Le vol du grand rapide

Arguably the first motion picture to employ the milieu of what would quickly become known as the Western genre, Edwin S. Porter's The Great Train Robbery was a smashing success with audiences (dozens of film history texts report with glee how viewers shrieked with fear and delight when a tightly-framed gunslinger pointed and fired directly at the camera) and made remarkable strides toward the establishment of longer, more narratively developed films. Porter's cutting was also among the most sophisticated to date, as multiple locations and events were suffused with a previously unseen urgency. Based on actual events, The Great Train Robbery ignited the imaginations of the scores who saw it -- making the movie one of the earliest examples of sensationalized, fictionalized screen adaptations taken from historical precedent.

It's easy to see why this was such a sensation in 1903, and why today it is still considered to be an icon in movie history. You can enjoy this either as a historical landmark for its use of such a variety of then-new skills, or you can simply watch it for the story. To be sure, the plot is of a now-familiar type, but this is what so many other movies have imitated over the years.

The story-telling is very good, and it is almost not even necessary to add 'for its time', because much of it still holds up quite well. It tells an action-packed story with plenty of detail, and it uses a good variety of effective techniques to increase the excitement, suspense, and realism. From the motion effects in the scenes inside the train, to the occasional use of color tinting, to the use of outdoor scenes, almost everything works nicely. There are only a few occasions when can you tell that it is almost a century old. There are even things like some basic cross-cutting and a pretty good panning shot. There is plenty to see, and it's worth watching more than once to see what else you can notice.

This film, often lauded as one of the first movies to include a linear narrative within its running time, came out of the Edison company over a hundred years ago, following their experiments in the previous decades with shorter topical pieces such as cockfighting, dancers, and other limited scenarios.

'The Great Train Robbery' is a simple enough story - a train is robbed, there is a shoot-out. The interesting scenes for me were the ones where the passengers are held at gunpoint while their valuables are collected, the shoot-out with its hand-coloured bursts of gunfire, and the famous final shot where a gun is fired directly at the audience. Not too frightening now, but back in those days this was quite an innovation.

Historically important and with a basic plot still in use today, this film holds significant interest for a wide audience (and will take less than a quarter of an hour of your time to view).

I enjoy this film even though it is very old and compared to today's cinema, very limited in its attempt at realism. But today's cinema would not be what it is without the original innovation of cinematic devices by Edwin S. Porter, one of films first masters. His progress in narrative construction and his work in special effects techniques astonished audiences like never before. His work was limited specifically because he used the static camera affecting the impact of each of his shots. His unique and influential editing style allowed the audience to take part in the action of the film, not sitting idly watching it. The movie is 12 minutes long and is considered the first narrative film in history. The most exciting scene is when the gangsters raid the train station and rob the train. The train is a really well done mat-shot of a train pulling into the station, frightening the audience in their seats. I personally am most excited by the final closing scene of the gangster shooting his gun, aiming it directly at the audience. This audience point of view shot makes me feel like the narrative of the train robbery enticed me to cheer for the Sheriff, and the angry gangster shoots at me because I was cheering for his enemy. This film and this sequence of the gangster shooting the audience was solidified in cinematic history when Martin Scorsese pays homage in 'Goodfellas', with Joe Pesci gun barrage and sinister look.

I just saw "The Great Train Robbery" in its entirety for the first time and I was truly amazed. Its hard to believe that the film is over 100 years old. It was shot from a stationary camera but it employs many of the cinematic techniques that have since become commonplace such as cross-cutting, the chase, the shootout etc. VCI Entertainment has released a marvelous 100 Year Anniversary Edition of the film in two versions...a completely silent version from the print owned by the U.S. Library of Congress and a second version with added music, color tints and sound effects.

Briefly, the story (filmed in the "wilds" of New Jersey), centers on four bandits who subdue a station agent (to keep him from sending out an alarm) and then climb aboard a train when it stops to take on water. Two of the bandits proceed to the mail car, kill the agent and make off with the loot. The others take care of the engineer and his fireman. One can imagine what the early audiences must have thought when one of the bandits suddenly throws the fireman off of the train. The cutting from the live action with the bandit and the fireman to the obvious dummy was quite innovative for the time.

The bandits then line up the passengers and rob them killing one of them as he tries to escape. They then ride the engine down the tracks to their waiting horses. Meanwhile the town folk are alerted at a local hoedown and form a posse to go after the robbers. What follows is a great little chase scene and the final showdown between the good guys and the bad guys, where you know who get what's coming to them.

The closing shot of actor George Barnes emptying his six shooter at the audience is perhaps one of the most famous shots in cinematic history. One can only imagine the effect that it must have had on the early audiences. I had always thought that this shot was at the beginning of the film. Early western pioneer "Broncho" Billy Anderson plays four roles in the film including one of the bandits.

Most of the scenes are filmed in medium to long shots. You don't really see the actors faces (except for Barnes as noted). But it is still a very good film for this or any time. It tells a complete and believable story in about 12 minutes and sets the stage for the many classic silent films that were to follow.

A truly historic cinematic experience.