Une fille facile

Overall the movie fails in some ways to achieve the depth it wants to achieve, but the coming-of-age theme still struck a chord with me. These slice-of-life scenes - the partying, the low-key drama, the confusion of it all - could be very familiar to all Gen Y or Z viewers.

The movie is very unapologetic in its nudity, sympathetic to a new kind of female character that no movie I have ever seen has been sympathetic to. That extremely realistic, clumsy yet charming karaoke scene was a breath of fresh air.

I wouldn't go so far as to call it a GREAT film by objective standards, but it definitely has a soul, something that not many movies have anymore. Creatively shot and immersive in its simplicity, with a feminist message that is all-inclusive.

Only Contemporary European and French cinema can give you both so much simplicity and grandiosity in a plot.

This movie has the visual style of Call Me By Your Name and just as much action. It's a film set in the summer in Cannes and the main characters are two girl cousins who spend their time together. One, a 16 year naive that doesn't yet know what she wants and a 22 year one that has already found a calling in being an escort for rich men. That's it. The acting is good, the situations believable and we learn how actual people react in actual situations. Yet the film makes no effort in exploring the set up in depth. There are no artificial dramas either. Just a girl figuring herself out. And other than a few breast scenes, it's not particularly erotic either.

Strong points:

• Having grown up in the area where this was recorded, I thought it successfully captured the pace of life and the type of people one would find in Cannes

• Pleasant watch, dialogue between the characters flows well and naturally for the most part

• Zahia's acting somehow works. It is quite monotone, although I imagine her casting might have more to do with her reputation than her acting ability. The calmness and seeming detachment of the character creates an air of mystery, an aura of sophistication.

Weaker points:

• The silent, complicit naiveté of Mina Farid works up to a certain degree. There is a point where she begins to express more of a personality (through her exchanges with Philippe) but it does not seem to build up to anything in particular, which I thought was a shame.

• The film is pleasant but uneventful. I wouldn't watch it again but I also wouldn't dissuade anyone from watching it.

I really, really love the simple style of the movie. It's billed as a 'Coming of Age' movie by a lot of reviews and ratings. I'm not sure I am of the belief that at 16, is there really a time period in a person's life that coming of age is all figured out by one short summer. Dealing with the unknown world that exists around you as you live. Can an out of school lark around an beautiful, yet bustling resort town that you live all your life really give you the opportunity to 'figure out youself' and know what you are and what you want to be. This is an interesting story about 2 cousins, 1, Sofia is 22 yet is living her life carefree and gives the perona of a much older soul. Dealing with her mourning for her recently lost mother, living off the 'generosity' of older, wealthy men in exchange for a piece of herself. Is she as free and happy as she gives the impression most the time. Or is she the sad, lonely, confused young lady that she reveals in a few short scenes with Maia.

Very good acting by the 2 main ladies. Supporting cast in the men and her mother is well done. As you would expect in a film shot in a fabulous, gorgeous setting like Canne, the cinematography is absolutely amazing. I also took note afterward that I really enjoyed the Directors use of subtle background music and soft luster of water sounds, low voices and at most time, calmness. This IMO is definitely worth a watch. I was pleasantly surprised about the reality also about no abundant over zealous nudity or sex to get the writers points across.