Little Joe

Don't watch this unless you really want to listen to the constant squeal of high pitched frequencies for two hours

The story has an interesting premise, and can be quite suspenseful. However, the pace is super slow, which kills the suspense and momentum. The music and the repeating CCTV shot at the plants get tiresome as well. Overall, I couldn't say I enjoyed it.

Scientists have created a flower that can make people happy. It is clear though that inhaling the pollen has a stronger effect than just that.

Whilst this is an attractive looking film with an interesting idea and a terrifically weird and wonderful score, the storytelling is linear and pretty staid without the twists and turns that could have made everything more interesting. In addition, the acting, whilst in part intended, is also a little too robotic by all involved to make you really care about the direction of travel.

I'll break this review down into three sections; Performance, Production, Plot.

Performance. Everyone is pretty much spot on. All the performances are reserved, which aids the intrigue of whether or not they've been infected and even when you're certain their performances always seem to leave you with a sense of doubt.

Production. This is the highlight of the movie. The sound design (both soundtrack and environmental) do a great job creating a sense of discomfort and foreboding. The costume and set design is beautiful and clinical, but also with great touches of vibrance.

Plot. By far the weakest area in the film and unfortunately what lets the film down. The idea is interesting and the way it's developed is interesting too, but plot points are often contrived or out of place and ultimately too little happens over too long a space of time to keep you fully engaged.

Jessica Hausner's chilling psychological thriller is visually masterful however lacks a storyline worthy of it. The dizzying camera shots combined with the ominous and unnerving score creates an element of paranoia from the outset. The colours which are at points quite Wes Anderson esque can beautifully slip into the shadowy under belly of Blade Runner (1982). The film centres on Alice who is a single mum and a dedicated breeder at a corporation which genetically engineers plants. She is working on developing a new breed that will control human emotions. Against company policy, she takes one home as a gift for her teenage son and names it after him but soon, though, she starts to fear it. Films and literature throughout history have dealt with the raw unspoilt beauty of flowers and the untold secrets they might hold. Little Joe carries on this tradition. Although the immortal words "Life will find a way" did pop into my head a few times, the film manages to offer up enough which feels different. The theme of mental health, maybe not fully realised, raises some interesting ideas on the subject and the stigma surrounding it. It is also about relationships, which feels more fleshed out but still perhaps not fully explored.Jessica Hausner's eastern European routes and filmmaking style are at odds with the English setting, leaving the viewer with the impression of a tourist eye view of Britain. The acting which was sometimes deliciously creepy and understated, sometimes fell into mockery and felt quite wooden. The saving grace in regards to the acting was Ben Whishaw who was the stand out performance.