The Green Sea

When I came across this film I was intrigued. An independent Irish film starring the awesome Katherine Isabelle with a trailer that made it look like a mind-bending tale of questionable realities. The type of film I really gravitate towards. I was even more intrigued when I saw that it was directed by an Irish aristocrat.

Unfortunately it doesn't work.

The trailer had prepared me for a film where the physical existence of "The Kid" was up for debate. The fact she doesn't have a name and she's a character in what Katherine Isabelle is writing adds to that idea. It's the same trope we've seen for decades in many different types of film, most notably in Fight Club. Plunkett then procedes to shoot the film as if that is going to be the truth. The only person who talks to or sees "The Kid" is Isabelle, persistant hints at the traumatic back story of Isabelle, the fact she's almost always drunk. A problematic character dealing with her issues in a very unhealthy way.

It turns out that's not what we should have been focusing on. The quirks of "The Kid" are the more important factors. The strange way she reacts to coffee is notable, but given the directions the film eventually goes in, there should have been more. If we are going to have such a radical change of direction and genre then in my opinion it should have been built up to. Have more hints that she's 'off' and we will follow you down the strange (and mildly confusing) paths the film goes into by the end. As it is the revelations come out of nowhere and are under-explored.

There are also very basic things that the 21st Baron Dunsany could have corrected. We've seen the scenario where a problematic character has their car graffitied, but when it's black paint on a black jeep, you can't actually read it. Having title cards that are red text on a black background also turns out to be very hard to read on a tablet screen (which lets face it is how this movie is mostly going to be seen).

Randal Plunkett had an idea. I'm not entirely sure what that idea was, because a little more exposition would have been helpful. He got that idea made with an excellent cult actress and turned it into a mediocre film. Shame. I think this had potential.

Boring lot of tosh.

A drunk takes in a child to clean her house what she drinks and talks rubbish all day.

A skinny man with glasses pops up now and then.

Drunk is redeemed and stops drinking.

Don't watch this. It tries to be arty in a modern way by the hiding the message of to he film in amongst the poor acting and nonsense story.

Gripping, well written and produced. The location, characters and atmosphere are compelling.

Such a deep story, I totally love it The acting is so good too Everything was perfect about it and Katharine's acting was perfect as usual.

Lord Dunsany, Randal Plunkett has created a film that is rich and deep in meaning with many layers to immerse oneself in, a world full of characters both weird wonderful dark & light in a gorgeous bleak Irish landscape of wind, rain, hopes, dreams & fantasy he skilfully weaves the story

with outstanding performances from all of the cast but especially by its leads the always excellent Katharine Isabelle "Simone" in a career best performance & Ireland's brightest star Hazel Doupe as "The KId" their chemistry is electric

If you want to be transported uplifted taken on an original journey of mystery and fantasy dont miss this outstanding piece of cinematic art.