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7,0/10
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Ajouter une intrigue dans votre langueA well-planned robbery goes awry with tough cop Jim Cordell in pursuit of the thieves.A well-planned robbery goes awry with tough cop Jim Cordell in pursuit of the thieves.A well-planned robbery goes awry with tough cop Jim Cordell in pursuit of the thieves.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Eddie Borden
- Theatrical Agent
- (non crédité)
Chet Brandenburg
- Cop at Roadblock
- (non crédité)
Barry Brooks
- Witmer - Armored Car Driver
- (non crédité)
Morgan Brown
- Burlesque Theatre Patron
- (non crédité)
Paul Bryar
- Car 6 Patrolman at Pier 5
- (non crédité)
Paul E. Burns
- Mr. Kelly - Valley Auto Court Manager
- (non crédité)
James Bush
- Control Tower Operator
- (non crédité)
Roger Creed
- Police Radio Operator
- (non crédité)
Dick Dickinson
- Newsboy
- (non crédité)
Art Dupuis
- Stadium Cashier
- (non crédité)
Avis à la une
Robert Fleischer's film Armored Car Robbery is, in many aspects, a straightforward heist movie. It features all of the usual suspects, including a bunch of ragtag tough guys, a heartless dame who only cares about the promise of lots of 'lettuce', and a lantern jawed, square shouldered cop who deep down really cares about his partner. These caricatures are expected and well played; what was a surprise was how well William Talman filled a role a less skilled performer might have slept through. Talman, who played the leader of the gang, infused his character with a flinty, almost sociopathic nature that plays as believable and chilling. Additionally, the movie had great momentum, one that moved a somewhat predicable plot forward at a gripping and exciting pace.
All of the actors gave good to excellent performances, though Charles McGraw's character was a smidge too one dimensional at times, as he spoke his clipped sentences through gritted teeth and wore the heroic big suit like a comic book lieutenant. Still, an enjoyable heist film that won't disappoint fans of the crime or noir genres. Some lovely visuals as well!
All of the actors gave good to excellent performances, though Charles McGraw's character was a smidge too one dimensional at times, as he spoke his clipped sentences through gritted teeth and wore the heroic big suit like a comic book lieutenant. Still, an enjoyable heist film that won't disappoint fans of the crime or noir genres. Some lovely visuals as well!
Director Richard Fleischer was responsible for two of the best of the low-budget '50s cops-n-robbers flicks, both notable for starring Charles McGraw, one of the great movie bad guys, as a tough detective. One, "The Narrow Margin," is quite well known; this is the other one, and while not as well known, it certainly should be. The story is about a vicious gang of robbers, headed by a murderous psychopath (William Talman, who seemed to have a corner on that market in the '50s), pulls off an armored car robbery that goes awry. Detective McGraw is out to track down the gang. The film is a textbook example of the best of the B movie--swiftly paced, tightly edited, with a good story and a cast of veteran character actors that work together like a well-oiled machine. Some clever plot twists and startling (for the time) violence make this one a keeper. Very highly recommended.
Remembered mostly as Hamilton Berger, TV's Perry Mason's opponent always doomed to fail, William Talman radiates with star quality as the anti-hero in this taut programmer. With few words and with no fanfare, Talman etches a finely tuned portrayal of a brainy and fussy gangster. The man is a portrait of self-discipline and clean-living except that he is a crook. Charles McGraw does well as his adversary, the detective, but it's Talman who captures our imagination and leaves indelible imprint on our minds as the meticulous crook who has figured out everything to the most infinitessimal detail. There's just one thing he doesn't know: this is an early 50's movie, so his character must learn that crime doesn't pay!
Wow, this was a neat little film, far better than I had hoped. I don't tape many shows on TV, but this was one I'm sure glad I did, especially since it is not available on VHS or DVD.
I say "little" film because it's only 67 minutes long. Richard Fleischer, who directed THE NARROW MARGIN (1952), another short and fast-moving crime story, directed this movie, too, and you can see some similarities. The major similarity is how fast-paced these films are. Another is the presence of one of the best 'B' tough guys ever: Charles McGraw.
Because of that, and it's so interesting to view, it's one I plan on viewing a number of times. McGraw, as the cop, and William Talman, as the leader of the gang, are fun to watch.
It's a heist tale and most of the film is about the gang trying to escape after the robbery and what happens to each one. In that regards, it reminds me a bit of another great film: THE ASPHALT JUNGLE, which also came out at this time. This isn't up to that level, but it's good and highly recommended viewing if you see it listed on TCM, where I saw it.
I say "little" film because it's only 67 minutes long. Richard Fleischer, who directed THE NARROW MARGIN (1952), another short and fast-moving crime story, directed this movie, too, and you can see some similarities. The major similarity is how fast-paced these films are. Another is the presence of one of the best 'B' tough guys ever: Charles McGraw.
Because of that, and it's so interesting to view, it's one I plan on viewing a number of times. McGraw, as the cop, and William Talman, as the leader of the gang, are fun to watch.
It's a heist tale and most of the film is about the gang trying to escape after the robbery and what happens to each one. In that regards, it reminds me a bit of another great film: THE ASPHALT JUNGLE, which also came out at this time. This isn't up to that level, but it's good and highly recommended viewing if you see it listed on TCM, where I saw it.
Armored Car Robbery (1950)
*** (out of 4)
Thief Dave Purvis (William Talman) plays the perfect heist of an armored car in L.A. but things take a disastrous turn when cops show up on the scene. A gunfight breaks out and a cop is killed, which doesn't sit well with Lt. Jim Cordell (Charles McGraw) who will stop at nothing to make sure those responsible are brought to justice. This film was released by Warner as a film-noir but I personally didn't see anything to connect this to that genre. This is, however, a fine crime picture that has two great actors delivering strong performances and in the end they're reason enough to watch the film. I think the biggest problem with the movie is that director Flesicher never builds up any atmosphere nor does he ever build up any real suspense. In many ways the film is very by-the-numbers because it seems like the director and screenwriter never tried to go out of their way to do something special but instead they just deliver the goods and make for a pleasant 67-minutes. The movie features some great locations around Wrigley Field as well as several scenes inside a burlesque show, which adds to the fun. The heist sequence was fairly well-directed and the pay-off is nice as well. The ending is going to remind people of Kubrick's THE KILLING, although it's a lot more graphic in nature here. Talman and McGraw are two veterans of this genre and both men know how to make their characters speak without saying a word. Both men have incredible faces that really tell us all we need to know and it seems as if both actors were having a lot of fun in these roles. Talman is very laid-back in his role and his character really comes across very collective and cool. McGraw, in an early Dirty Harry type role, is tough as nails and you just know he's not going to stop.
*** (out of 4)
Thief Dave Purvis (William Talman) plays the perfect heist of an armored car in L.A. but things take a disastrous turn when cops show up on the scene. A gunfight breaks out and a cop is killed, which doesn't sit well with Lt. Jim Cordell (Charles McGraw) who will stop at nothing to make sure those responsible are brought to justice. This film was released by Warner as a film-noir but I personally didn't see anything to connect this to that genre. This is, however, a fine crime picture that has two great actors delivering strong performances and in the end they're reason enough to watch the film. I think the biggest problem with the movie is that director Flesicher never builds up any atmosphere nor does he ever build up any real suspense. In many ways the film is very by-the-numbers because it seems like the director and screenwriter never tried to go out of their way to do something special but instead they just deliver the goods and make for a pleasant 67-minutes. The movie features some great locations around Wrigley Field as well as several scenes inside a burlesque show, which adds to the fun. The heist sequence was fairly well-directed and the pay-off is nice as well. The ending is going to remind people of Kubrick's THE KILLING, although it's a lot more graphic in nature here. Talman and McGraw are two veterans of this genre and both men know how to make their characters speak without saying a word. Both men have incredible faces that really tell us all we need to know and it seems as if both actors were having a lot of fun in these roles. Talman is very laid-back in his role and his character really comes across very collective and cool. McGraw, in an early Dirty Harry type role, is tough as nails and you just know he's not going to stop.
Le saviez-vous
- AnecdotesThere was a Wrigley Field in Los Angeles. It opened 1925 and mostly used by the Pacific Coast Minor league team the Los Angeles Angels. In 1961 the Los Angeles Angels played their first major league season there. It was demolished in 1969.
- GaffesAfter he is shot, Ryan gives his location over the bugged car microphone, but the gunshot was apparently not heard. Further information: Ryan is shot outside the car while attempting to escape and later crawls back to the car and climbs partially inside and reaches for the key in the ignition under the microphone to give his location. It appears the microphone only works when the car is running or the ignition is on as the following police car loses communications when the suspect cars pulls into a lumberyard and the car's ignition is turned off.
- Citations
Ryan: [On the phone] We hit pay dirt. The gal in question is Yvonne LeDoux, a bur-le-q queen workin' out of the Bijou Theater, but that's not all. She's also the widow of the late Benny McBride.
Lt. Jim Cordell: Benny's wife, huh?
Ryan: You should see her workin' clothes. Imagine a dish like this married to a mug like Benny McBride... the naked and the dead.
Lt. Jim Cordell: Very funny.
- Crédits fousIn the film's opening credits, the title is surrounded by quotation marks.
- ConnexionsFeatured in Les amateurs (1995)
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- How long is Armored Car Robbery?Alimenté par Alexa
Détails
- Durée1 heure 7 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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