Martyrs

...when there's a movie you've seen 10y ago and is constantly brought to memory, that's gotta mean something.

Anyone who sees it doesn't forget it. It sticks.

The pure rawness, the neverending pit of darkness when you're just hoping for a little light so you can breathe - not to spoil it - but it doesn't come.

Great acting, ok photography and editing, but your eyes will be halfway shut from the tension it causes, so no need to go over the head with special effects and cinematography. Just a very good movie where acting and suspense is just perfect.

Although I've seen it more than a decade ago, came across the poster in IMDB and still felt compeled to write a review. That's how much it sticks.

I don't really want to say very much about this film. In some ways, it's a film I wish I could forget. It's a film I will most likely never watch again. I will say that most of the scenes in the film, at least in the first two thirds, are sickening and horrible and full of extreme human cruelty, violence, and gore. However, the film turns into something far worse than that in the last act. The film depicts pure evil and the true deterioration of the human soul and body about as bluntly as it possibly could. I will admit this. I'm not exactly sure what it was that I watched. I know that I will most likely never watch it again, I know that it was well made and had an effect on me, and I know that it was definitely extreme. The film is full of screaming, shrieking, mutilation, and torture, and there was a story and people did things. However, this is a film that is entirely inaccessible for most audiences. In terms of Extreme French Horror films, I thought it was very good. Inside, to me, is still the crowning champion of Extreme French Horror films, but Martyrs definitely works. However, it's far more than just a Horror film. It's a celebration of extreme human suffering, cruelty, and evil.

This film is without a doubt the most horrific, disgusting kick to the senses I've ever seen. If you can sit and watch the whole film from beginning to end you will feel like you've been in an accident. This shouldn't be even classed as just a horror film it should have an entirely new classification. I seriously doubt that any film maker could ever surpass this film for pure nastiness without showing real life carnage for 2 hours. If you want to be able sleep after watching a film, don't watch this. I honestly wish I never watched it, not that it is't well made or well written, I just think that it goes to far down a vicious path.

Having missed the opportunity to catch this at the Midnight Madness showing in TIFF08, I decided to go against all stated horror movie rules and watched this today around midday at a complex in downtown Toronto.. It's difficult to know what to say about this movie really; like a birth or a death, you really have to experience it yourself and draw your own conclusions. What I will say is that as a committed horror freak, rare is the occasion when I tense up and watch a film contorted, somehow trying to protect myself from what I'm putting myself through.. It contains enough tough to see horror/gore to satisfy the bloodhounds (though it doesn't feel like another attempt to up the gore ante for the sake of it, thankfully) and then - if you can watch it and many couldn't - transcends the genre totally with a jaw-dropping final act which if you're interested in the human condition and the capacity for seemingly normal people to do incredibly bad things will have you asking questions for some time to come and recognising that when horror and ideas mesh successfully, the result can be breathtaking. Absolutely not enjoyable but there again if you go to see a horror flick at a film festival and you know beforehand that it originally received an X-certificate in France, kicking up an almighty stink in the process - well, you know that an open mind is the least you can bring to bear. With that in mind I would recommend Martyrs as a film of incredible tension, harrowing physical violence and indelible imagery; unsurprisingly, the director name-checked Dario Argento during the Q&A as a major influence in his youth and there is a clear and confident signature in the work which suggests some parallels can be made between the two film-makers. I loved this movie and for those who have already posted comments good, bad or indifferent (and I really can't imagine a neutral response!) I hope like myself you have come away with a genuine sense of having seen something the like of which we are unlikely to see for some time..

i was lucky enough to see this masterpiece at Frightfest this year.

Pascale Laugier's worried about this movie. He was apologising to people who despised it, he was profusely thanking the people who liked it. He is the modern day equivalent of Victor Frankenstein. He knows that he has created a monster and doesn't really know how to deal with it now that it's being released upon the world.

Martyrs truly is a monster. It's a ground breaking, brave, stunning, brutal & moving piece of work that is guaranteed to divide audiences everywhere it gets the chance to play. Even at a genre event like Frightfest the audience reaction ranged from 'loved it' to 'hated it' to people actually going outside of the cinema to be physically sick (really). For me it was the highlight of the festival and i absolutely loved it but I don't believe it's a movie that anybody will truly 'enjoy'.

As others have already given away too much of the story i won't bother with a synopsis as Martyr's is definitely a dish best served cold. Not knowing what to expect makes this a refreshingly shocking piece of celluloid that will hopefully astound you with it's gutsy originality. Written by the director during a fit of depression (that he did not elaborate on in the Q&A) it is an almost schizophrenic movie with two distinct halves and coda of such ambiguity that it is possible to view it as nihilistic or strangely hopeful. It's beautifully shot, really well paced and contains outstanding performances from the two female leads.

This movie is inevitably going to be compared to Hostel and other movies in the horribly monickered 'torture-porn' genre and that is a genuine mistake. Martyrs bears more resemblance to movies like Nacho Cerda's Aftermath as there is nothing here that is designed to be titillating. The true horror lies in the the clinical detachment of the antagonists. In the end, despite all the on screen violence (and there are some truly brutal scenes on display here in the movies second act) the prevaling reaction that this movie elicited in me was not one of revulsion but one of true sadness. Martyrs really is a truly brilliant, surprisingly moving film and one that will remain in my mind, jostling for attention with my other thoughts for a very long time to come. Thankyou Pascale Laugier for creating a monster that i love...