NOTE IMDb
4,7/10
6,5 k
MA NOTE
Une jeune fille trouve du réconfort dans son père artiste et le fantôme de sa mère décédée.Une jeune fille trouve du réconfort dans son père artiste et le fantôme de sa mère décédée.Une jeune fille trouve du réconfort dans son père artiste et le fantôme de sa mère décédée.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Eric T. Miller
- Connor Gibbons
- (as Eric Troy Miller)
Troy James
- Nerezza
- (non crédité)
Kareemeh Odeh
- Paramedic
- (non crédité)
Linda Powell
- Janet Marion
- (non crédité)
Avis à la une
This was a nonsensical movie with no plot. There is no character arc for anyone. The twist isn't even remotely hinted at. I mean if you can call it a twist I guess.
The wife wants a divorce and they are in mediation the next week. They are making fun of him. He will get nothing and no custody. Even his attorney says he's screwed. Why?
He has to call 911 for an allergy for his daughter. The cops show up for some reason and need to take his daughter because they suspect abuse. Of corpse they got a hold of the grandpa somehow and he shows up instantly. The dad is like "okay". What?
The cops don't come for an allergic reaction.
Everything was so heavy handed and not close to reality. Three stars is being generous, the monsters were cool though.
The wife wants a divorce and they are in mediation the next week. They are making fun of him. He will get nothing and no custody. Even his attorney says he's screwed. Why?
He has to call 911 for an allergy for his daughter. The cops show up for some reason and need to take his daughter because they suspect abuse. Of corpse they got a hold of the grandpa somehow and he shows up instantly. The dad is like "okay". What?
The cops don't come for an allergic reaction.
Everything was so heavy handed and not close to reality. Three stars is being generous, the monsters were cool though.
Jeff Vahn (Rupert Friend) is a struggling comic book artist who hasn't had success since he torpedoed a licensing deal for his breakout comic The Grisly Kin. Tensions are mounting between Jeff and his wife Maggie (Mamie Gummer) who voices her frustration with being the primary support for the household and feels Jeff isn't being an attentive father to their daughter Jenny (Violet McGraw), spending more time with babysitter, Samantha (Madeline Brewer). Backed by her father Paul Rivers (Brian Cox), Maggie initiates divorce proceedings against Jeff fighting for sole custody until Maggie is killed in a hit and run. Despite Maggie's death, Paul makes his intentions clear he will fight for custody of Jenny. As Jenny exhibits odd behaviors and Jeff experiences vivid nightmares, his collaborator on a horror comic, writer Alan Ross (Simon Quarterman), shares his views on the paranormal that Maggie may not be done with Jenny.
Directed by William Brent Bell and written by noted producer Josh Braun of History of Violence, House of the Devil, and Creep with a co-writing credit by noted creator of Sci-Fi channel comic book series, The Anti-Gravity Room, Nick Amadeus. Separation combines the familiar horror tropes seen in Bell's other work whilst also touching upon familial discord and comic book/graphic novel elements. I can't say it fully works, but it did keep me engaged until the very end wondering how they were going to tie the elements together.
Rupert Friend does a good job playing a struggling father who's a bit of a mess professionally and personally as he's never really moved past his one point of success with The Grisly Kin and has shown reluctance to move past his initial success with the work or collaboration or compromise with others in the industry, it's certainly a solid character even if it doesn't give him high ground as a father. Violet McGraw does okay as Jenny, she handles the material about as well as can be expected, but there is something about how the character is conveyed that reminds me of those mid 2000s films like Hide and Seek or Godsend that tried to capture the ambiance of The Ring or The Sixth Sense in a way that felt kind of forced. It's not like this character type hasn't been done well as the film What Maisie Knew showed a similar child character in the middle of a messy divorce or even in similar genre films like Mike Flannagan's Before I Wake that used horror iconography mixed with exploration of a child's mind in dealing with unprocessed grief and PTSD. Separation feels like it's trying to tackle similar issues but there's a bit of a disconnect between the themes it addresses and how it presents them, especially since it relies upon the character of Jenny spelling out "the point" at the climax of the movie.
I did enjoy the various physical manifestations of The Grisly Kin characters (even if much of their incorporation was mostly used for fake outs albeit very nice looking ones), and there is a fun performance with director Bell's frequent collaborator Simon Quarterman playing Alan Ross, in a cute reference to comic writer Alan Moore and comic artist Alex Ross, who was actually an enjoyable character filling the horror checkbox of "occult expert" that works on another level with Alan Moore being a practicing wizard in real life (look it up). Quartermain's performance is so good I actually wouldn't mind seeing him reprise this master comic writer/occult expert in another movie because it's a really strong character and performance.
Separation is just okay. It's not boring because it's got such a bizarre mixture of elements with its Comic Book references, family melodrama, and Henry Selick/Tim Burton esque monster designs that I found it to be a watchable sit all things considered. I can't say exactly that it "worked", but this isn't a 7% on Rotten Tomatoes, nor is it a 4.6 on IMDb, it probably belongs somewhere around a 5.5 if I'm being honest.
Directed by William Brent Bell and written by noted producer Josh Braun of History of Violence, House of the Devil, and Creep with a co-writing credit by noted creator of Sci-Fi channel comic book series, The Anti-Gravity Room, Nick Amadeus. Separation combines the familiar horror tropes seen in Bell's other work whilst also touching upon familial discord and comic book/graphic novel elements. I can't say it fully works, but it did keep me engaged until the very end wondering how they were going to tie the elements together.
Rupert Friend does a good job playing a struggling father who's a bit of a mess professionally and personally as he's never really moved past his one point of success with The Grisly Kin and has shown reluctance to move past his initial success with the work or collaboration or compromise with others in the industry, it's certainly a solid character even if it doesn't give him high ground as a father. Violet McGraw does okay as Jenny, she handles the material about as well as can be expected, but there is something about how the character is conveyed that reminds me of those mid 2000s films like Hide and Seek or Godsend that tried to capture the ambiance of The Ring or The Sixth Sense in a way that felt kind of forced. It's not like this character type hasn't been done well as the film What Maisie Knew showed a similar child character in the middle of a messy divorce or even in similar genre films like Mike Flannagan's Before I Wake that used horror iconography mixed with exploration of a child's mind in dealing with unprocessed grief and PTSD. Separation feels like it's trying to tackle similar issues but there's a bit of a disconnect between the themes it addresses and how it presents them, especially since it relies upon the character of Jenny spelling out "the point" at the climax of the movie.
I did enjoy the various physical manifestations of The Grisly Kin characters (even if much of their incorporation was mostly used for fake outs albeit very nice looking ones), and there is a fun performance with director Bell's frequent collaborator Simon Quarterman playing Alan Ross, in a cute reference to comic writer Alan Moore and comic artist Alex Ross, who was actually an enjoyable character filling the horror checkbox of "occult expert" that works on another level with Alan Moore being a practicing wizard in real life (look it up). Quartermain's performance is so good I actually wouldn't mind seeing him reprise this master comic writer/occult expert in another movie because it's a really strong character and performance.
Separation is just okay. It's not boring because it's got such a bizarre mixture of elements with its Comic Book references, family melodrama, and Henry Selick/Tim Burton esque monster designs that I found it to be a watchable sit all things considered. I can't say exactly that it "worked", but this isn't a 7% on Rotten Tomatoes, nor is it a 4.6 on IMDb, it probably belongs somewhere around a 5.5 if I'm being honest.
After reading some of the reviews I was expecting this movie to be terrible. I don't think this film is as bad as people are saying. It wasn't great but it doesn't deserve a 1 star rating. I thought it flowed well and I especially liked the ending. Not a film I'd watch again but it definitely wasn't a waste of time. 5 stars.
Didnt hate it but didnt love it we wanted to get out of the house and not much is playing because Hollywood is so fricking greedy!! Had a few good moments and we liked that cast. Didnt really need Brian cox but I'm sure he needs a paycheck as well. I'd recommend waiting for Netflix or Amazon, hbo, whatever. Not worth going to the theater but it was nice to get out of the house and it was senior day so its 5 bucks.
"Separation" is a horror film about a family coping with big changes. I find the story scary and suspenseful. The thing I like the most is that it also has non scary elements in it too. I enjoyed watching it.
Le saviez-vous
- AnecdotesRupert Friend (Jeff) and Simon Quarterman (Alan) have both played Prince Albert. Rupert Friend was in Young Victoria (2009) and Simon Quarterman was in Victoria and Albert (2001).
- GaffesAround midway through the movie, the dad changes the deadbolt lock for a key-based lock. Later, after the police arrive, the daughter ends up going upstairs, the door's lock reverts back to the original style lock. The key lock is never seen for the rest of the movie.
- ConnexionsReferenced in Scream VI (2023)
- Bandes originalesI Love You to Death (Drive Safe)
Performed by The Juliana Theory
Written by Joshua Fiedler, Brett Detar, Chad Alan (as Chad Monticue), Joshua Kosker, & Josh 'Chip' Walters (as Joshua Walters)
(c) 2020 No You Don't, We Own Them (SESAC)
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- How long is Separation?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Oscura Separación
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 4 509 143 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 800 162 $US
- 2 mai 2021
- Montant brut mondial
- 4 509 143 $US
- Durée1 heure 47 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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