NOTE IMDb
7,0/10
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MA NOTE
Une histoire d'amour violente qui se déroule de 2001 à 2017.Une histoire d'amour violente qui se déroule de 2001 à 2017.Une histoire d'amour violente qui se déroule de 2001 à 2017.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 25 victoires et 56 nominations au total
Avis à la une
Qiao is cool headed, smart, responsible and resourceful; good qualities to have when your boyfriend is a gangster. When Bin, her man, gets into trouble, Qiao gets him out of it. She fades into the background when Bin needs to take the spotlight. Qiao even takes a fall for Bin when he needs her in a pinch. And that is when he forgets her. Qiao emerges from five years in prison to cold indifference. To Bin, it is as if she did not exist. "People should keep their emotions in check" Bin's new woman tells Qiao. And even China seems to have forsaken her. This is a land where cities are swallowed whole by reservoirs, and the dark water is rising around Qiao. But this ingenious woman is going to get her groove back and do what is right, Bin or no Bin.
Such depth and beauty to each element of this enthralling film. The cinematography is luminous, characters are fascinating, the story is not predictable, and bits of modern China are revealed for the complex wonders that they are. Depth is everywhere. Surprises are constant. Analogies are all around; tigers lurk in cages, a volcano looms in the distance, and a street performer picks out Qiao from a crowd and sings to her "who knew I'd ever see you again." He speaks to her heart but does not know it. The actor who plays Bin has one expression in his bag of tricks, so he could have been better, but otherwise the acting is quite good. North American premiere seen at the 2018 Toronto International Film Festival.
Such depth and beauty to each element of this enthralling film. The cinematography is luminous, characters are fascinating, the story is not predictable, and bits of modern China are revealed for the complex wonders that they are. Depth is everywhere. Surprises are constant. Analogies are all around; tigers lurk in cages, a volcano looms in the distance, and a street performer picks out Qiao from a crowd and sings to her "who knew I'd ever see you again." He speaks to her heart but does not know it. The actor who plays Bin has one expression in his bag of tricks, so he could have been better, but otherwise the acting is quite good. North American premiere seen at the 2018 Toronto International Film Festival.
This is an intense movie. It's is less about the story, which is long, both in terms of movie length but also the time period of 2001 to 2018, than it is about the lead character and her protagonist, her love. Both Tao and Fan are exceptional. Understated yet convey such power. The hotel scene is superb.
This is a film of character. Of stoicism. Of progress but indomitable tradition. A pseudo love story but rather one of belief and strength. An excellent and absorbing character study.
An enjoyable journey into a land and character unfamiliar.
This is a film of character. Of stoicism. Of progress but indomitable tradition. A pseudo love story but rather one of belief and strength. An excellent and absorbing character study.
An enjoyable journey into a land and character unfamiliar.
Found this on the film channels, and it looked fascinating. You know what? It very much lived up to that billing despite not following initial expectations.
We have here a tale surrounding a young lady in love with a gangster who are top dogs in their local area, but then the usual story stops. It's set with the backdrop of the rapidly captalising China, with the light & dark sides that come with that, and we see the young lady's travails through this as well as her obsession for her selfish man.
Personally, I was a bit surprised to come on here and see that this has been little watched & reviewed. It's a wonderfully made film, and the story is an existential look at life, possibly absurdist, with an apathetic world waiting for no one and evolving crushing all those whose lives are on hold.
It's slow in tone, but it's very beautifully filmed and acted. It deserves more attention. Even though it will clearly tick more with those of a Chinese background, there are some very strong parallels for many of us in the Western World to learn from too.
It's cerebral, arty and unforgiving. That's actually a compliment, and I think I'm going to dig out more from this director. Clearly, very much recommended from me.
We have here a tale surrounding a young lady in love with a gangster who are top dogs in their local area, but then the usual story stops. It's set with the backdrop of the rapidly captalising China, with the light & dark sides that come with that, and we see the young lady's travails through this as well as her obsession for her selfish man.
Personally, I was a bit surprised to come on here and see that this has been little watched & reviewed. It's a wonderfully made film, and the story is an existential look at life, possibly absurdist, with an apathetic world waiting for no one and evolving crushing all those whose lives are on hold.
It's slow in tone, but it's very beautifully filmed and acted. It deserves more attention. Even though it will clearly tick more with those of a Chinese background, there are some very strong parallels for many of us in the Western World to learn from too.
It's cerebral, arty and unforgiving. That's actually a compliment, and I think I'm going to dig out more from this director. Clearly, very much recommended from me.
"Ash Is Purest White" (2018 release from China; 148 min.) brings the story of Qiao and Bin. As the movie opens, we are informed it is "April 4, 2001", and we see Qiao making her rounds at a magic show of some sort. Later on, she goes into a club, which it turns out she and Bin are running. Bin is the leader of the jianghu gang. They seem to make a good boyfriend/girlfriend team. Then one day, as they are confronted by another gang, Bin is almost beaten to death, and it is Qiao who manages to step in when she shoots a gun in the air several times. The opposing gang scurries away, but Qiao is arrested and jailed for possession of a gun and lying about who owns the gun... What will become of Qiao in jail? and of Bin's recovery? To tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: this is the last film from acclaimed Chinese writer-director Jia Zhanke, whose previous works includes the excellent "A Touch of Sin". With this latest film, Jia revisits many of the themes that have dominated his earlier films, and in that sense "Ash Is Purest White" is safe, almost predictable in a way. But that's like saying that Ingmar Bergman is safe and predictable for revisiting similar issues time and again in his movies. Given the film's running time of 2 1/2 hours and spanning over a decade and a half (from 2001 to 2017), just take it from me that a LOT is playing out (sorry, I don't want to spoil any further from the plot). The role of Qiao is played brilliantly by Zhao Tao (a/ka/ Mrs. Jia in real life), who of course has appeared in many of Jia's films. Much (but not all) of the movie is once again set in Jia's home province of Shanxi. And check out the scenery at the Three Gorges...
"Ash Is Purest White" premiered at last year's Cannes film festival to immediate acclaim, and it is currently rated 98% certified fresh on Rotten Tomatoes for a reason. I had the good fortune of catching this while I was on a recent business trip to Washington, DC, where I saw it at the Landmark West End Cinema. The Friday evening screening where I saw this at was almost (but not quite) sold out. If you are in the mood for a top quality movie from China (yes, those words do go together nicely in this case), I'd readily suggest you check this out, be it in the theater (if you can), on VOD (more likely) or eventually on DVD/Blu-ray, and draw your own conclusion.
Couple of comments: this is the last film from acclaimed Chinese writer-director Jia Zhanke, whose previous works includes the excellent "A Touch of Sin". With this latest film, Jia revisits many of the themes that have dominated his earlier films, and in that sense "Ash Is Purest White" is safe, almost predictable in a way. But that's like saying that Ingmar Bergman is safe and predictable for revisiting similar issues time and again in his movies. Given the film's running time of 2 1/2 hours and spanning over a decade and a half (from 2001 to 2017), just take it from me that a LOT is playing out (sorry, I don't want to spoil any further from the plot). The role of Qiao is played brilliantly by Zhao Tao (a/ka/ Mrs. Jia in real life), who of course has appeared in many of Jia's films. Much (but not all) of the movie is once again set in Jia's home province of Shanxi. And check out the scenery at the Three Gorges...
"Ash Is Purest White" premiered at last year's Cannes film festival to immediate acclaim, and it is currently rated 98% certified fresh on Rotten Tomatoes for a reason. I had the good fortune of catching this while I was on a recent business trip to Washington, DC, where I saw it at the Landmark West End Cinema. The Friday evening screening where I saw this at was almost (but not quite) sold out. If you are in the mood for a top quality movie from China (yes, those words do go together nicely in this case), I'd readily suggest you check this out, be it in the theater (if you can), on VOD (more likely) or eventually on DVD/Blu-ray, and draw your own conclusion.
Qiao (Zhao Tao) lives in a mining town in the Chinese province of Shanxi. Her boyfriend Bin (Liao Fan) is a mob boss. As years go by, crime life brings consequences to their lives - individually and as a couple.
Though the film is long at two and a quarter hours, it is rarely dull. The two lead performers, especially Zhao, are engaging as are the occasional rural landscapes especially the ones captured by train travel.
The middle sequence is the most fascinating. When Qiao is on a mission in a strange place, she might act in terrible ways but it is still tempting to root for her; she's not much different from the corruption that surrounds her.
Overall, "Ash Is Purest White" is a fascinating journey albeit a cynical one that begins in 2001 and finishes seventeen years later. Whether it's taking place in a corrupt small town, a prison, or a chaotic travel experience, it is always intriguing in a mostly quiet way. - dbamateurcritic
Though the film is long at two and a quarter hours, it is rarely dull. The two lead performers, especially Zhao, are engaging as are the occasional rural landscapes especially the ones captured by train travel.
The middle sequence is the most fascinating. When Qiao is on a mission in a strange place, she might act in terrible ways but it is still tempting to root for her; she's not much different from the corruption that surrounds her.
Overall, "Ash Is Purest White" is a fascinating journey albeit a cynical one that begins in 2001 and finishes seventeen years later. Whether it's taking place in a corrupt small town, a prison, or a chaotic travel experience, it is always intriguing in a mostly quiet way. - dbamateurcritic
Le saviez-vous
- AnecdotesThe song playing during the drinking toast scene is the title song from John Woo's the Killer (1989). Both stories are similar in that both involve lives being ruined from gunshots.
- GaffesWhen Bin arrives at the "Datong station," the Chinese characters read "Middle Cloud" as opposed to "Datong."
- ConnexionsFeatures Black vengeance (1987)
- Bandes originalesYong Yang Shi Peng Yu
Lyrics by Weixing
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- How long is Ash Is Purest White?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Ash Is Purest White
- Lieux de tournage
- Dunhuang, Gansu, Chine(area of ufo sighting)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 422 814 $US
- Week-end de sortie aux États-Unis et au Canada
- 45 150 $US
- 17 mars 2019
- Montant brut mondial
- 11 821 877 $US
- Durée2 heures 16 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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