The First Auto

Sound pictures were only a year or two away, but this silent looked, in spots, as if it had been made earlier.

The best silent movies used a minimum of inter-titles, but "The First Auto" was overburdened with them -- oh, granted, not as overburdened as some other movies, but still there were too many.

There are, though, several reasons to watch this movie, and only a few to cause head-scratching and puzzlement.

First, seeing the original Barney Oldfield, as himself, is probably reason enough to watch "The First Auto." Oldfield was a magic name in the early years of both autos and cinema, and was an automotive hero a long time before there was such a thing as NASCAR.

Second, seeing Russell Simpson as the lead is a treat. He was an excellent actor, but was nearly always relegated to a "with" role. Even if in top-line films, he was put into secondary positions, and obviously, just judging from "The First Auto," he was fully qualified to get top billing.

Finally, one has to see it to believe it: The "special effects" when a race car supposedly catches fire ... well, "primitive" doesn't begin to describe it.

Perhaps we need to give an "A" for effort; and to note how far we have come in effects is one very good reason to watch this.

One major player was killed before filming was complete, but the result is no "Plan 9 from Outer Space": "The First Auto" is seamless in how that actor's death is handled.

This really is a movie to watch, for the good cast (also look for the adorable Patsy Ruth Miller), for a good story, and to see how the world of movie-making has changed.

Only thirty years after the emergence of the automobile this is a historic classic. Son Bob's love for his father, who is not able to adjust to the coming of the auto, makes for good storytelling and lends itself well to silent film. The use of some sound effects and a few words makes the story even more interesting. The high point for me was seeing Barney Oldfield playing himself. One of the great racing drivers of all time he seems a thousand years away from the young, slim and clean driver popular today. I truly enjoyed this film.

It's 1895 Maple City. Hank Armstrong loves horses. He owns horse, races them, and often wins. On the other hand, his son Bob is much more interested in the new invention of horseless carriage. This causes a rift in their relationship as the whole world switches and Hank loses his business. Bob moves to nearby Detroit and joins the car business.

The story is not that dramatic. It feels as inevitable as the spread of the automobile. It's a little like Hank. I also wonder if this was financed by Ford. Early real racer Barney Oldfield has a minor role. I've never heard of the name but it's interesting to learn something. The old car racing is quite compelling. It has a recklessness about it although I would definitely get rid of the fake flames. The effect looks bad. This is an easy story and probably more compelling for people who lived through the era.

Horse-loving gentleman Russell Simpson (as "Hank" Armstrong) races his beloved mare "Sloe Eyes" in the 1895 Logan County Fair, in scenic Maple City, Michigan. He wins first prize, and celebrates by bringing "Sloe Eyes" to the local tavern; but, Mr. Simpson is saddened by the fact that son Charles Emmett Mack (as Bob Armstrong) is not present to see his father's triumph. Instead, Mr. Mack parties, in the city, with pretty Patsy Ruth Miller (as Rose Robbins). Yep, Simpson and Mack are suffering from a "generation gap".

Mack is a member of the "Horseless Carriage" generation, and is enthralled with the newly developing automobiles. When "Sloe Eyes" succumbs to a stroke, it seems like Simpson's older generation is passing in favor of Mack's auto-crazy youth. But, the passing mare leaves a young colt, "Bright Eyes", with enough horse sense to give primitive kerosene-powered buggies a run for their money. Yet, for the hoof set, it's a losing battle; and, the automobile takes control of the streets. Estranged from his son, Simpson slips into madness and despair. Then, an opportunity to reconcile with young Mack meets with tragedy…

The tragedy depicted on-screen was nothing compared to the tragedy occurring off-screen; co-star Charles Emmett Mack was killed (decapitated, reportedly) in a real-life automobile accident on the way to a filming location fro this film. This sadness accompanied the premiere of "The First Auto", as audiences were well aware of Mack's passing. The film is valuable for its early automobile scenes, which were then much of the population's collective memory. Mack could not, obviously, complete his assignment; and, the movie suffers without two essential Mack scenes, near the end of the story.

Mack was a rising star, but it's difficult to determine how he would have transitioned into talking pictures; certainly, this film positioned him well. Warner Bros. used some dialogue in the "sound effects" track of "The First Auto" (common practice, then), which reached critical mass with "The Jazz Singer". Mack was considered an actor of consequence; he was one of Director D.W. Griffith's best latter period "discoveries", making strong impressions in "Dream Street" (1921) and "One Exciting Night" (1922). "The First Auto" also features Barney Oldfield (a celebrity driver) and William Demarest (Uncle Charlie on "My Three Sons").

****** The First Auto (6/27/27) Roy Del Ruth ~ Russell Simpson, Charles Emmett Mack, Patsy Ruth Miller

Warner Brothers Studio was continuing to perfect its sound-on-disc film format, a technology that showed immense promise throughout the first half of 1927. The company's sixth feature film to use the Vitaphone system was June 1927's "The First Auto." What was revolutionary about this picture was the advancement of both the music and the special effects accompanying the motion picture. Not only had the sophistication of the sounds been increased since Vitaphone's feature film debut in 1926's "Don Juan," but the soundtrack actually contained a few brief words.

Besides having a more complex soundtrack, "The First Auto" also serves as an historical record showcasing some of the very earliest horseless carriages under their own power. The movie's plot describes a successful race horse owner, Hank Armstrong (Russell Simpson), disparaging the advanced technology of automobiles. He wins a bet against one of the car's owners, proving his contention that cars will never replace horses in speed or in power. By the early 1900s, however, Hank's son, Bob Armstrong (Charles Emmett Mack), and all his pals have gasoline engine fever, and are foaming at the mouth to get their hands on them. Bob becomes a race car driver, and an exciting conclusion makes no doubt that automobiles are here to stay.

Not that they were any safer than horse carriages. In real life, actors appearing in "The First Auto" were killed in two separate accidents. Extra and script girl Helen Howard died when her and two other cast members were in a car that collided with another vehicle in downtown Los Angeles. The driver, William Demarest, who played the village funnyman and was Uncle Charlie in 'My Three Sons,' suffered cuts and bruises in the overturned car while extra Loretta Rush cracked her skull. After filming was over, Charles Emmett Mack died in an auto accident. His part as Bob was a major role for Mack, killed at the age of 26.