his makeup and in character. And it was further perpetuated when it may have been implied by Murnau that Schreck was actually a vampire playing an actor playing a vampire, all of which goes a long way toward proving that `hype' is nothing new to the entertainment industry. One of the three most highly regarded German directors of the times, Murnau, whose philosophy was that `nothing existed beyond the frame,' directed a number of films, but none achieved the lasting notoriety of `Nosferatu.' For film buffs everywhere, as well as aficionados of silent pictures, this film is a must-see, and a perfect companion piece to the recently released (2000) `Shadow of the Vampire,' the film by E. Elias Merhige that chronicles the making of `Nosferatu.' A comparatively short film-- the restored DVD version runs 81 minutes, the video, 63 minutes-- it will nevertheless provide an entertaining and memorable cinematic experience. This is an example of not only the magic, but the magic at the very core of the movies. I rate this one 10/10.
    gagewyn

    Good mixture of suspense and action

    I watched the Kartes Video Communications 1984 video cassette version on a 15 inch screen. Titles were in English. Film quality was good. Sound was matched to action. Cropping appeared good, and titles were completely visible. This should give an idea of the technical quality of the release I watched.

    Nosferatu is one of the few silent movies with a significant following today. It deserves a following. The film is a suspense piece. Still it is paced nicely so that it feels tense in the right places but never goes long enough without something happening so as to be boring.

    Visually Nosferatu forms the precedent for the vampire in movies. The main difference is that Count Nosferatu has more affinity with rat than bat. Aside from this the main stream image of the vampire is based heavily on Nosferatu. This film has been as influential on modern vampire mythology as the novel Dracula. It is based on the novel Dracula. Especially disturbing to me personally are NosferatuÕs twisted hands.

    In terms of the filmÕs being silent, this should not put anyone off. The suspense/ horror genre fits well into this medium. I was lucky enough to see a version with music matched to the scenes, but if the copy you are watching has a bad sound track just play some music you like.

    I recommend this film to anyone interested in the horror or suspense films. It is a bit of a cult film, but this does not keep it from being actually good.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The movie was banned in Sweden due to excessive horror. The ban was finally lifted in 1972.
    • Gaffes
      (at around 30 mins) When Hutter is writing his letter to Ellen in Count Orlok's castle, the paper that he is meant to be writing on is clearly blank throughout the scene.
    • Citations

      Graf Orlok: Your wife has such a beautiful neck...

    • Versions alternatives
      There are a confusing number of different surviving prints, restorations and alternate versions of Nosferatu. In the main, there are three 'complete' restorations and two incomplete, partially-restored versions. All five are available on DVD, while the latest two restorations, from 1995 and 2006, are also on Blu-ray. In addition there are countless low-quality public domain DVDs with different lengths, running speeds and soundtracks. All are derived from a single print held by the Museum of Modern Art (MoMA). They usually have replacement American intertitles and are always in black and white; the film was originally color tinted throughout and only meant to be seen that way. This comprehensive article explains all of them simply and clearly: Nosferatu: The Ultimate Blu-ray and DVD Guide.
    • Connexions
      Edited into Boo (1932)
    • Bandes originales
      Jeux d'enfants - Galop
      Written by Jack Norworth

      [Plays during the croquet scene in the 2006 restoration]

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    FAQ17

    • How long is Nosferatu: A Symphony of Horror?Alimenté par Alexa
    • How many different versions exist of 'Nosferatu'?

    Détails

    Modifier
    • Date de sortie
      • 27 octobre 1922 (France)
    • Pays d’origine
      • Allemagne
    • Site officiel
      • Official Site
    • Langues
      • Allemand
      • Anglais
    • Aussi connu sous le nom de
      • Nosferatu
    • Lieux de tournage
      • Starhrad Castle, Nezbudská Lúcka, Slovaquie(castle in ruins)
    • Sociétés de production
      • Jofa-Atelier Berlin-Johannisthal
      • Prana-Film GmbH
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 48 892 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 34min(94 min)
    • Mixage
      • Silent
    • Rapport de forme
      • 1.33 : 1

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