La proie d'une ombre

With a dreadful, disquieting atmosphere pervading its frames and a dark, disturbing mystery simmering beneath the surface, The Night House makes for a gripping, haunting & gradually escalating psychological horror with a plot that only gets more uneasy & uncomfortable as it progresses, and is powerfully anchored by Rebecca Hall's emotionally engrossing showcase.

Directed by David Bruckner (The Ritual), the story explores loss, grief, depression, loneliness, death & longing through vehicles of horror and is able to keep us invested in the proceedings throughout its runtime with surprising ease. Bruckner fills the space with an unnerving chill & sense of dread and unravels the mystery one step at a time but the ending isn't as satisfying as expected.

The isolated setting, silent camerawork, steady pace & smart editing help ratchet the tension when required while the poignant score keeps reminding us of the crushing weight of the void that's opened up in our protagonist's life in the wake of her husband's demise. And rendering her loss & depression with unfailing precision is Rebecca Hall in what's undoubtedly amongst her career-best performances.

Overall, The Night House is an intelligently crafted, skilfully told, effectively shot & brilliantly acted genre offering that quietly immerses the viewers into its unsettling premise and has a firm grip on our emotions before we even know it. Exhibiting first-rate work on all fronts and further bolstered by Hall's committed act, this atmospheric horror does falter in the last act but everything before it is intense & riveting. Don't miss it.

... Frightening, Unnerving, Nightmares! The widow of a shock suicide is haunted by dreams and reality from the past, and the present. A towering performance by Rebecca Hall makes all the difference in a story that will leave you scratching your head and your chin but for all the right reasons.

THE NIGHT HOUSE (2021) *** Rebecca Hall, Sarah Goldberg, Vondie Curtis-Hall, Evan Jonigkeit, Stacy Martin. Compelling supernatural drama about a recently widowed woman (Hall in a remarkable performance) who begins to question her sanity when she begins to make discoveries of her late husband's past as well as their home which seems to house a sinister presence. Well directed by David Bruckner with just the amount of dread and genuine jolts thanks also to a shrewd screenplay by Ben Collins and Luke Piotrowsk. The pin-pricking score by Ben Lovett & handsomely shot cinematography by Elisha Christian makes all the difference in this modern day ghost story.

Good pace, Brilliantly acted, and above all intense and genuinely creepy......

But,

And this is where it looses me...

Being Vague isn't intelligent.

So many films these days just skip over that little part where it all comes together. Where the plot thickens. They avoid massive plot holes And just look the other way.

There are whole scenes in this movie that have absolutely nothing to do with anything, they are only there to be scary and mysterious, but don't further the plot or are even explained in anyway.

It's A Mystery if the Writer clearly has no idea how to end it?

Would "Seven" have been a better film if we never found out "Whats in The Box"?

Anticlimactic

Leaving the viewer to fill in the voids is lazy storytelling.

Rant over.

First there is Hall who, until now, has been punching below her weight class and finally gets to show she can carry a film. A tight script, nicely directed. And some genuinely scary scenes.