Midsommar

It is worth saying upfront that MidSommar should be a very divisive movie. If you tend to watch mostly popular movies or standard horror films, Midsommar is not for you. Which explains the amount of 1 out of 10 reviews here on IMDb, despite an overall 7.1 rating.

But if you don't mind a slow building narrative with tension, innovative cinematography and plenty of look-away gore, then you might be able to appreciate just how unique Midsommar really is.

Briefly - MidSommar shows us a group of friends going on what seems like an idyllic trip to the Midsummer festival in a village in Northern Sweden. But that quickly turns into a harrowing display of Pagan rituals and ceremonies.

The movie is long because it's not afraid to take its time explaining the background of the characters (the group of friends and particularly the young woman in which it focuses). So from the start you can feel that this will be a different experience from most horror films.

But the movie really takes off once they arrive in Sweden. And it goes a long way to explain why Ari Aster is being so buzzed as a new director. Some of the shots shown are, at least in my book, completely outside the norm. And early on help you involve in the world of the film, and in the experience of the main characters.

In the terms of cinematography, it is one of the most beautiful movies I have ever seen. And that becomes an even more impressive achievement because of its contrast with the horrid gore images displayed throughout the movie.

The grass's green, the floral arrangements, the group dances, everything really paints a picturesque image of the Midsommar festivities. Despite all the unexpected events the characters are witnessing, that sense is kept all throughout 2h30 of film.

All of the imagery helped me, as a viewer, to truly feel in the perspective of the characters. Walking into the festival, hopeful, experience the shock of everything that happens in front of them.

I felt I too went on that trip with the characters, and I was shocked again and again together with them. It stuck with me for hours on end after watching. Which is one the best complements I can make to the work of a director in my view.

Truly recommended it if you are up to watching a different yet aesthetically beautiful piece of cinema.

The movie starts out promising and with the interesting backdrop of a Swedish pagan cults. However, it succeeds only in shocking with horrifying imagery of bursting heads/faces and other violence that serves only to hide the fact that this movie is bad at everything else. The character development is extremely bad. We are supposed to care about the main character so the writers came up with a shocking and sad beginning. But we still dont develop much sympathy because the main character (yes I already forgot the name) acts unreasonably and there are no real moments where we get close to her. The plot is extremely foreseeable. Without wanting to spoil much, all characters from the group going to Sweden have happen exactly what you'd expect to happen to them. There is no finesse in story-telling at all and instead cheap attempts at foreshadowing end up as just another horror-movie cliche. The camera work is OK but often too bright and sometimes turns for no reason. It is an attempt of foreshadowing or setting the atmosphere but it is lost on me.

All in all, this movie might be for you if you like to be shocked by violence in a novel setting. Don't watch this with kids or anyone remotely sensitive to violence. Also don't watch it if you care for character development, plot-depth or have good taste in movies, generally.

Gorgeous visuals, creative cinematography and solid performances but the movie feels long winded and disconnected. The characters are underdeveloped and the plot is a little all over the place. The movie does however manage to be intentionally funny at times but not scary or very disturbing.

Be first thing I wanted to do after leaving the cinema, was to discover what the swedish thought of this film, in general they saw it with humour, and an open mind, as I expected.

It's pretty much split right down the middle, first half, dare I say it, normality, drama, with a heavy focus on grief, and the harsh way it can affect someone, particularly if there's trauma involved. The second half is very trippy, and we delve into the world of pagan ritual and bizarre rights, which makes The Whicker Man look like a tea party.

The main leads, Florence Pugh and Jack Reynor, were terrific. Pugh had impressed previously in The Little Drummer Girl, it was obvious she was destined for big things, she played Dani with a real sense of torment, very impressive. The cast had a realism, it was refreshing not to watch a cast that look set for a Dior catwalk.

It won't be for everyone, and I must point out that some scenes are painfully long, needlessly. Some amazing special effects.

Violence and nudity, but neither are gratuitous or simply for shock. A few laughs, several times the cinema erupted in laughter.

Very good. 8/10

I'm not sure how but the movie had me on edge the entire time. You have to enjoy cinematography to really enjoy this. I left the movie like I just came down from a high. The whole thing felt like a bad trip afterwards, I was pleased and not at the same time but I think that's how we're meant to feel. It's a good change from super hero movies and terribly made horror movies.