Un jeune couple se rend sur une île isolée pour manger dans un restaurant exclusif où le chef a préparé un menu somptueux, avec quelques surprises choquantes.Un jeune couple se rend sur une île isolée pour manger dans un restaurant exclusif où le chef a préparé un menu somptueux, avec quelques surprises choquantes.Un jeune couple se rend sur une île isolée pour manger dans un restaurant exclusif où le chef a préparé un menu somptueux, avec quelques surprises choquantes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 66 nominations au total
Résumé
Reviewers say 'The Menu' is a darkly comedic satire critiquing pretentious fine dining and elite culture. Themes include social commentary on class disparity and the absurdity of high-end dining. Critics praise Ralph Fiennes, Anya Taylor-Joy, and Nicholas Hoult's performances. Some find the satire inconsistent, questioning pacing, plot coherence, and character development. Despite mixed feelings, many appreciate the unique premise and stylish direction.
Avis à la une
I waited months for this film thinking it would be so much better than it was. There is nothing quite like the let down of expecting something great, and it turning out to be just good.
While the plot is pretty original (which normally scores high points with me) and while the film is at times quite beautiful to look at, it missed some of the main point: sweet gratification and satiation.
Scares are not included on the menu; what there is of comedic value is presented as filling; it is unsatisfyingly light on gore; hints of interesting dialogue exist, but they are only scantily peppered throughout; the build-up of characters and backstory is distinctly and unpalatably in short supply, as well as somewhat bland; intentions are nondescript; it wore on and became progressively less, instead of more enjoyable; and, the main course was both 'cheesy' and a bit less than fulfilling. Yes, I greedily took it all in, but by the time dessert was to be served, the previous dishes laid still undigested and leaden.
I'd like to speak to the manager, please.
While the plot is pretty original (which normally scores high points with me) and while the film is at times quite beautiful to look at, it missed some of the main point: sweet gratification and satiation.
Scares are not included on the menu; what there is of comedic value is presented as filling; it is unsatisfyingly light on gore; hints of interesting dialogue exist, but they are only scantily peppered throughout; the build-up of characters and backstory is distinctly and unpalatably in short supply, as well as somewhat bland; intentions are nondescript; it wore on and became progressively less, instead of more enjoyable; and, the main course was both 'cheesy' and a bit less than fulfilling. Yes, I greedily took it all in, but by the time dessert was to be served, the previous dishes laid still undigested and leaden.
I'd like to speak to the manager, please.
THE MENU is a good and unusual little thriller that proves a breath of fresh air in this day and age. One for the more jaded among us, it provides the kind of surprising, satirical modern-times scenario that I was hoping from GLASS ONION (and which didn't land). This one is variously a mystery, a comedy, a horror film and more besides, and it has depth and a careful skewering of a whole industry which I found more than satisfying. The cast is remarkable too, with each particular actor - from Fiennes to Hoult, Leguizamo to Taylor-Joy - carefully chosen to fit the perfect role for their talents. Appealing!
"The Menu" offers a trailer spectacular enough to entice me to set foot in a physical movie theater for the first time in 3 years. Packed with both veteran and burgeoning actors and directed by Mark Mylod of "Succession" fame, this movie has all the goodies to entertain you and make you think at the same time, supposedly. It starts out well enough, introducing quirky mysterious characters starting with Elsa played by Hong Chau. I find her really captivating in this role, a perfect combo of politeness and menace. Why is she dressed like that? Then we meet the Chef who has an agenda that unravels through the perspective of Margot, played by the always-awesome Anya Taylor-Joy. Margot is us, wanting to expose the ridiculousness of it all. Yet herein lies the problem with the movie. Its effort as a biting satire turns into a confusing mess at the end. "The Menu" could have given us something to chew on, instead I walk out of the movie theater scratching my head.
Nice try, but the satire doesn't land in this film that skewers pretentious foodies and the chefs who cook for them.
There's already been one satire this year that savages the rich, "Triangle of Sadness," and that's a much better film than this one. I'm ok with an outlandish premise, but if you're going to give me one, then the rules within the world of the movie have to be consistent. In this film, characters act like they're in a realistic horror movie one minute and a goofy satire the next. The tone doesn't stick to one or the other, so what was probably intended to be cutting instead falls flat.
The ending especially is silly. It definitely did not leave me wanting s'more.
Grade: C+
There's already been one satire this year that savages the rich, "Triangle of Sadness," and that's a much better film than this one. I'm ok with an outlandish premise, but if you're going to give me one, then the rules within the world of the movie have to be consistent. In this film, characters act like they're in a realistic horror movie one minute and a goofy satire the next. The tone doesn't stick to one or the other, so what was probably intended to be cutting instead falls flat.
The ending especially is silly. It definitely did not leave me wanting s'more.
Grade: C+
I thought this movie was original, entertaining and very interesting. It has a deeper message about how the world looks today. The constant stress and pressure of performing and pleasing hard-to-please people. People who are spoiled, people who only care about money, people who take life for granted, and so on. This is what the characters in the film, the chef and the guests, represent. The guests represent the worst of us. Constantly feeling pressured about something that you actually think is fun, is no longer fun. That is why the chef has invited these very people to the restaurant. It is such people who have destroyed his passion, meaning and joy in life. If you understand the premise and concept of this movie, you will really like it. The film is dark and exciting, with a chaotic and funny ending, which I liked.
Le saviez-vous
- AnecdotesScreenwriter Will Tracy came up with the idea of the story while on his honeymoon in Bergen, Norway, when he took a boat to a fancy restaurant (Cornelius Sjømatrestaurant) on a nearby private island and realized they were stuck (or trapped) on the island until the meal was done. There are numerous references to restaurant Noma (Copenhagen) in The Menu, starting from the location, idea, concept, and ending with the menu itself.
- GaffesIn the opening shot of Margot lighting a cigarette, the cigarette color changes from all black (presumably a clove cigarette) to a traditional looking tobacco cigarette.
- Citations
Chef Slowik: Where did you go to school?
Felicity: Brown.
Chef Slowik: Student loans?
Felicity: No.
Chef Slowik: Sorry, you're dying.
- Crédits fousOPENING CREDIT: "Searchlight Pictures Invite you to experience 'The Menu.'"
- ConnexionsFeatured in Chris Stuckmann Movie Reviews: The Menu (2022)
- Bandes originalesHappy Birthday to You
Written by Patty S. Hill (as Patty Hill) and Mildred J. Hill
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- How long is The Menu?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El Menú
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 38 501 125 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 004 957 $US
- 20 nov. 2022
- Montant brut mondial
- 79 628 200 $US
- Durée
- 1h 47min(107 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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