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IMDbPro

The Lighthouse

  • 2019
  • 12
  • 1h 49min
NOTE IMDb
7,4/10
286 k
MA NOTE
POPULARITÉ
769
46
The Lighthouse (2019)
Keeping secrets, are ye? From Robert Eggers, acclaimed director of 'The Witch,' and starring Willem Dafoe and Robert Pattinson. THE LIGHTHOUSE — In Theaters October 18
Lire trailer1:27
14 Videos
99+ photos
Period DramaPsychological HorrorSuspense MysteryDramaFantasyHorrorMysteryThriller

L'histoire d'un gardien de phare au début du XXe siècle dans le Maine.L'histoire d'un gardien de phare au début du XXe siècle dans le Maine.L'histoire d'un gardien de phare au début du XXe siècle dans le Maine.

  • Réalisation
    • Robert Eggers
  • Scénario
    • Robert Eggers
    • Max Eggers
  • Casting principal
    • Robert Pattinson
    • Willem Dafoe
    • Valeriia Karaman
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,4/10
    286 k
    MA NOTE
    POPULARITÉ
    769
    46
    • Réalisation
      • Robert Eggers
    • Scénario
      • Robert Eggers
      • Max Eggers
    • Casting principal
      • Robert Pattinson
      • Willem Dafoe
      • Valeriia Karaman
    • 1.6Kavis d'utilisateurs
    • 466avis des critiques
    • 83Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 34 victoires et 139 nominations au total

    Vidéos14

    Official Trailer 2
    Trailer 1:27
    Official Trailer 2
    Official Trailer 2
    Trailer 1:27
    Official Trailer 2
    Official Trailer 2
    Trailer 1:27
    Official Trailer 2
    Official Trailer
    Trailer 1:32
    Official Trailer
    The Lighthouse
    Trailer 1:41
    The Lighthouse
    The Lighthouse
    Trailer 1:27
    The Lighthouse
    The Lighthouse
    Trailer 1:32
    The Lighthouse

    Photos288

    Voir l'affiche
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    + 282
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    Rôles principaux10

    Modifier
    Robert Pattinson
    Robert Pattinson
    • Thomas Howard
    Willem Dafoe
    Willem Dafoe
    • Thomas Wake
    Valeriia Karaman
    Valeriia Karaman
    • Mermaid
    Logan Hawkes
    • Ephraim Winslow
    Kyla Nicolle
    Kyla Nicolle
    • Woman on the Rocks
    Shaun Clarke
    • Departing Wickie
    Pierre Richard
    • Departing Assistant Wickie
    Preston Hudson
    • Tender Mate
    Jeffrey Cruts
    • Tender Mate
    • (as Jeff Cruts)
    Sully Seagull
    • Seagull
    • (non crédité)
    • Réalisation
      • Robert Eggers
    • Scénario
      • Robert Eggers
      • Max Eggers
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs1.6K

    7,4286.3K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    8bluerosecrow

    More of an experience than a movie

    This movie shouldn't just be watched casually during the day or during a social event. This is really a movie for people who enjoy film and the art of cinema. I know that sounds very pretentious, but that is the best way I can describe how this movie should be watched. It is really best to watch it in a quiet room, the lights turned way down, and anything that you would want to snack on readily available to you.

    The film itself is absolutely gorgeous. But it has to be. Everything that makes this movie had to be made very intentionally, or the movie would be horrible. If this movie was in color, it would be dumb. It is the beautiful shots using light and shadow that really brings you in. Every scene filmed at night took my breath away. The scenes of the mermaid made more surreal because of the lack of color. Like I said, even a touch of color in this movie would have destroyed it.

    It is weird and not a typical movie. There is no solid protagonist and antagonist. It is two men falling into madness and the surrealism it depicts. It is a lot of talking, but only between the two main characters. Like I said, not a typical popcorn watching movie. Trying to watch it when it isn't your only focus would be like trying to watch The Seventh Seal at a football party.

    So, while I think this movie was beautifully made, be aware of what you are getting into. You will be watching a black and white film of two men arguing, and falling into madness together with pops of the surreal. If that is your jams, then you will love this movie.
    7willamanah

    Hard to watch

    Both characters have few if any redeeming qualities, which makes this mind twisting movie difficult to get behind. The cinematography was good, the acting was on point, the writing was quotable but I wanted in to be over half way through. I'm still confused as to what the point was, other than to convey discomfort.
    Kirpianuscus

    a puzzle

    I discovered this film as a large puzzle. Different pieces , from the atmosphere to the acting and flavor of old fashion Gothic stories are pieces of this dark, profound, bitter not comfortable but inspired in each scene film. A film about loneliness. And one of films with the main virtue to be a return to a form of cinema who can be defined as good refuge. So, a puzzle. An admirable one.
    9c-kelsall

    An incomparable vision of Hell on Earth

    Robert Eggers' second (?) feature is a superb piece of mind-bending cinema. There are parallels with his earlier film, The Witch, elements of psychological horror which Eggers clearly finds interesting and hopefully hasn't finished exploring just yet. The decision to film in black and white is a stroke of genius. Every scene is filled with ominous portent and obscuring shadows. The film plays with our perceptions and moods throughout. There are moments of comedy amongst the gloom, the two men stranded on the rock endure a tumultuous relationship, by turns suspicious, angry and even savage, then there are unexpected moments of comradeship fuelled by alcohol. We are forced to question constantly who is mad, or perhaps madder? Are they in the grip of a storm, or are they in Hell? And the soundtrack! No one I can think of uses sound to create atmosphere quite like Eggers. Foghorns, the relentlessly howling wind, the seagulls; is it any wonder if they were as mad as a box of frogs? Willem Dafoe is absolutely fantastic in The Lighthouse. He really should be considered for an Oscar for his turn as the saltiest of old seadogs, spouting rage-filled Melville-esque invective straight from Davey Jones' locker, at sporadic intervals. I don't think there are many actors who could've pulled off that performance with such aplomb. He chews the scenery mercilessly, but it is exactly what the role requires; his Thomas Wake is a force of nature in human form. The Lighthouse won't be to everyone's taste, and it would be a mistake to view it as a moody twin sister of The Witch (which was a genuine horror); but I found it to be mesmerising and intriguing, and a fabulously well-crafted psychological drama with trimmings of horror.
    7mistadobalina4

    Didn't love it, but loved watching it...

    The acting is great, the cinematograpgy is AMAZING! There's such a haunting feeling to this movie. The island and the lighthouse really feels like a place from wich you never return. Everything is amazing about this movie, and still i feel like something's missing. The plot just cant keep up with the rest of the movie.

    I really loved watching it, but i didnt love it...

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Willem Dafoe and Robert Pattinson stated that they barely spoke a word to each other on set and were too exhausted to hang out together after a day of shooting because filming was so physically demanding due to the miserable weather conditions. While Pattinson stayed at a normal hotel with the rest of the film crew during the shoot, Dafoe lived in a little fisherman's cottage in solitude. On set, on the other hand, Pattinson would tend to eat and stay by himself during filming breaks, while Dafoe stayed with the crew. Both stated that they liked each other very much as soon as they had their first real conversation a few months later.
    • Gaffes
      One of the folk songs used during one of the drunken sessions in the film is 'On a Monday Morning', written by Cyril Tawney in about 1966 - but the film is supposedly set in the C19th.
    • Citations

      Thomas Wake: Yer fond of me lobster aint' ye? I seen it - yer fond of me lobster! Say it! Say it. Say it!

      Ephraim Winslow: I don't have to say nothin'.

      Thomas Wake: Damn ye! Let Neptune strike ye dead Winslow! HAAARK!

      Thomas Wake: Hark Triton, hark! Bellow, bid our father the Sea King rise from the depths full foul in his fury! Black waves teeming with salt foam to smother this young mouth with pungent slime, to choke ye, engorging your organs til' ye turn blue and bloated with bilge and brine and can scream no more - only when he, crowned in cockle shells with slitherin' tentacle tail and steaming beard take up his fell be-finned arm, his coral-tine trident screeches banshee-like in the tempest and plunges right through yer gullet, bursting ye - a bulging bladder no more, but a blasted bloody film now and nothing for the harpies and the souls of dead sailors to peck and claw and feed upon only to be lapped up and swallowed by the infinite waters of the Dread Emperor himself - forgotten to any man, to any time, forgotten to any god or devil, forgotten even to the sea, for any stuff for part of Winslow, even any scantling of your soul is Winslow no more, but is now itself the sea!

      Ephraim Winslow: Alright, have it your way. I like your cookin'.

    • Connexions
      Featured in Amanda the Jedi Show: 'Faster than your First Time' Reviews (Joker, Jojo Rabbit, Lucy in the Sky and everything else) (2019)
    • Bandes originales
      Tis Brasswork
      Based on the Poem: "Brasswork: The Light-Keepers Lament" by Frederic W. Morong, Jr.

      Melody by Mark Korven

      Performed by Willem Dafoe

    Meilleurs choix

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    Director Robert Eggers' Essential Watchlist

    Director Robert Eggers' Essential Watchlist

    Nosferatu director Robert Eggers recommends four of his all-time favorite films + one beloved TV series which he regularly returns to for inspiration and entertainment.
    See his Watchlist picks
    Production art
    Liste

    FAQ

    • How long is The Lighthouse?
      Alimenté par Alexa
    • What's the song that plays during the credits?
    • Is this based on the Edgar Allen Poe story titled 'The Lighthouse Keeper'?
    • What were they drinking out of the oil can after they ran out of booze?

    Détails

    Modifier
    • Date de sortie
      • 18 décembre 2019 (France)
    • Pays d’origine
      • Canada
      • États-Unis
    • Sites officiels
      • Official Facebook
      • Official Instagram
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • El faro
    • Lieux de tournage
      • Cape Forchu, Nouvelle-Écosse, Canada(Lighthouse and buildings exterior movie set)
    • Sociétés de production
      • Regency Enterprises
      • RT Features
      • Parts and Labor
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 11 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 10 867 104 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 427 797 $US
      • 20 oct. 2019
    • Montant brut mondial
      • 18 095 509 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 49 minutes
    • Couleur
      • Black and White
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.19 : 1

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