Une fille facile

Know how to make good movies. This wasn't a blockbuster but was very entertaining and the acting was great. For some reason even though I understand little, if any, French, I understood perfectly what was happening throughout the movie. Maybe some American directors and actors should take some time off from their superhero films and go to France and learn how to make real movies.

Strong points:

• Having grown up in the area where this was recorded, I thought it successfully captured the pace of life and the type of people one would find in Cannes

• Pleasant watch, dialogue between the characters flows well and naturally for the most part

• Zahia's acting somehow works. It is quite monotone, although I imagine her casting might have more to do with her reputation than her acting ability. The calmness and seeming detachment of the character creates an air of mystery, an aura of sophistication.

Weaker points:

• The silent, complicit naiveté of Mina Farid works up to a certain degree. There is a point where she begins to express more of a personality (through her exchanges with Philippe) but it does not seem to build up to anything in particular, which I thought was a shame.

• The film is pleasant but uneventful. I wouldn't watch it again but I also wouldn't dissuade anyone from watching it.

Only Contemporary European and French cinema can give you both so much simplicity and grandiosity in a plot.

Overall the movie fails in some ways to achieve the depth it wants to achieve, but the coming-of-age theme still struck a chord with me. These slice-of-life scenes - the partying, the low-key drama, the confusion of it all - could be very familiar to all Gen Y or Z viewers.

The movie is very unapologetic in its nudity, sympathetic to a new kind of female character that no movie I have ever seen has been sympathetic to. That extremely realistic, clumsy yet charming karaoke scene was a breath of fresh air.

I wouldn't go so far as to call it a GREAT film by objective standards, but it definitely has a soul, something that not many movies have anymore. Creatively shot and immersive in its simplicity, with a feminist message that is all-inclusive.

Naïma (Jiang Rong) is almost 16 years old and lives in Cannes at her mother's house. Her family receives the impromptu visit of her Parisian cousin Sofia (Zahia Dehar), a young woman with a silhouette as divine as artificial. Naïma will spend an unforgettable summer on a luxury yacht along the French Riviera, with Sofia as well as Philippe (Benoît Magimel) and Andres (Nuno Lopes), two forty-year-old men, wealthy and attractive. Thus, she will get to know herself better and leave her adolescence to finally take life in her own hands.

The French title, i.e. « une fille facile » meaning an 'easy' woman, is deliberately provocative and tantalizing quite as the choice of the deliberately inflammatory Zahia Dehar who was a hot news topic, one decade ago, because of a scandal with a part of the French soccer team using the services of this juvenile call girl. This is slightly misleading. In my humble opinion, the focus is also on Naïma and a pivotal period of her life thanks to Sofia and Philippe.

As a postscript, 1) The incident with the collector's sextant is far-fetched and particularly disappointing: a real weakness in the script. 2) I would personally have imagined the end scene punctuated by the song 'My way' popularized in 1969 by Frank Sinatra. Why? Well, she obviously found it, didn't she?