L'histoire d'un gardien de phare au début du XXe siècle dans le Maine.L'histoire d'un gardien de phare au début du XXe siècle dans le Maine.L'histoire d'un gardien de phare au début du XXe siècle dans le Maine.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 34 victoires et 139 nominations au total
Avis à la une
The film itself is absolutely gorgeous. But it has to be. Everything that makes this movie had to be made very intentionally, or the movie would be horrible. If this movie was in color, it would be dumb. It is the beautiful shots using light and shadow that really brings you in. Every scene filmed at night took my breath away. The scenes of the mermaid made more surreal because of the lack of color. Like I said, even a touch of color in this movie would have destroyed it.
It is weird and not a typical movie. There is no solid protagonist and antagonist. It is two men falling into madness and the surrealism it depicts. It is a lot of talking, but only between the two main characters. Like I said, not a typical popcorn watching movie. Trying to watch it when it isn't your only focus would be like trying to watch The Seventh Seal at a football party.
So, while I think this movie was beautifully made, be aware of what you are getting into. You will be watching a black and white film of two men arguing, and falling into madness together with pops of the surreal. If that is your jams, then you will love this movie.
I really loved watching it, but i didnt love it...
Le saviez-vous
- AnecdotesWillem Dafoe and Robert Pattinson stated that they barely spoke a word to each other on set and were too exhausted to hang out together after a day of shooting because filming was so physically demanding due to the miserable weather conditions. While Pattinson stayed at a normal hotel with the rest of the film crew during the shoot, Dafoe lived in a little fisherman's cottage in solitude. On set, on the other hand, Pattinson would tend to eat and stay by himself during filming breaks, while Dafoe stayed with the crew. Both stated that they liked each other very much as soon as they had their first real conversation a few months later.
- GaffesOne of the folk songs used during one of the drunken sessions in the film is 'On a Monday Morning', written by Cyril Tawney in about 1966 - but the film is supposedly set in the C19th.
- Citations
Thomas Wake: Yer fond of me lobster aint' ye? I seen it - yer fond of me lobster! Say it! Say it. Say it!
Ephraim Winslow: I don't have to say nothin'.
Thomas Wake: Damn ye! Let Neptune strike ye dead Winslow! HAAARK!
Thomas Wake: Hark Triton, hark! Bellow, bid our father the Sea King rise from the depths full foul in his fury! Black waves teeming with salt foam to smother this young mouth with pungent slime, to choke ye, engorging your organs til' ye turn blue and bloated with bilge and brine and can scream no more - only when he, crowned in cockle shells with slitherin' tentacle tail and steaming beard take up his fell be-finned arm, his coral-tine trident screeches banshee-like in the tempest and plunges right through yer gullet, bursting ye - a bulging bladder no more, but a blasted bloody film now and nothing for the harpies and the souls of dead sailors to peck and claw and feed upon only to be lapped up and swallowed by the infinite waters of the Dread Emperor himself - forgotten to any man, to any time, forgotten to any god or devil, forgotten even to the sea, for any stuff for part of Winslow, even any scantling of your soul is Winslow no more, but is now itself the sea!
Ephraim Winslow: Alright, have it your way. I like your cookin'.
- Bandes originalesTis Brasswork
Based on the Poem: "Brasswork: The Light-Keepers Lament" by Frederic W. Morong, Jr.
Melody by Mark Korven
Performed by Willem Dafoe
Meilleurs choix
Director Robert Eggers' Essential Watchlist
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- El faro
- Lieux de tournage
- Cape Forchu, Nouvelle-Écosse, Canada(Lighthouse and buildings exterior movie set)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 11 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 10 867 104 $US
- Week-end de sortie aux États-Unis et au Canada
- 427 797 $US
- 20 oct. 2019
- Montant brut mondial
- 18 095 509 $US
- Durée1 heure 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.19 : 1