The Lonedale Operator

A movie like this could only get away with a 7-out-of-10 rating today, considering its popularity at the time and its historical significance as a D.W.Griffith experience.

This short details a young girl who is operating a train stop when some bandits, or miscreants, or something, begin to threaten her. As she tries to hold them at bay, a train operator comes to the rescue.

Even by today's standards, the cutting of the film makes it relatively intense. Griffith claimed he invented a lot of techniques that he didn't, but perhaps the one thing it cannot be argued he invented is a director's style (auteurship). Early films didn't even have credits attached, and yet audiences recognized a Griffith film anyways.

The same holds today. This is a Griffith film, by and large. Whether it's worth the search to find and watch depends on your interest of the era, Griffith, or maybe silent films as a whole. Otherwise this film is nothing more than a research tool for film classes and cinephiles.

--PolarisDiB

This little movie follows the same structure and tropes of most of D. W. Griffith shorts of this era. These shorts often feel dated and very melodramatic from today's point of view, which is understandable. However, there is something about this particular movie that makes it standout from the rest.

In my opinion, Blanche Sweet does a great job in this role. Given the acting style of the early 1910s, Sweet's performance feels more modern than most. Her performance adds to the pace of the movie, which is nicely achieved.

In my opinion, I would take out the "romance" tag for this movie and add the "action" one. To sum up, a nice 17 minutes watch readily available in YouTube, some uploads incorporate music score which makes the experience much better.

This D. W. Griffith short involves a young woman whose father is the telegraph operator in a relatively remote place. Her boyfriend is a railroad engineer. When she takes over the key (the telegraph key), she becomes responsible for a large payroll shipment. Unfortunately, a couple of no-goods want the money and they are going to break into the telegraph shack and steal it from her. The plots revolves around how long she can forestall these men until her engineer boyfriend can bring the train back and rescue her. There is an interesting twist that is pretty satisfying.

Wow. It's hard to believe that Miss Blanche Sweet was fifteen when she was directed by the great D.W. Griffith in this Biograph production from 1911. Blanche, at such an early age, was not only extremely mature in terms her physique and baring, she was a remarkably accomplished actress. Her naturalistic acting translates well with modern audiences (at leased with all my friends to whom I've shown this movie). This film is a good one, suspenceful and atmospheric, but it's definatly not the best of Griffith's Biographs. It ranks pretty highly with the other work of his that I've seen. It is certainly aided by Sweet's performance, and also helpful the exemplary early use of "montage" which Griffith had been putting to use in his films as early as 1909. For a peak at what a great man like Griffith was doing before he made The Birth of a Nation (1915), Intolerance (1916) and Way Down East (1920), this is certainly one to take a good look or two at, just to get a peak at what the future had in store for cinema history.

This film, nicely preserved with tints, is part of the "Treasures" 4-disc DVD set from the American Film Archives. It captures DW Griffith in the middle of his stint at American Biograph, and it demonstrates his developing skill with montage. I'm fond of Lonedale because it captures day-to-day life in a bygone era (for example, the secretary operating an early typewriter and the operation of steam locomotives).

The performances are by necessity done in broad strokes. Blanche Sweet, then a very mature-looking 15-year-old plays the story's heroine who bluffs her way out of a sticky situation.

This film is one of the highlights of the Treasures DVD set.